Nathaniel Mary Quinn
NOT FAR FROM HOME; STILL FAR AWAY
September 17–October 30, 2021
980 Madison Avenue, New York
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.
Overtime: On Kevin Jerome Everson
Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.
Nancy Rubins and Eric Shiner
The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.
Ive by Gursky: A Meeting of Minds
By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.
Gregory Corso: A Most Dangerous Art
On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.
John Currin: Monuments to Lust
Natasha Stagg reports on a trip to John Currin’s New York studio.
Fashion and Art: Stella McCartney
The fashion designer Stella McCartney is best known for pioneering “vegan style,” a term referring to the animal-product-free designs of her luxury label. Derek Blasberg spoke to her about a childhood surrounded by artists such as Frank Stella and Willem de Kooning, and how their inspiration continues to influence her design process.
Fashion and Art: Kim Jones
Kim Jones’s day job is as a fashion designer. He’s the artistic director of Dior men’s collection and the womenswear designer at Fendi, but his longtime hobby has been collecting: paintings, fashion memorabilia, books for two libraries (one at home in London and one at home in Paris). Derek Blasberg spoke with the designer about his process and his passions.
Gagosian is pleased to announce the representation of Rick Lowe. Lowe’s numerous collaborative projects, undertaken in the spirit and tradition of “social sculpture,” are paired with an extensive body of work in painting, drawing, and installation. Working closely with individuals and communities, he has identified myriad ways to exercise creativity in the context of everyday activities, harnessing it to explore concerns around equity and justice. Influenced by Joseph Beuys’s formulation of “social sculpture,” he has moved from figurative “anti-painting” to the making and maintenance of projects aimed at the transformation of social structures and sites, and to symbolic abstract painting.
Lowe will inaugurate the third season of Gagosian’s Artist Spotlight series on September 29. His first solo exhibition at the gallery is scheduled for fall 2022 at Gagosian New York.
Art Basel 2021
September 24–26, 2021, hall 2, booth C8
Gagosian is pleased to participate in Art Basel 2021 with modern and contemporary works by gallery artists, as well as several special entries in the Unlimited and Parcours sectors of the fair.
Gagosian’s booth in the main sector of the fair will feature works by Georg Baselitz, Glenn Brown, John Currin, Urs Fischer, Helen Frankenthaler, Titus Kaphar, Rick Lowe, Albert Oehlen, Sterling Ruby, and Mary Weatherford, among others. A selection of these works will also appear on gagosian.com and on Art Basel’s Online Viewing Room.
Gagosian’s booth at Art Basel 2021. Artwork, left to right: © Ed Ruscha, © Mark Tansey, © Glenn Brown, © Succession Picasso 2021, © Jenny Saville, © Albert Oehlen, © Ellsworth Kelly Foundation, © Cy Twombly Foundation, © Mary Weatherford. Photo: Sebastiano Pellion di Persano
Art Basel Parcours 2021
September 20–26, 2021, 7pm–1am daily
Rheinsprung 9, Basel
Sarah Sze’s first large-scale outdoor video work will be a key feature of this year’s Art Basel Parcours, which engages the public and fairgoers by placing site-specific sculptures, interventions, and performances in the city’s historic center.
Timepiece (2021) by night transforms the facade of a four-story building at the top of the historic Rheinsprung into a plume of images seemingly let loose from their frame. A multitude of randomly coded video sequences—a moon, a card trick, an electrical storm, and more—appears at dusk, rising, pixelating, glitching, and eventually dispersing.
Sarah Sze, Timepiece (2021), installation view, Rheinsprung 9, Basel © Sarah Sze. Photo: Julien Gremaud
Flying Dragon, 1975
Opening October 19, 2021
Place Vendôme, Paris
Alexander Calder’s monumental sculpture Flying Dragon (1975) will be on view at Place Vendôme in Paris beginning October 19. The installation marks the opening of Gagosian’s new gallery at rue de Castiglione and is part of FIAC Hors les Murs, which presents artworks in emblematic public spaces throughout the city.
Flying Dragon (1975)—which exemplifies Calder’s capacity to invest a powerful visual dynamism in his work regardless of scale—is among the last of the monumental works he made. While static, the striking sculpture transforms when viewed from different angles. Constructed from sheet metal, it is physically weighty but appears delicate due to its limited points of contact with the ground.
Alexander Calder, Flying Dragon, 1975 © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Darren James Photography
The Color of a Flea’s Eye: The Picture Collection
September 24, 2021–January 9, 2022
New York Public Library
A project nine years in the making, The Color of a Flea’s Eye foregrounds the New York Public Library’s Picture Collection, whose storied images have been available, for more than a century, for the public to sift through in search of visual references of every conceivable kind. Intrigued by the Picture Collection since childhood, in 2012 Taryn Simon embarked on a study of its underlying patterns, codes, and orders. Her photography of its contents reveals it to be an inadvertent recorder of changing social mores, disclosing latent fault lines of power, race, and gender.
Installation view, Taryn Simon: The Color of a Flea’s Eye: The Picture Collection, New York Public Library, 2020. Artwork © Taryn Simon. Photo: Rob McKeever
Opening this Week
A Clay Sermon
September 29, 2021–January 9, 2022
Whitechapel Gallery, London
Surveying two decades of work by Theaster Gates, from his early hand-thrown pots to his large-scale Afro-Mingei sculptures, A Clay Sermon investigates the material and spiritual legacies of clay. Exploring craft, labor, performance, and racial identity, as well as clay’s role in ceremony, ritual, colonialism, and global trade, Gates has made a selection of historic ceramics from private and public collections to exhibit alongside his own work. The exhibition includes a new film by Gates, which takes the form of a sermon on clay, and his most recent body of work: large stoneware vessels installed on plinths of hand-milled wood and stone.
Theaster Gates standing next to his sculpture Vessel #20 (2020). Artwork © Theaster Gates. Photo: Chris Strong
Opening this Week
September 30, 2021–February 20, 2022
Various venues in Florence, Italy
Jenny Saville is the subject of an exhibition project conceived and curated by Sergio Risaliti, director of the Museo Novecento, in collaboration with four other major museums in Florence: Museo di Palazzo Vecchio, Museo dell’Opera del Duomo, Museo degli Innocenti, and Museo di Casa Buonarroti. The multipart exhibition places Saville’s paintings and drawings in dialogue with masterworks of the Italian Renaissance, including some of Michelangelo’s greatest masterpieces, offering a revealing encounter between the contemporary and the historical. Correspondences include the monumentality of Saville’s paintings—a distinctive feature of her figurative language since her early career—as well as her research focused on the body and flesh of her naked subjects.
Jenny Saville, Study for the Eyes of Argus, 2021 (detail) © Jenny Saville. All rights reserved, DACS 2021. Photo: Prudence Cuming Associates
Closing this Week
Katharina Grosse in
Helsinki Biennial: On the Shores of the Same Sea
Through September 26, 2021
Various sites on Vallisaari Island and on mainland Helsinki
The inaugural Helsinki Biennial brings contemporary art to the unique surroundings of Vallisaari Island, a short ferry ride from mainland Helsinki. Artworks are installed along a three-kilometer-long trail and inside the island’s historical buildings, as well as on the mainland. Exploring themes of interconnectedness and mutual dependence, the biennial includes work by forty artists and collectives from Finland and around the world, including Katharina Grosse, who converted Vallisaari’s old derelict school building and its surroundings into a painting.
Katharina Grosse, Shutter Splinter, 2021, installation view, Helsinki Biennial, June 12–September 26, 2021. Artwork © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2021. Photo: Hans Grosse