The Fletcher Family
A Lifetime in Surf
July 25–August 30, 2019
976 Madison Avenue, New York
Desert Painters of Australia Part II
With Works from the Collection of Steve Martin and Anne Stringfield
July 26–September 6, 2019
A Burn Scar Visible from Space
August 19–September 21, 2019
Davies Street, London
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Rachel Feinstein at Chatsworth
A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Nature and Inspiration: Henry Moore at Houghton Hall
Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.
The Studio Museum in Harlem
Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
Edmund de Waal: psalm
The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.
Behind the Art
Setsuko: Into the Trees
Setsuko takes Jean-Olivier Després on a tour of her exhibition of terra-cotta and enameled ceramics in Paris, explaining her passion for trees and describing her approach to painting.
Guitarist and legendary composer Marc Ribot and acclaimed percussionist Billy Martin speak with Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum, about how they met, New York in the 1980s, and the way the visual arts have informed their music.
Alexander Nemerov and Clifford Ross on Helen Frankenthaler
Friday, August 23, 2019, 6–8pm
Parrish Art Museum, Water Mill, New York
Art historian Alexander Nemerov, who is currently working on a new book about Helen Frankenthaler, will speak with Clifford Ross, chairman of the Helen Frankenthaler Foundation. The pair will discuss Nemerov’s forthcoming publication as well as the exhibition currently on view at the Parrish Art Museum, Abstract Climates: Helen Frankenthaler in Provincetown. To attend the event, purchase tickets at parrishart.org.
Saturday, August 24, 2019, 12pm
Museo Tamayo, Mexico City
On the occasion of the opening of her exhibition Otros cuerpos detrás at the Museo Tamayo, Mexico City, Adriana Varejão will speak with the show’s curator Adriano Pedrosa. The pair will discuss the evolution of the artist’s practice and her emphasis on a historical revision of colonialism in Brazil. To attend the free event, register with Museo Tamayo.
Adriana Varejão, Rome Meat Ruin, 2016 © Adriana Varejão. Photo: Vicente de Mello
FT Weekend Festival 2019
Saturday, September 7, 2019, 10am–8pm
Kenwood House, London
Gagosian is partnering to host the Arts Stage at this year’s FT Weekend Festival in London, a one-day event where leading experts and commentators discuss arts, music, literature, food, business, and technology. Recent Gagosian Quarterly films will be screened between sessions on the stage throughout the day, while Gagosian publications will also be presented.
As part of the program, Edmund de Waal will be in conversation with Lucia van der Post on the poetry of pots. Other speakers include Skye Gyngell, Neil MacGregor, Edna O’Brien, Vanessa Redgrave, and Simon Schama. To attend the event, purchase tickets at www.ftweekendfestival.com.
Gagosian’s presentation at the FT Weekend Festival 2018
Nathaniel Mary Quinn
Hollow and Cut
Saturday, September 14, 2019, 1pm
Gagosian, Beverly Hills
Gagosian director Ashley Stewart will lead a tour of the exhibition Nathaniel Mary Quinn: Hollow and Cut at Gagosian, Beverly Hills. The show features new composite portraits by the artist that explore the relationship between perception and memory. The paintings and works on paper probe deeply embedded experiences and emotions that are not often discussed in public by illuminating the subconscious aspects of the human psyche. To attend the free event, RSVP to email@example.com. Space is limited.
Nathaniel Mary Quinn, How Come Not Me, 2019 © Nathaniel Mary Quinn
Opening this Week
In Present-Day Art
September 1, 2019–January 5, 2020
Aargauer Kunsthaus, Aarau, Switzerland
This exhibition explores how the subject of the mask is being addressed in contemporary art. Interest in masks among contemporary artists focuses not just on the mask as an object but also, and in particular, on its social, cultural, and political implications. Work by Theaster Gates, Douglas Gordon, and Cindy Sherman is included.
Douglas Gordon, Monster, 1996–97 © Studio lost but found/VG Bild-Kunst, Bonn 2019
Closing this Week
Albert Oehlen in
La Collection de la Fondation: Le parti de la peinture
Through August 26, 2019
Fondation Louis Vuitton, Paris
Seventy-five paintings by twenty-three international artists from the Fondation Louis Vuitton’s collection, dating from the 1960s to today, are on view. Work by Albert Oehlen is included.
Albert Oehlen, Untitled, 1992–2005, Collection Fondation Louis Vuitton, Paris © Albert Oehlen. Photo © Primae/David Bordes
Closing this Week
Through August 31, 2019
MAMO–Marseille Modulor, France
Alex Israel at MAMO occupies the rooftop deck and former gymnasium of Le Corbusier’s iconic Cité Radieuse. Inspired by Marseille’s gritty history and the architect’s use of concrete, Alex Israel has reimagined the building as Gotham City, and as a temporary home for two new works appropriated from Tim Burton’s Batman (1989). Continuing the artist’s ongoing exploration of rented film props as readymade sculpture, the Batmobile serves as the centerpiece of an installation with smoke, light, and sound, while the Bat-Signal, projected high above the city, activates the night sky throughout the summer.
Installation view, Alex Israel, MAMO–Marseille Modulor, France, June 8–August 31, 2019. Artwork © Alex Israel
Closing this Week
Chris Burden in
Closer Look: Intimate-Scale Sculpture from the Permanent Collection
Through September 1, 2019
Orange County Museum of Art, Santa Ana, California
This exhibition provides a focused look at small sculpture in OCMA’s permanent collection. Selected for their innovative materials and playfulness in scale and function, the artworks in Closer Look are intended to be viewed at a close distance, providing the viewer with intimate moments in which to make slow and careful observations about content and construction. Work by Chris Burden is included.
Chris Burden, TV Hijack, 1972 © 2019 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Gary Beydler