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Gagosian Quarterly

Summer 2020, Page 2 of 2

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Black-and-white photograph of Alexander Calder and Margaret French dancing on a cobblestone street while Louisa Calder plays the accordion in front of a large window outside of James Thrall Soby’s house, Farmington, Connecticut, 1936

An Alphabetical Guide to Calder and Dance

Jed Perl takes a look at Alexander Calder’s lifelong fascination with dance and its relationship to his reimagining of sculpture.

Exterior of Museu de Arte de São Paulo. Photo: Eduardo Ortega

Multiplo–Diverso–Plural: Museu de Arte de São Paulo

Louise Neri speaks with Adriano Pedrosa, artistic director of the Museu de Arte de São Paulo (MASP), about the history of this unique Brazilian museum and his vision for its future.

Black and White photo of Vincent Warren dancing in Catulli Carmina, c. 1969.

The fact that you move so beautifully

On the occasion of the sixtieth anniversary of Frank O’Hara’s celebrated poem “Having a Coke with You,” Gillian Jakab takes a look at the “poet among painters” and the poem’s “You.”

young people inside a tent structure within a purple-lit room

The Bigger Picture
Recess

Gagosian’s Sarah Hoover sat down with Allison Freedman Weisberg, founder and executive director of Recess, and Anaïs Duplan, Recess program manager, to discuss the community arts organization’s evolution, recent programs, and dreams for the future.

Georg Baselitz, Da sind zwei Figuren im alten Stil (That’s two figures in the old style), 2019, oil and painter’s gold varnish on canvas

Georg Baselitz: Life, Love, Death

Richard Calvocoressi writes on the painter’s latest bodies of work, detailing the techniques employed and their historical precedents.

Graham Nash at home, San Francisco, 1972. An M. C. Escher print from his collection can be seen on the floor to the right. Photo: Joel Bernstein

Graham Nash

Raymond Foye offers a window into his long-standing friendship with Graham Nash, guiding us through the legendary musician’s evolving interest in art and the visual world.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1, 2020–January 3, 2021.

Katharina Grosse: I see what she did there

On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.

A detail of Donald Judd's 1980 untitled artwork

Donald Judd: Artwork: 1980

Flavin Judd, the artist’s son and artistic director of Judd Foundation, speaks with Kara Vander Weg about the recent installation of the sculptor’s eighty-foot-long plywood work from 1980 at Gagosian, New York.