Fairs & Collecting
Public Installation
Urs Fischer
Wave
October 14–November 30, 2023
Place Vendôme, Paris
Gagosian is pleased to present Urs Fischer’s public sculpture Wave (2018). The work will be installed at Place Vendôme in Paris from October 14 as part of Paris+ par Art Basel.
Wave is the sixth sculpture in Fischer’s series Big Clays. Despite their imposing scale, these works always begin with a small piece or pieces of clay shaped in the artist’s hand. Fischer describes this process as “a sensual and repetitive gesture, like a bodily motion,” which he ends prior to conscious intervention. After making hundreds of such forms, he selects only one to be digitally scanned and carved at an enlarged scale. Unlike a cast form or a digital replica, the resulting work preserves the nuanced tactility of the original maquette, magnifying its details—down to the artist’s fingerprints—into a monument.
Urs Fischer, Wave, 2018, installation view, Place Vendôme, Paris © Urs Fischer. Photo: Stefan Altenburger
Now available
Gagosian Quarterly Winter 2023
The Winter 2023 issue of Gagosian Quarterly is now available, featuring Pablo Picasso’s Le miroir (1932) on its cover.
Brice Marden
Larry Gagosian celebrates the unmatched life and legacy of Brice Marden.
In Conversation
Georg Baselitz and Richard Calvocoressi
In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.
Lee Miller and Friends
The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.
A Foreigner Called Picasso
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
This Is Hardcore: Pulp, and the Making of an Image
This year marks the twenty-fifth anniversary of This Is Hardcore, the sixth album by the band Pulp. A new book by Paul Burgess and Louise Colbourne celebrates the occasion by bringing together behind-the-scenes imagery and anecdotes from the creation of the album and its music videos. Author Young Kim reflects on the album’s impact, both musical and visual, on the late ’90s and speaks with the primary collaborators—Pulp lead singer Jarvis Cocker, art director Peter Saville, and artist John Currin—behind the iconic imagery.
Reanimating History: Ewa Juszkiewicz and Jennifer Higgie in Conversation
Writer and art historian Jennifer Higgie met with Ewa Juszkiewicz to learn more about the painter’s process, her varied inspirations, and her views on the social and emotional roles of art.
The Road Opens: In Conversation with Okwui Okpokwasili
Multidisciplinary artist Okwui Okpokwasili’s new work adaku, part 1: the road opens is a continuation of her efforts to bring West African forms of dance, poetry, song, and theater into a contemporary framework. Catching up with Okpokwasili after the work’s premiere in Los Angeles this past spring, Rennie McDougall traces adaku’s artistic lineages ahead of its New York debut in the fall.
Seductive Imitation: on Anna Weyant’s Still Lifes
Inspired by Anna Weyant’s still lifes, John Elderfield explores the genre and its relationship with trompe l’oeil techniques, tracking its formal development, as well as the evolving critical receptions it has elicited.
Adelaide Damoah: Arachne, Rebirthing Dislocated Cultures
In this video, artist Adelaide Damoah performs Arachne: Rebirthing Dislocated Cultures inside the Rites of Passage exhibition at Gagosian, Britannia Street, London. The audiovisual journey, which features an original sound piece by Damoah and composer Liz Gre, interrogates the history of colonialism with the intention of unlocking new modes of understanding.
Grace to Be Born, and Live as Variously as Possible
Poet and photographer Gerard Malanga speaks with Raymond Foye about his latest poems, revealing their place in his long career.
A Horse, of Course
Alix Browne considers the enduring presence of horses in the contemporary imagination.
Events & Announcements
Installation
Franz West
Open from November 16, 2023
Gagosian Shop, London
A selection of paper-based works and furniture by Franz West is on view at the Gagosian Shop in London’s historic Burlington Arcade. Installed throughout both floors of the space, the exhibited works are imbued with the Austrian artist’s riotous fusion of sincerity and absurdity. West’s series of drawings, posters, and collages, conjured from photographs, tawdry advertisements, and soft porn, possess the same raucous aesthetic and wit as his plaster and papier-mâché sculptures and his elegant pieces of functional furniture, which further expand the relationship between art and audience.
Franz West installation at Gagosian Shop, London, from November 16, 2023. Artwork © Archiv Franz West, © Estate Franz West. Photo: Prudence Cuming Associates Ltd
Screening
Walton Ford Selects
November 17–22, 2023
Metrograph, New York
metrograph.com
Walton Ford has curated a selection of films as part of a series copresented by Gagosian and Metrograph. The program features five films that explore extreme psychological states in their storylines and use pioneering and sometimes unconventional acting and cinematographic techniques to achieve the result. Ford explains, “These films dive deep into characters in ways that are sometimes harrowing and always completely surprising. None of these films are cliché or pat, and all share an unorthodox style or method. As a narrative painter, I seek to explore subjects and tell stories in this way.”
Featured films include
At Land (1944, directed by Maya Deren)
Heat Lightning (1934, directed by Mervyn LeRoy)
Meshes of the Afternoon (1943, directed by Maya Deren and Alexandr Hackenschmied)
Naked (1993, directed by Mike Leigh)
The Sword of Doom (1966, directed by Kihachi Okamoto)
Still from The Sword of Doom (1966), directed by Kihachi Okamoto
Screening
Anselm
Tuesday, November 28, 2023, 7pm
IFC Center, New York
www.ifccenter.com
Join Gagosian and White Cube for a special screening of Anselm (2023), an immersive 3D documentary directed by Wim Wenders, which premiered at Festival de Cannes 2023. For over two years, Wenders traced Anselm Kiefer’s path from his native Germany to his former studio complex in southern France—now part of his foundation, Eschaton—weaving together pivotal moments in the artist’s life and decades-long career. This unique cinematic experience dives deep into Kiefer’s practice and reveals his inspiration and creative process, exploring his fascination with myth and history.
Still from Anselm (2023), directed by Wim Wenders
In Conversation
Body Sculpture
Jordan Wolfson and Russell Storer
Saturday, December 9, 2023, 2pm
National Gallery of Australia, Canberra
nga.gov.au
Jordan Wolfson will be in conversation with National Gallery of Australia’s head curator, Russell Storer, to celebrate the world premiere of Wolfson’s new robotic work, Body Sculpture (2017–23), a recent major acquisition by the gallery. Together they will trace the development of the work over the past six years, from the artist’s original vision to the various collaborations and cutting-edge technologies required to realize it. The event will also be livestreamed and is free to attend online with registration.
Jordan Wolfson at the National Gallery of Australia, Canberra, 2023. Photo: National Gallery of Australia
Museum Exhibitions
Closing this Week
Room by Room
Concepts, Themes, and Artists in the Rachofsky Collection
Through November 25, 2023
The Warehouse, Dallas
thewarehousedallas.org
Room by Room builds on the ongoing interest at The Warehouse to reflect on the development of its collection, presenting works for the first time. Spanning a range of mediums, geographies, and eras, each gallery focuses on a single artist or theme, allowing an in-depth look at the artistic movements important to the collection from the outset, together with other avenues of interest that have developed over the years. Work by Richard Artschwager, Carol Bove, Alex Israel, Sterling Ruby, and Jonas Wood is included.
Jonas Wood, Patterned Interior with Mar Vista View, 2020, Rachofsky Collection, installation view, The Warehouse, Dallas © Jonas Wood. Photo: Kevin Todora
Closing this Week
Theaster Gates in
Everybody Talks about the Weather
Through November 26, 2023
Fondazione Prada, Venice
www.fondazioneprada.org
Everybody Talks about the Weather is a research exhibition exploring the semantics of “weather” in visual art, taking atmospheric conditions as its point of departure in order to highlight the urgency of climate change. More than fifty works by contemporary artists, and a complementary selection of historical artworks, trace the various ways in which climate and weather have shaped our histories, and how we have dealt with our exposure to meteorological events. Work by Theaster Gates is included.
Theaster Gates, The Flood, 2023, installation view, Fondazione Prada, Venice © Theaster Gates. Photo: Marco Cappelletti
Closing this Week
Icônes
Through November 26, 2023
Punta della Dogana, Venice
www.pinaultcollection.com
Icônes includes painting, video, sound, installation, and performance from the Pinault Collection. The icons of the title suggest a transcendent reality—the power to render material the invisible, create emotion or a sense of aesthetic and spiritual bedazzlement. This exhibition considers both the fragility and the power of images as icons and the multiple meanings they carry. Work by Theaster Gates, Donald Judd, and Rudolf Stingel is included.
Installation view, Icônes, Punta della Dogana, Venice, April 2–November 26, 2023. Artwork, left and right: © Rudolf Stingel, center: © Danh Vo. Photo: Marco Cappelletti, courtesy Palazzo Grassi, Pinault Collection
Just Opened
Colección Jumex
Todo Se Vuelve Más Ligero
Through February 11, 2024
Museo Jumex, Mexico City
www.fundacionjumex.org
To celebrate its tenth anniversary, Museo Jumex has invited Lisa Phillips, director of the New Museum, New York, to curate an exhibition drawn entirely from the Jumex collection and occupying the whole building. Featuring work by more than seventy international artists, the exhibition, whose title translates to Everything Gets Lighter, brings together diverse works in a poetic meditation on the meaning of light and manifestations of lightness. Work by Damien Hirst, Steven Parrino, Ed Ruscha, and Rudolf Stingel is included.
Rudolf Stingel, Untitled, 2001–02, Museo Jumex, Mexico City © Rudolf Stingel