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Balthus dessinateur
February 3–April 23, 2023
Musée cantonal des Beaux-Arts, Lausanne, Switzerland
www.mcba.ch
This exhibition, whose title translates to Balthus the Draftsman, features a selection of drawings by Balthus, placed by the artist’s family on long-term loan with the museum. Drawing lay at the heart of the artist’s practice as both a system for understanding and analyzing the world around him and a crucial step in making his paintings. The works are simple, fragmentary, private studies that help reveal his creative process.
Installation view, Balthus dessinateur, Musée cantonal des Beaux-Arts, Lausanne, Switzerland, February 3–April 23, 2023. Artwork © Balthus
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Découpage
A Labour of Love
July 1–October 17, 2021
Tarmak22, Gstaad Saanen Airport, Switzerland
www.tarmak22.com
Découpage presents more than 150 cut-paper works made in the nineteenth and twentieth century by Swiss masters. Tracing the origins and development of the paper cutout, the exhibition honors the craft’s history and its Swiss heritage while creating a dialogue with a selection of contemporary artworks brought to Gstaad by collaborators including Gagosian. Work by Balthus, Richard Prince, and Setsuko is included.
Balthus, Paysage de Monte Calvello, 1978 © Balthus
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Balthus
February 19–May 26, 2019
Museo Nacional Thyssen-Bornemisza, Madrid
www.museothyssen.org
This exhibition brings together more than fifty important paintings by Balthus from every phase of his oeuvre. The starting point of the show is his monumental painting Passage du Commerce-Saint-André (1952–54), which epitomizes the artist’s intensive engagement with the dimensions of space and time in the image, and with their relationship to figure and object. This exhibition has traveled from the Fondation Beyeler in Riehen/Basel.
Balthus, Thérèse, 1938 © 2019 Artists Rights Society (ARS), New York
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Balthus
September 2, 2018–January 1, 2019
Fondation Beyeler, Riehen/Basel
www.fondationbeyeler.ch
The Fondation Beyeler brings together more than fifty important paintings by Balthus from every phase of his oeuvre. The starting point of the show is his monumental painting Passage du Commerce-Saint-André (1952–54), which epitomizes the artist’s intensive engagement with the dimensions of space and time in the image, and with their relationship to figure and object.
Balthus, The Card Game, 1948–50, Museo Nacional Thyssen-Bornemisza, Madrid © Balthus
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Derain, Balthus, Giacometti
Friendship among Artists
February 1–May 6, 2018
Fundación MAPFRE, Madrid
www.fundacionmapfre.org
The exhibition, with more than one hundred works, traces the artistic friendship of these three major artists, who met in 1933 and whose lives and works would intersect over the ensuing decades. Beyond sharing personal affinities, the three artists played with rules of representation, style, and technique. This exhibition has traveled from the Musée d’Art moderne de la Ville de Paris.
Alberto Giacometti, Aïka, 1959, Fondation Beyeler © Succession Alberto Giacometti (Fondation Alberto et Annette Giacometti, Paris + ADAGP, Paris) 2017
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Derain, Balthus, Giacometti
Une amitié artistique
June 2–October 29, 2017
Musée d’Art moderne, Paris
www.mam.paris.fr
The exhibition, with nearly two hundred works, traces the artistic friendship of these three major artists, who met in 1933 and whose lives and works would intersect over the ensuing decades. Beyond their personal affinities, the three artists played with rules of representation, style, and technique.
Balthus, The Street, 1933, Museum of Modern Art, New York © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris
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The Beginning of Everything
Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections
February 24–June 18, 2017
The Menil Collection, Houston
www.menil.org
In anticipation of the October 2017 opening of the Menil Drawing Institute, the museum is exhibiting a selection of drawings spanning the mid-nineteenth to the late twentieth century. The show highlights promised gifts from the collections of Janie C. Lee and Louisa Stude Sarofim, as well as works from David Whitney’s 2005 bequest, which include those by Balthus, Georg Baselitz, Helen Frankenthaler, Alberto Giacometti, Anselm Kiefer, Brice Marden, Bruce Nauman, Richard Serra, Cy Twombly, and Rachel Whiteread.
Brice Marden, Untitled, 1988–91 © Brice Marden/Artist Rights Society (ARS), New York