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Artist Spotlight
Ed Ruscha to kick off new season of Gagosian’s online series

Launching September 16, 2020

Gagosian is unveiling a new vision for the Artist Spotlight series that will operate independently of our exhibition program. This will cement the platform’s status as a vibrant aspect of the gallery’s programming that allows artists to operate imaginatively beyond the physical exhibition format.

The second season of Artist Spotlight—a series that focuses on an individual artist for one week each month—premieres on September 16, 2020, with a new project by legendary artist Ed Ruscha. A selection of works by preeminent artists—including John Currin, Takashi Murakami, Nathaniel Mary Quinn, and Rachel Whiteread—will debut this fall. For updates, please contact the gallery at collecting@gagosian.com.

Ed Ruscha. Photo: Sten Rosenlund

Ed Ruscha. Photo: Sten Rosenlund

Related News

Anselm Kiefer, Die Frauen der Antike, 1999–2002, installation view, La Ribaute, Barjac, France © Anselm Kiefer. Photo: Charles Duprat

Giveaway

Artist Spotlight: Anselm Kiefer
La Ribaute Private Tour and Lunch

Over the course of three decades, Anselm Kiefer has transformed La Ribaute—a 40-hectare site located in the south of France near Barjac, northwest of Avignon—into a uniquely immersive artistic environment.

Enter for a chance to join an exclusive tour of the grounds on Saturday, September 10, 2022, for you and a guest. The visit includes a guided walk-through led by Gagosian director Georges Armaos, featuring a talk with Kiefer studio director Waltraud Forelli, and a private lunch amid the artist’s monumental installations.

The giveaway begins on June 22 at 6am EDT and ends on June 29 at 6am EDT as part of Artist Spotlight: Anselm Kiefer. For terms and conditions, click here.

Enter to Win

Anselm Kiefer, Die Frauen der Antike, 1999–2002, installation view, La Ribaute, Barjac, France © Anselm Kiefer. Photo: Charles Duprat

Clockwise from top left: Sarah Sze, photo: courtesy MacArthur Foundation; Urs Fischer, photo: Chad Moore; Jennifer Guidi, photo: Brica Wilcox; Titus Kaphar, photo: John Lucas; and Jenny Saville, photo: Pal Hansen/Getty Images

Online Exclusive

Artist Spotlight
One Artist, One Work, One Week

Launching April 8, 2020

As arts institutions worldwide temporarily close their doors to support efforts to contain the COVID-19 pandemic, exhibitions everywhere are being canceled, postponed, or curtailed. For artists who have invested time, energy, and resources preparing shows now directly affected by the health crisis, Gagosian is launching Artist Spotlighta new, multifaceted program that invites individual artists to use the gallery’s online channels as an open platform, to present their work to the world and continue generating support for their studios.

Clockwise from top left: Sarah Sze, photo: courtesy MacArthur Foundation; Urs Fischer, photo: Chad Moore; Jennifer Guidi, photo: Brica Wilcox; Titus Kaphar, photo: John Lucas; and Jenny Saville, photo: Pal Hansen/Getty Images

Tatiana Trouvé, The Guardian, 2024 © Tatiana Trouvé. Photo: Thomas Lannes

Honor

Tatiana Trouvé
Årets Skulptør 2024

Tatiana Trouvé has been named 2024’s Sculptor of the Year by Kistefos in Jevnaker, Norway. Every year, the chosen artist is invited to create a site-specific work to be permanently installed in the museum’s sculpture park. Trouvé’s two Kistefos sculptures are part of her Guardian series (2013–), which symbolize fictional characters who guard different places and life forms. The artist created the works in response to the former wood pulp mill in which they will be installed—keeping not only the landscape and local animal life in mind, but also the building’s industrial history and the people who have shaped it into the institution it is today. The work will be unveiled on May 4, in conjunction with the opening of the 2024 season, and is the fifty-third commission in the collection.

Tatiana Trouvé, The Guardian, 2024 © Tatiana Trouvé. Photo: Thomas Lannes

Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Institutional Buzz

Institutional Buzz

On the occasion of Andrea Fraser sexhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.