Menu

GAGOSIAN

1
Marc Newson, London, 2018.

In Conversation
Marc Newson & Derek Blasberg

Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

Frieze Sculpture New York: An Interview with Brett Littman

Frieze Sculpture New York: An Interview with Brett Littman

The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.

Roy Lichtenstein: 1961 to 1965

Roy Lichtenstein: 1961 to 1965

Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.

Arakawa: Diagrams for the Imagination

Arakawa: Diagrams for the Imagination

The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.

Jeff Wall: The World as It Appears

Jeff Wall: The World as It Appears

The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.

Time by Dance by Paik

Time by Dance by Paik

Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.

David Bailey: The Sixties

David Bailey: The Sixties

The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.

Helen Frankenthaler: Sea Change

Helen Frankenthaler: Sea Change

Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.

View of the south front of Kenwood House.

Kenwood House

Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.

Fred Myers (left) and Henry Skerritt (right)

In Conversation

Fred Myers
Henry Skerritt

Tuesday, May 21, 6–7pm
Gagosian, 976 Madison Avenue, New York

To coincide with Desert Painters of Australia, an exhibition of contemporary Indigenous Australian art at Gagosian, 976 Madison Avenue, New York, the gallery will host a conversation between leading authorities Fred Myers, Silver Professor of Anthropology at New York University, and Henry Skerritt, Curator of Indigenous Arts of Australia at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia. Their conversation will be introduced and moderated by Margo Smith, director of the Kluge-Ruhe Aboriginal Art Collection. To attend the free event, RSVP to desertpaintersrsvp@gagosian.com.

Download the full press release (PDF)

Fred Myers (left) and Henry Skerritt (right)

Premiere of Four Quartets at the Richard B. Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson, New York, July 6–8, 2018. Photo: Maria Baranova

Performance

Brice Marden
Four Quartets

May 22–25, 2019
Barbican Theatre, London
barbican.org.uk

Brice Marden is collaborating with choreographer Pam Tanowitz and composer Kaija Saariaho to present Four Quartets, a titular dance performance based on T. S. Eliot’s modernist masterpiece from 1943. The evocative stage design centers on paintings by Marden, their exquisite colors and strokes making connections to the geographical locations of the masterpiece’s four individual parts. Containing piercing and unforgettable literary passages, this unprecedented collaborative performance of the work is the first to be authorized by the T. S. Eliot Estate. To attend the event, purchase tickets at barbican.org.uk.

Premiere of Four Quartets at the Richard B. Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson, New York, July 6–8, 2018. Photo: Maria Baranova

Installation view, Setsuko: Into the Trees, Gagosian, Paris, April 11–June 1, 2019. Artwork © Setsuko. Photo: Thomas Lannes

Tour

Setsuko
Into the Trees

Gagosian, Paris
Thursday, May 23, 2019, 6pm

Setsuko will lead a tour of her exhibition Into the Treeat Gagosian, Paris, with gallery director Jean-Olivier Després. The artist will discuss what led her to ceramics and the infinite malleability and expressiveness of clay, as well as the imagery in her paintings. To attend the free event, RSVP to paristours@gagosian.com. Space is limited.

Installation view, Setsuko: Into the Trees, Gagosian, Paris, April 11–June 1, 2019. Artwork © Setsuko. Photo: Thomas Lannes

See all Events & Announcements

Museum Exhibitions

Sally Mann, One Blue Dew, 2005 © Sally Mann

Opening this Week

Sally Mann in
The Academic Body

May 22–July 13, 2019
American Academy in Rome
www.aarome.org

This exhibition tracks the ways in which the body has been interrogated and radically transformed in contemporary art. Artists today, working in a variety of media, liberated from academic conventions and the study of the ideal, have reconfigured classical prototypes to explore race, gender, and sexuality. Work by Sally Mann is included.

Sally Mann, One Blue Dew, 2005 © Sally Mann

Opening this Week

William Forsythe in
Sinnesrausch: Kunst und Bewegung

May 23–October 13, 2019
OÖ Kulturquartier, Linz, Austria
www.sinnesrausch.at

This exhibition includes large installations on the roof and in the great hall that must be “actively” perceived by visitors in a playful way, not only with the eyes but with the whole body. Work by William Forsythe is included.

Works from the Solomon R. Guggenheim Museum’s collection in storage. Artwork, clockwise from top left: Jean Dubuffet, Martin Barré, and Wifredo Lam © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris; Willem de Kooning © 2019 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York; David Hammons © David Hammons; Paul Wonner © Estate of Paul Wonner and William Theophilius Brown, Crocker Art Museum, Sacramento, California; Cecilia Vicuña © Cecilia Vicuña; Maria Helena Vieira da Silva © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: David M. Heald

Opening this Week

Artistic License
Six Takes on the Guggenheim Collection

May 24, 2019–January 12, 2020
Solomon R. Guggenheim Museum, New York
www.guggenheim.org

This exhibition celebrates the institution’s extensive twentieth-century holdings through the eyes of six contemporary artists, all of whom have contributed to shaping the museum’s history with their own pivotal solo shows: Cai Guo-Qiang, Paul Chan, Jenny Holzer, Julie Mehretu, Richard Prince, and Carrie Mae Weems. Through collection highlights and rarely seen works from the turn of the century to 1980, this presentation includes nearly three hundred paintings, sculptures, works on paper, and installations selected by the six artists that engage with the cultural discourse of their time. Work by Francis Bacon, Willem de Kooning, and Lawrence Weiner is included.

Works from the Solomon R. Guggenheim Museum’s collection in storage. Artwork, clockwise from top left: Jean Dubuffet, Martin Barré, and Wifredo Lam © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris; Willem de Kooning © 2019 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York; David Hammons © David Hammons; Paul Wonner © Estate of Paul Wonner and William Theophilius Brown, Crocker Art Museum, Sacramento, California; Cecilia Vicuña © Cecilia Vicuña; Maria Helena Vieira da Silva © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: David M. Heald

William Forsythe, City of Abstracts, 2000 © William Forsythe. Photo: Dominik Mentzos

Opening this Week

William Forsythe
Choreographic Objects

May 24–September 15, 2019
Museum of Fine Arts, Houston
www.mfah.org

Since the 1990s, parallel to his stage productions, William Forsythe has developed installations, sculptures, and films that he calls Choreographic Objects. Blurring the lines between performance, sculpture, and installation, these works invite the viewer to engage with the fundamental ideas of choreography.

William Forsythe, City of Abstracts, 2000 © William Forsythe. Photo: Dominik Mentzos

See all Museum Exhibitions