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Gagosian Quarterly

Spring 2020, Page 2 of 2

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Peggy Cooper Cafritz in her home, Washington, DC, 2015. Photo: April Greer for the Washington Post/Getty Images

Game Changer
Peggy Cooper Cafritz

Cullen Swinson pays homage to the founder of the Duke Ellington School of the Arts, Washington, DC, and explores the intersections of her engagements as an educator, art collector, philanthropist, and civil rights activist.

A photograph by artist Cindy Sherman. The artist as four different clowns in a colorful, rectangular composition.

In Conversation
Cindy Sherman

Cindy Sherman sat down with Derek Blasberg to discuss her critically acclaimed exhibition at London’s National Portrait Gallery, her solitary process, and selfies.

Black and White photograph by Vera Lutter, Rodin Garden, I: February 22, 2017, 2017, unique gelatin silver print

Vera Lutter: Museum in the Camera

During a two-year residency at the Los Angeles County Museum of Art, from 2017 to 2019, Vera Lutter documented the museum’s changing campus and permanent collection, using her distinctive photographic technique. Here, she speaks about the experience with the museum’s director, Michael Govan.

Stanley Whitney, Naples, 1997.

Stanley Whitney: The Ruins

For American painter Stanley Whitney, Italy remains a central and enduring source of inspiration. Matthew Jeffrey Abrams, the author of a new monograph on the artist, reflects on the profound and far-reaching influence of Italian art and architecture on Whitney’s art.

Photograph of pink satin bow by Roe Ethridge

Roe Ethridge

During a conversation with David Rimanelli, Roe Ethridge reflected on photographs that he made during the late 1990s and early 2000s after moving to New York. They spoke as Ethridge was preparing for his exhibition Old Fruit.

Richard Prince, Untitled (Portrait), 2019.

The Right Time

Natasha Stagg on influencers, the loss of the it-girl, and the “promotional life.”

Jennifer Guidi in her Los Angeles studio, 2020.

Jennifer Guidi

The artist speaks with Laura Fried about her most recent paintings, the symbol of the serpent, and her evolving relationship to color.

Kelly Reichardt.

The World According to Kelly Reichardt

Carlos Valladares writes on Kelly Reichardt’s films, exploring the director’s interest in subtle details and care for complex characters.