Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz

On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.

Doris Ammann, black-and-white photo

Doris Ammann

Larry Gagosian reflects on the incredible life and career of his friend Doris Ammann.

Glenn Brown’s studio, London, 2021. Photo: Lucy Dawkins

In Conversation
Glenn Brown and Jacky Klein

Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.

Eiko Otake stands on what was part of the original seawall next to the Tomioka Fishing Harbor.

A Body in Fukushima

Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.

Albert Oehlen: In the Studio

Albert Oehlen: In the Studio

This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.

Charlotte Gainsbourg on a motorscooter in a film still from Jim Jarmusch and Anthony Vaccarello's "French Water"

Fashion and Art: Anthony Vaccarello and Jim Jarmusch

Director Jim Jarmusch and Anthony Vaccarello, the creative director for Saint Laurent, discuss French Water, a new short film collaboration—starring Charlotte Gainsbourg, Indya Moore, Julianne Moore, Chloë Sevigny, and Leo Reilly—in this interview with the Quarterly’s Wyatt Allgeier.

Albert Oehlen and Mark Godfrey

In Conversation
Albert Oehlen and Mark Godfrey

Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.

Gerhard Richter working on one of his Cage paintings, Cologne, Germany, 2006. Artwork © Gerhard Richter 2020 (05102020). Photo: © Hubert Becker

Gerhard Richter

Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.

Setsuko in front of the Grand Chalet de Rossinière in Switzerland where she lives and works.

The Grand Chalet: An interview with Setsuko

On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.

Adriana Varejão: In the Studio

Work in Progress
Adriana Varejão: In the Studio

Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.

Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021

In Conversation

Katharina Grosse
Margaret Andera

Friday, May 7, 2021, 1pm EDT

Join the Milwaukee Art Museum’s Contemporary Art Society for a virtual conversation between Katharina Grosse and the museum’s interim chief curator and curator of contemporary art, Margaret Andera. The pair will discuss Grosse’s Untitled (2019), which the museum recently acquired. The painting is the first work by the artist to enter the collection as well as the first by a female artist in the museum’s collection of contemporary German paintings. To attend the event, register at

Katharina Grosse, Untitled, 2019 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard


Famously Unknown
Legacy Building in the Art World

Tuesday, May 18, 2021, 1pm edt

Art history is fickle. Why do some artists prevail while others falter? How can lesser-known artists build their reputations and legacies? Sound curatorial and art historical methods must be combined with a keen sense of the demands of the commercial marketplace. As part of Gagosian’s Building a Legacy program, writer, curator, editor, and publisher Raymond Foye and Gagosian director Rani Singh will discuss the general principles and methodology of archiving, editing, and presenting the work of overlooked artists and writers. They will share firsthand accounts and learning experiences working with artists such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith. To join, register at

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard

Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz

Art Fair

Art Basel Hong Kong 2021

May 21–23, 2021, booth 1d30
Hong Kong Convention and Exhibition Centre

Gagosian is pleased to participate in Art Basel Hong Kong 2021, alongside 104 leading galleries from twenty-three countries and territories.

Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz

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Museum Exhibitions

Sally Mann, Holding Virginia, 1989 © Sally Mann

Opening Today

Sally Mann in
Wilde Kindheit

May 12–September 5, 2021
Lentos Kunstmuseum, Linz, Austria

This exhibition, whose title translates to Real Wild Child, presents works by 170 international artists from 1900 to the present day. Strong on critical acumen, empathy, irony, and humor, the artists document children’s happiness as well as their frustrations. Work by Sally Mann is included.

Sally Mann, Holding Virginia, 1989 © Sally Mann

Sterling Ruby, Basin Theology/BRAVAMAX, 2014 © Sterling Ruby

Opening this Week

Sterling Ruby at Cycladic

May 14–June 21, 2021
Museum of Cycladic Art, Athens

In this exhibition, Sterling Ruby places a selection of his ceramic sculptures among the rare artifacts of the Museum of Cycladic Art’s permanent collection as well as in the museum’s temporary exhibition wing. Ruby’s works—which here include smaller utilitarian objects, larger basins, as well as figurative, floral, and totemic forms—converse with representative examples of figurines, tools, weapons, and pottery from the distinctive culture that flourished in the central Aegean during the Early Bronze Age.

Sterling Ruby, Basin Theology/BRAVAMAX, 2014 © Sterling Ruby

Taryn Simon, Press XL, from the series Paperwork and the Will of Capital, 2015, Brooklyn Museum, New York © Taryn Simon

Opening this Week

The Slipstream
Reflection, Resilience, and Resistance in the Art of Our Time

May 14, 2021–March 20, 2022
Brooklyn Museum, New York

The Slipstream draws examples from Brooklyn Museum’s contemporary art collection to contemplate the profound disruption that occurred in 2020. Borrowing its title from an aeronautical term that refers to the pull of the current that is left in the wake of a large and powerful object, the exhibition examines the placement and displacement of power that runs through American history and continues today. The show features more than sixty works by multiple generations of artists from the 1960s to the present day, including Titus Kaphar and Taryn Simon.

Taryn Simon, Press XL, from the series Paperwork and the Will of Capital, 2015, Brooklyn Museum, New York © Taryn Simon

Urs Fischer, Untitled, 2003 © Urs Fischer

Opening this Week

The Paradox of Stillness
Art, Object, and Performance

May 15–August 8, 2021
Walker Art Center, Minneapolis

Featuring works from the early twentieth century to today, The Paradox of Stillness examines the notion of stillness as both a performative and a visual gesture. More than sixty-five artists present object-based art, pictures, and actions staged by live performers to test the boundaries between stillness and motion, mortality and aliveness, and the still life and the living picture. Work by Urs Fischer, Piero Manzoni, Cindy Sherman, Tom Wesselmann, and Franz West is included.

Urs Fischer, Untitled, 2003 © Urs Fischer

See all Museum Exhibitions