Extended through January 29, 2022
AMERICAN REALISM TODAY
November 9, 2021–January 29, 2022
976 Madison Avenue, New York
Extended through January 22, 2022
November 10, 2021–January 22, 2022
555 West 24th Street, New York
Extended through February 5, 2022
Stance, Rhythm, and Tilt
September 28, 2021–February 5, 2022
West 21st Street, New York
Emergency Paintings, Danger Paintings, Hazard Pictures and Seizures
Open from October 5, 2021
Britannia Street, London
Behind the Art
Alexander Calder: Flying Dragon
In this video, Gagosian director Serena Cattaneo Adorno celebrates the installation of Alexander Calder’s monumental sculpture Flying Dragon (1975) in Paris at Place Vendôme, detailing the process and importance of this ambitious project.
Gagosian Quarterly Winter 2021
The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.
Kon Trubkovich Selects: The Russians Love Their Children Too
Kon Trubkovich has curated a selection of films under the title The Russians Love Their Children Too, as part of a series copresented by Gagosian and Metrograph. The program, comprising ten films presented at Metrograph’s New York theater and online in December 2021, explores Russian and Eastern European cinema from various angles. From the documentaries of Sergei Loznitsa to quintessential masterpieces such as Andrei Tarkovsky’s Mirror (1975), the selected films contain elements key to Trubkovich’s life and art practice. Here, Trubkovich speaks on their importance.
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings
Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.
Sally Mann: Vinculum
Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.
Peter Lindbergh: Untold Stories
The traveling retrospective gathering the work of legendary photographer Peter Lindbergh will be on view in A Coruña, Spain, from December 4, 2021, through February 28, 2022. Featuring work created over four decades of his expansive career, the exhibition was curated by Lindbergh before his death in 2019. Here, the artist’s son Benjamin Lindbergh speaks with Derek Blasberg about the project.
Asmaa Walton: Black Art Library
Asmaa Walton, independent curator and founder of the Black Art Library—a mobile living archive of global Black creativity—speaks with Gagosian director Antwaun Sargent about the origins of her book-based project. Walton tells Sargent about a recent collaboration with Bottega Veneta in a former Detroit firehouse and shares her hopes for the future of this endeavor, in terms of community and curation.
Social Works II: Manuel Mathieu | The Delusion of Power
Artist Manuel Mathieu reflects on Haiti, Francisco Goya, and conceptualizations of power, examining their roles in his practice.
Behind the Art
Jonas Wood in Hong Kong
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
River Girl, Outer World
A short story by t. jahan, published here on the occasion of the Quarterly’s collaboration with PEN America.
Out of the Darkness
A short story by Mathapelo Mofokeng, published here on the occasion of the Quarterly’s collaboration with PEN America.
Lee “Scratch” Perry
Connor Garel celebrates the outsized impact of this legendary musician on the world of music and beyond.
Emma Cline Selects
January 21–February 3, 2022
Metrograph, New York
Emma Cline has curated a selection of films on the theme of “source material,” as part of a series copresented by Gagosian and Metrograph in the theater and online. The program will feature cinema inspired by the ethos of Picture Books, Gagosian’s new imprint conceived by Cline and dedicated to publishing fiction by leading authors alongside contributions by celebrated contemporary artists. The selected films—including Robert Altman’s 3 Women (1977), Spike Jonze’s Adaptation (2002), Miranda July’s The Future (2011), and Marielle Heller’s The Diary of a Teenage Girl (2015)—respond to existing cinema or the work of other artists, originate in writing, or reconsider historical events.
Art Basel Hong Kong 2022
March 24–26, 2022
Hong Kong Convention and Exhibition Centre
Gagosian is pleased to participate in Art Basel Hong Kong 2022.
February 19–March 20, 2022
Walt Disney Concert Hall, Los Angeles
Frank Gehry’s immersive installation Wishful Thinking (2021) will be installed in BP Hall at Walt Disney Concert Hall in Los Angeles, following its debut at Gagosian, Beverly Hills, last year. Based on a scene from Alice’s Adventures in Wonderland, the work depicts the Mad Hatter’s tea party as a group of ten surreal figures, twice life-size. Fashioned from brilliantly painted metal, Gehry’s abstracted interpretations of Lewis Carroll’s characters surround an internally lit table, the glowing heart of the scene. Three overlapping woven steel “tapestries” of trees evoke the episode’s forest setting, while a mirror on the opposite wall implicates the viewer. The crumpled surfaces of Wishful Thinking’s figures establish a new visual connection with some of Gehry’s best-known designs. The installation will be free and open to the public.
Frank Gehry, Wishful Thinking, 2021, installation view, Gagosian, Beverly Hills © Frank O. Gehry. Photo: Joshua White
Alberto Giacometti–André Breton
January 19–April 10, 2022
Institut Giacometti, Paris
From 1930 to 1935, Alberto Giacometti spent time within the Surrealist group, where he established lasting friendships with André Breton and other artists and intellectuals of the movement. This exhibition, whose title translates to Surrealist Friendships, brings together several emblematic works from that period by Giacometti as well as works by Salvador Dalí, Man Ray, Meret Oppenheim, Pablo Picasso, and others.
Alberto Giacometti, L’objet invisible, 1934–35 © Succession Alberto Giacometti (ADAGP + Fondation Giacometti), 2022
Closing this Week
Chill Seeping from the Walls Gets between Us
Through January 23, 2022
Helsinki Art Museum
Katharina Grosse is taking over the main exhibition halls on the museum’s upper level with two new installations, one of which has been painted on-site. Focusing on painting as a process and intervention, she transforms the exhibition spaces into artworks engaging in an active correspondence with the architecture, where visitors become participants as they move through her boldly colored installations.
Installation view, Katharina Grosse: Chill Seeping from the Walls Gets between Us, Helsinki Art Museum, June 8, 2021–January 23, 2022. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Hanna Kukorelli/HAM Helsinki Art Museum
Closing this Week
Sève et pensée
Through January 23, 2022
Bibliothèque nationale de France, Paris
Sève et pensée (Sap and Thought), an exhibition at the Bibliothèque nationale de France’s François-Mitterand location, centers on Giuseppe Penone’s spectacular installation Pensieri e linfa (Sap and Thought) (2021), produced especially for the site, which features a frottage rubbing of a 30-meter-long acacia tree trunk on a length of canvas. Handwritten text by the artist runs along both sides of the imprint. Also included are previously unseen works, drawings, photographs, and books, as well as a series of eighteen recent prints that Penone has gifted to the library.
Installation view, Giuseppe Penone: Sève et pensée, Bibliothèque nationale de France, Paris, October 12, 2021–January 23, 2022. Artwork © ADAGP, Paris, 2021. Photo: Archivio Penone
Through January 29, 2022
Bourse de Commerce, Paris
Urs Fischer’s Untitled (2011) is being presented in the rotunda of the newly renovated Bourse de Commerce. Fischer has reconceived the sculpture to suit the scale of the space, whose Belle Epoque architecture has been redesigned by architect Tadao Ando. The work consists of a group of larger-than-life candles—replicas of Giambologna’s sixteenth-century Mannerist masterpiece The Rape of the Sabine Women; Fischer’s longtime friend, artist Rudolf Stingel; and an assortment of chairs—that are lit and melt down over the course of the exhibition.
Installation view, Urs Fischer, Bourse de Commerce, Paris, May 22–December 31, 2021. Artwork © Urs Fischer