About
I feel like people tend to look at a painting and think, “OK, one artist paints a painting.” As if the condition remains the same ten years ago, three years ago, and now. But . . . the way I create the work constantly evolves. Especially in the past few years, we’ve been able to use a lot of the 3-D modeling programs, so the way I can grasp and understand forms has drastically changed and evolved. . . . Artistic expression really has to do with technique, and how you can actually realize ideas.
—Takashi Murakami
Gagosian is pleased to present GYATEI², new works by Takashi Murakami, as the 2019 “Oscars show,” a much-anticipated annual fixture on the Los Angeles cultural calendar.
Drawing from traditional Japanese painting, sci-fi, anime, and pop culture, Murakami’s oeuvre comprises paintings, sculptures, films, and a stream of commercial products populated by mutating characters of his own creation. His iconoclastic individualism continues the nonconformist legacy of the Edo Eccentrics, a group of eighteenth-century Japanese artists who constructed a powerfully imaginative world filled with bizarre and emotive imagery.
The exhibition title comes from the Buddhist Hannya Shingyo (Heart Sutra), a popular sutra in Mahayana Buddhism. The incantation is often chanted by Zen groups before or after a meditation. At the conclusion of the sutra, the Avalokiteshvara, a popular and recognizable bodhisattva, turns and recites a mysterious mantra to one of the disciples. The mantra is often roughly translated as “gone, gone, gone beyond, gone completely beyond, enlightenment, svāhā.” This articulation has been diversely interpreted as a call to “go” attain enlightenment, as the cry of a baby reborn into an eternal true world, and as a curse.
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Takashi Murakami and RTFKT: An Arrow through History
Bridging the digital and the physical realms, the three-part presentation of paintings and sculptures that make up Takashi Murakami: An Arrow through History at Gagosian, New York, builds on the ongoing collaboration between the artist and RTFKT Studios. Here, Murakami and the RTFKT team explain the collaborative process, the necessity of cognitive revolution, the metaverse, and the future of art to the Quarterly’s Wyatt Allgeier.
Now available
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Murakami on Ceramics
Takashi Murakami writes about his commitment to the work of Japanese ceramic artists associated with the seikatsu kōgei, or lifestyle crafts, movement.
In Conversation
Takashi Murakami and Hans Ulrich Obrist
Hans Ulrich Obrist interviews the artist on the occasion of his 2012 exhibition Takashi Murakami: Flowers & Skulls at Gagosian, Hong Kong.
Takashi Murakami at LACMA
In a conversation recorded at the Los Angeles County Museum of Art, Takashi Murakami describes the process behind three major large-scale paintings, including Qinghua (2019), inspired by the motifs painted on a Chinese Yuan Dynasty porcelain vase.
“AMERICA TOO”
Join us for an exclusive look at the installation and opening reception of Murakami & Abloh: “AMERICA TOO”.
News
Artist Spotlight
Takashi Murakami
December 9–15, 2020
Takashi Murakami seamlessly blends commercial imagery, anime, manga, and traditional Japanese styles and subjects, revealing the themes and questions that connect past and present, East and West, technology and fantasy. His paintings, sculptures, and films are populated by repeated motifs and evolving characters of his own creation. Together with dystopian themes and contemporary references, he revitalizes narratives of transcendence in continuation of the nonconformist legacy of a group of eighteenth-century Japanese artists known as the Edo eccentrics.
Photo: Claire Dorn
In Conversation
Takashi Murakami
Stephen Little
Wednesday, February 20, 2019, 7:30–8:30pm
Bing Theater, Los Angeles County Museum of Art
www.lacma.org
Takashi Murakami will speak with Stephen Little, a curator at the Los Angeles County Museum of Art, about his work, including the upcoming exhibition Takashi Murakami: GYATEI² at Gagosian, Beverly Hills. LACMA director Michael Govan will introduce the conversation. To attend the free event, register at my.lacma.org.
Photo: Chika Okazumi