Recent Paintings and Graphite Drawings
November 12–December 18, 2021
980 Madison Avenue, New York
These paintings are of themselves
November 13–December 23, 2021
541 West 24th Street, New York
Extended through February 5, 2022
Stance, Rhythm, and Tilt
September 28, 2021–February 5, 2022
West 21st Street, New York
Ten Exhibition Prints from In the American West
November 4–December 18, 2021
Emergency Paintings, Danger Paintings, Hazard Pictures and Seizures
Open from October 5, 2021
Britannia Street, London
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings
Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.
Gagosian Quarterly Winter 2021
The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.
Sally Mann: Vinculum
Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.
Social Works II: Manuel Mathieu | The Delusion of Power
Artist Manuel Mathieu reflects on Haiti, Francisco Goya, and conceptualizations of power, examining their roles in his practice.
Behind the Art
Jonas Wood in Hong Kong
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
Peter Ballantine and Martha Buskirk on Donald Judd
Peter Ballantine, Donald Judd’s longtime fabricator of plywood works, and Martha Buskirk, professor of art history and criticism at Montserrat College of Art in Beverly, Massachusetts, discuss the development, production, and history of the largest plywood construction Judd ever made, an untitled work from 1980.
Jasper Johns: Mind/Mirror
Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.
Picture Books: Ottessa Moshfegh and Issy Wood
Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.
Jenny Saville: A cyclical rhythm of emergent forms
An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.
Leaders in the Arts: Publishing Edition
Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.
Social Works II: Sumayya Vally and Sir David Adjaye
Sumayya Vally speaks with Sir David Adjaye about rethinking and expanding the definition of architecture. The conversation forms part of “Social Works II,” a supplement guest edited by Antwaun Sargent for the Winter 2021 issue of the Quarterly.
Say Goodbye, Catullus, to the Shores of Asia Minor
Thierry Greub tracks the literary references in Cy Twombly’s epic painting of 1994.
Jeff Wall and David Campany
Wednesday, December 8, 2021, 6pm EST
As part of ICP Talks, an online lecture series organized by the International Center of Photography in New York, Jeff Wall will be joined by David Campany, ICP’s managing director of programs, in a discussion about the artist’s practice. Wall will consider how his interest in scale and the beholder in the exhibition space shape his image making as he moves between documentary and more cinematographic pictures. To join the event, purchase tickets at buy.acmeticketing.com.
Kon Trubkovich Selects
December 10–19, 2021
Metrograph, New York
Kon Trubkovich has curated a selection of films under the title of The Russians Love Their Children Too, as part of a series copresented by Gagosian and Metrograph in the theater and online. The program, comprising ten films, explores Russian and Eastern European cinema through various angles. From the documentaries of Sergei Loznitsa to quintessential masterpieces such as Andrei Tarkovsky’s Mirror (1975), the selected films contain elements key to Trubkovich’s life and art practice. To attend a screening, purchase tickets at metrograph.com.
Additionally, on December 18, Trubkovich will be in conversation with director Sergei Loznitsa following the screening of The Event.
Still from Mirror (1975), directed by Andrei Tarkovsky
The Films of Andy Warhol
John G. Hanhardt, Bruce Jenkins, Tom Kalin
Thursday, December 2, 2021, 7pm EST
To celebrate the publication of The Films of Andy Warhol Catalogue Raisonné, 1963–1965, Volume 2, the Whitney Museum of American Art, New York, is hosting a conversation about Andy Warhol’s practice as a filmmaker. John G. Hanhardt, general editor of the catalogue raisonné, will be joined by film scholar Bruce Jenkins and filmmaker Tom Kalin, both contributors to the publication, to discuss the history of Warhol’s engagement with cinema and share insights into why Warhol’s films have been influential for generations of artists. To join the online event, register at whitney.zoom.us.
Andy Warhol, Blow Job, 1964 (still) © 2021 The Andy Warhol Museum, Pittsburgh, a museum of the Carnegie Institute. All rights reserved
When New York looks at the School of Paris
Tuesday, November 30, 2021, 4–10am est (10am–4pm cet)
An online symposium will take place in conjunction with the exhibition Chaïm Soutine/Willem de Kooning, la peinture incarnée, currently on view at the Musée de l’Orangerie, Paris. At 4:30am est (10:30am cet) John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, New York, will speak with Claire Bernardi, chief curator of paintings at the Musée d’Orsay. The pair will discuss responses to the 1950 MoMA exhibition of Chaïm Soutine’s work as seen in Willem de Kooning’s paintings and in the writings of critic Clement Greenberg. To join the online event, register at www.musee-orangerie.fr.
Willem de Kooning, Woman, 1953, Hirshhorn Museum and Sculpture Garden, Washington, DC © 2021 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York
Opening this Week
Andreas Gursky in
Electro: Von Kraftwerk bis Techno
December 9, 2021–May 15, 2022
Kunstpalast Düsseldorf, Germany
This exhibition, whose title translates to Electro: From Kraftwerk to Techno, examines the history of electronic music and its interconnections with art. Through more than five hundred works, including musical instruments, self-made sound generators, photographs, audio clips, videos, and graphic design, the diverse field of “electronic” music is explored from a variety of perspectives. Work by Andreas Gursky is included.
Andreas Gursky, May Day III, 1998 © Andreas Gursky/VG Bild-Kunst, Bonn, Germany, 2021
Closing this Week
Titus Kaphar in
The Black Index
Through December 11, 2021
Art Galleries at Black Studies, University of Texas at Austin
The artists featured in The Black Index build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, they question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification. This exhibition originated at the Contemporary Arts Center Gallery, University of California, Irvine. Work by Titus Kaphar is included.
Titus Kaphar and Reginald Dwayne Betts, Redaction (San Francisco), 2020 © Titus Kaphar and Reginald Dwayne Betts. Photo: Christopher Gardner
Hao Liang in
The 10th Asia Pacific Triennial of Contemporary Art (APT10)
Through April 25, 2022
Queensland Art Gallery and Gallery of Modern Art, Brisbane, Australia
For its tenth edition, Queensland Art Gallery and Gallery of Modern Art’s Asia Pacific Triennial looks to the future of art and the world we inhabit together. The Triennial includes sixty-nine projects—from large-scale installations and immersive multimedia artworks to sculpture, textiles, paintings, photography, and video—with new and recent work by emerging and established artists and collectives from thirty countries. Work by Hao Liang is included.
Hao Liang, The Chase of Apollo, Act I, 2021 © Hao Liang. Photo: Yang Chao Studio
Alex Israel × Snapchat
Through May 1, 2022
Bass Museum of Art, Miami Beach, Florida
This exhibition uses Snapchat’s augmented reality (AR) technology to bring Alex Israel’s Self-Portraits to life, transforming five of his paintings into portals to immersive animated experiences. “Lenses” accessed through the visitor’s smartphone overlay Snapchat’s groundbreaking AR onto Israel’s physical works to offer viewers a new experience of painting. A site-specific sixth work interacts with the museum’s historic Art Deco façade, bringing the building to life.
Alex Israel, Self-Portrait (Pelican with Fish), 2019 © Alex Israel