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Rick Lowe painting in his studio.

Behind the Art
Rick Lowe: In the Studio

Join Rick Lowe in his Houston studio as he speaks about his recent paintings, describing their connections to his long engagement with the activity of dominoes and to his community-based projects created in the tradition of social sculpture.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Kahlil Robert Irving, Downtown Norfolk, Nebraska (1998), 2017, unglazed and glazed ceramic, enamel, luster, and image transfers.

Social Works II: Kahlil Robert Irving

Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.

Rachelle Mozman Solano, Las Damas, 2010, chromogenic print,

The Destination Is Latinx

Susan Breyer surveys the dynamic state of contemporary Latinx art in the United States. Highlighting seven artists who are rewriting cultural narratives, Breyer calls for sustained attention to this growing group beyond National Hispanic Heritage Month.

Still from "In Conversation: David Adjaye, Rick Lowe, and Thelma Golden"

In Conversation
David Adjaye, Rick Lowe, and Thelma Golden

Rick Lowe and Sir David Adjaye join Thelma Golden, director and chief curator of the Studio Museum in Harlem, New York, for a conversation on the occasion of the exhibition Social Works at Gagosian, New York. The trio explore Adjaye and Lowe’s shared interests in architecture, community building, and the relationship between space and the Black body.

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Sergio Zambon black-and-white portrait

Fashion and Art: Sergio Zambon

Designer Sergio Zambon, head of menswear at Moncler, speaks to Wyatt Allgeier about his inspirations and visions for this season’s 2 Moncler 1952 M collection, a project under the Moncler Genius initiative, and his collaboration with artists Andrea Anastasio, Prem Sahib, and Erwin Wurm on a special exhibition of unique artworks—being sold for a good cause—presented in Milan on September 25, 2021, in conjunction with the live digital show “MONDOGENIUS.”

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Anna Halprin in The Prophetess, 1955.

Game Changer
Anna Halprin

Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.

Kevin Jerome Everson, 2019. Photo: © Erin Leland

Overtime: On Kevin Jerome Everson

Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.

João Menegussi and Calvin Royal III in Touché (2020), choreographed by Christopher Rudd

Touché

Christopher Rudd’s pas de deux Touché, choreographed for American Ballet Theatre during the onset of the pandemic, follows dancers João Menegussi and Calvin Royal III through a charged, vulnerable, and ultimately tender love story. In conversation with scholar Clare Croft, the artists reflect on the politics, poetics, and process of bringing this groundbreaking duet to life.

Jennifer Guidi, The Radiant Glow of Our Passion Within (Painted Universe Mandala, SF #9E Lavender – Natural Sand, Blue, Green, Yellow, Pink, Red Ground), 2021 (detail) © Jennifer Guidi. Photo: Brica Wilcox

Art Fair

Frieze London 2021
Jennifer Guidi

October 13–17, 2021, booth E3
Regent’s Park, London
frieze.com

Gagosian is pleased to announce a solo presentation of new works by Jennifer Guidi at Frieze London 2021. Titled Infinite Waves, it brings together nine paintings and nine works on paper that take inspiration from nature and the essential role it has played during the pandemic. Infinite Waves will be on view at the fair, and a selection of the works will be available online in the Frieze Viewing Room and on the Gagosian website.

Jennifer Guidi, The Radiant Glow of Our Passion Within (Painted Universe Mandala, SF #9E Lavender – Natural Sand, Blue, Green, Yellow, Pink, Red Ground), 2021 (detail) © Jennifer Guidi. Photo: Brica Wilcox

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Art Fair

Frieze Masters 2021

October 13–17, 2021, booth C02
Regent’s Park, London
www.frieze.com

Gagosian is pleased to participate in Frieze Masters 2021 with Material Process. Conceived, carved, cast, or constructed—sculpture remained a continuously strong tradition throughout the twentieth century in Britain. Artists such as Henry Moore, Anthony Caro, Michael Craig-Martin, Rachel Whiteread, Damien Hirst, and Douglas Gordon have extended this lineage, often focusing on human figures or body parts, transforming materials and techniques, including language, into a widely diverse practice that is internationally recognized.

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Rachel Whiteread making Ghost (1990), London, 1990. Artwork © Rachel Whiteread. Photo: courtesy the artist

In Conversation

at home: Artists in Conversation
Rachel Whiteread and Michele Robecchi

Friday, October 15, 2021, 12–1pm edt

As part of the Yale Center for British Art’s at home: Artists in Conversation series, Rachel Whiteread will be in conversation with Michele Robecchi, independent curator, writer, and commissioning editor at Phaidon Press. The pair will discuss Whiteread’s artistic practice, in which everyday objects are transformed—using materials such as rubber, dental plaster, and resin—into ghostly replicas that are eerily familiar. To join the online event, register at yale.zoom.us.

Rachel Whiteread making Ghost (1990), London, 1990. Artwork © Rachel Whiteread. Photo: courtesy the artist

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Museum Exhibitions

Giuseppe Penone, Sève et pensée (Sap and Thought), 2017–18 (detail) © ADAGP, Paris, 2021. Photo: Archivio Penone

Opening Today

Giuseppe Penone
Sève et pensée

October 12, 2021–January 23, 2022
Bibliothèque nationale de France, Paris
www.bnf.fr

Sève et pensée (Sap and Thought), an exhibition at the Bibliothèque nationale de France’s François-Mitterand location, centers on Giuseppe Penone’s spectacular installation Pensieri e linfa (Sap and Thought) (2021), produced especially for the site, which features a frottage rubbing of a 30-meter-long acacia tree trunk on a length of canvas. Handwritten text by the artist runs along both sides of the imprint. Also included are previously unseen works, drawings, photographs, and books, as well as a series of eighteen recent prints that Penone has gifted to the library.

Giuseppe Penone, Sève et pensée (Sap and Thought), 2017–18 (detail) © ADAGP, Paris, 2021. Photo: Archivio Penone

Setsuko, L’Arbre Joséphine, 2021 © Setsuko

Opening this Week

Regards de Setsuko

October 13–November 15, 2021
Musée national des châteaux de Malmaison et Bois-Préau, Rueil-Malmaison, France
musees-nationaux-malmaison.fr

This exhibition, whose title translates to Regards from Setsuko, is designed as a dialogue between Setsuko’s works and the decorative ceramics held in the Musée national des châteaux de Malmaison et Bois-Préau, the former residence of Empress Joséphine. Joséphine is known to have loved nature and botany, two themes that are plentifully evident in Setsuko’s work.

Setsuko, L’Arbre Joséphine, 2021 © Setsuko

Francis Bacon, Study for a Portrait, 1967, Seattle Art Museum © The Estate of Francis Bacon. Photo: Spike Mafford

Opening this Week

Frisson
The Richard E. Lang and Jane Lang Davis Collection

October 15, 2021–November 27, 2022
Seattle Art Museum
www.seattleartmuseum.org

This exhibition celebrates the Friday Foundation’s gift of nineteen artworks from the Lang Collection to the Seattle Art Museum in honor of Seattle collectors Richard E. Lang and Jane Lang Davis. Dating from 1945 to 1976, the paintings, drawings, and sculptures in Frisson represent mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period. Work by Francis Bacon, Willem de Kooning, Helen Frankenthaler, and Alberto Giacometti is included.  

Francis Bacon, Study for a Portrait, 1967, Seattle Art Museum © The Estate of Francis Bacon. Photo: Spike Mafford

Entrance hall of the Musée Nissim de Camondo, Paris. Photo: Jean-Marie del Moral © MAD Paris

Just Opened

Edmund de Waal
Lettres à Camondo

Through May 15, 2022
Musée Nissim de Camondo, Paris
madparis.fr

This exhibition, titled in French after Edmund de Waal’s recently published book Letters to Camondo, is designed as an intimate dialogue between de Waal’s works and the historic furnishings held in the Musée Nissim de Camondo, former residence of Count Moïse de Camondo, whose family’s tragic history is recounted in de Waal’s epistolary novel. De Waal will present new installations made especially for the museum’s rooms and collections, which have remained unaltered since 1936.

Entrance hall of the Musée Nissim de Camondo, Paris. Photo: Jean-Marie del Moral © MAD Paris

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