Menu

Gagosian Quarterly

Louise Bonnet in front of her painting

In Conversation
Louise Bonnet, Johanna Burton, and Celinda M. Vázquez

Join Gagosian for a panel discussion with Louise Bonnet; Johanna Burton, director of the Museum of Contemporary Art, Los Angeles; and Celinda M. Vázquez, chief external affairs officer of Planned Parenthood Los Angeles (PPLA), on the occasion of Bonnet’s donation to PPLA of the proceeds from the sale of her painting Red Study (2022).

Louise Bonnet in front of her painting Red Study, 2022, oil on linen, picturing a distorted female figure in a powerful stance, feet firmly planted and moving forward. Her hand is digging into the flesh of her hip and a red conical shape streams down from between her legs.

Louise Bonnet: On “Red Study” and Supporting Reproductive Rights

Louise Bonnet speaks with Freja Harrell about her new painting, her donation to Planned Parenthood Los Angeles, and the role of art in the fight for reproductive justice.

Louise Bonnet, Green Pantyhose, 2022

Louise Bonnet and Dodie Bellamy

Poet and novelist Dodie Bellamy visits the artist Louise Bonnet at her Los Angeles studio as she prepares for an exhibition of new works in Hong Kong and the inclusion of one of her paintings in the 59th Biennale di Venezia. The two discuss the power of horror, the intensity of memory, and their creative processes.

Louise Bonnet working in her studio on a new painting

Behind the Art
Louise Bonnet: Onslaught

Join Louise Bonnet in her Los Angeles studio as she works on new paintings ahead of her exhibition Onslaught, at Gagosian, Hong Kong.

Takashi Murakami cover and Andreas Gursky cover for Gagosian Quarterly, Summer 2022 magazine

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

Louise Bonnet, Resting Sphinx Black Background, 2021, colored pencil on paper, 24 x 19 inches (61 x 48.3 cm)

Louise Bonnet: Sphinxes

Ali Subotnick investigates the artist’s surreal new series of drawings.

Installation view, Louise Bonnet: The Hours, Gagosian, Park & 75

Louise Bonnet: The Hours

The artist describes her new body of work from her Los Angeles studio.

Still from Vertigo (1958), directed by Alfred Hitchcock. Photo: PARAMOUNT PICTURES/Ronald Grant Archive/Alamy Stock Photo

Shortlist
Five Films: Louise Bonnet

Los Angeles painter Louise Bonnet reminisces about the films that influenced her development as an artist.

Louise Bonnet in her Los Angeles studio, 2020

Louise Bonnet

Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.