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Fairs & Collecting

Photo: © Annie Leibovitz

Artist Spotlight

Sally Mann

November 17–23, 2021

Sally Mann is known for her photographs of intimate and familiar subjects rendered both sublime and disquieting. Her projects explore the complexities of familial relationships, social realities, and the passage of time, capturing tensions between nature, history, and memory. Central to Mann’s investigation are the landscapes that she has photographed both near her home in Virginia’s Shenandoah Valley and across the South for over three decades. Often using a view camera, Mann draws on the history of both her medium and the Southern landscape to produce photographs that are expressive and elegiac.

Photo: © Annie Leibovitz

Georg Baselitz, No, ja, 2020 © Georg Baselitz. Photo: Jochen Littkemann

Art Fair

ART021 Shanghai 2021

November 13–14, 2021, booth C02
Shanghai Exhibition Center
www.art021.org

Gagosian is pleased to participate in ART021 Shanghai 2021. The gallery will feature works by artists including Georg BaselitzDan ColenEdmund de WaalRoe EthridgeUrs FischerKatharina GrosseSimon HantaïDamien HirstJia AiliHarmony Korine, Takashi Murakami (as an individual artist and in collaboration with Virgil Abloh), Rudolf StingelSpencer Sweeney, and Tatiana Trouvé

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com.

Georg Baselitz, No, ja, 2020 © Georg Baselitz. Photo: Jochen Littkemann

Tetsuya Ishida, Untitled (Planting Trees), 2000 © Estate of Tetsuya Ishida

Art Fair

West Bund Art & Design 2021

November 12–14, 2021, booth A102
West Bund Art Center, Shanghai
westbundshanghai.com

Gagosian is pleased to participate in the eighth edition of West Bund Art & Design. The gallery will present works by Balthus, Georg Baselitz, Jean-Michel Basquiat, Glenn Brown, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Damien Hirst, Thomas Houseago, Tetsuya Ishida, Alex Israel, Takashi Murakami, Albert Oehlen, Nam June Paik, Sterling Ruby, Ed Ruscha, Rudolf Stingel, Spencer Sweeney, Zao Wou-Ki, and Zeng Fanzhi, among others.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com.

Tetsuya Ishida, Untitled (Planting Trees), 2000 © Estate of Tetsuya Ishida

Photo: Tom Jamieson

Artist Spotlight

Edmund de Waal

October 27–November 2, 2021

In his visual art and literary works, Edmund de Waal uses objects as vehicles for human narrative, emotion, and history. His installations of handmade porcelain vessels, often contained in minimalist structures, investigate themes of diaspora, memory, and materiality. Much of his practice is concerned with collecting and collections—how objects are brought together and dispersed—and with the application of craft and placement to the physical and conceptual transformation of interior space. Manifest across his work is a distinct aesthetic philosophy that puts the hand, touch, and thus the human above all else.

Photo: Tom Jamieson

Gagosian’s booth at FIAC 2021. Artwork, left to right: © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris; © Michael Heizer; © Georg Baselitz, 2021; © Pier Paolo Calzolari. Photo: Thomas Lannes

Art Fair

FIAC 2021

October 21–24, 2021, booth B23
Grand Palais Éphémère, Paris
fiac.com

Gagosian is pleased to participate in FIAC 2021 with a presentation of painting, sculpture, and works on paper by gallery artists. The booth will feature works by Georg Baselitz, Edmund de Waal, Helen Frankenthaler, Theaster Gates, Katharina Grosse, Simon Hantaï, Takashi Murakami, Albert Oehlen, Steven Parrino, Auguste Rodin, Sterling RubySetsukoJim Shawand Cy Twombly, among others. A selection of the works will also appear on gagosian.com and in FIAC’s Online Viewing Room.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at fiac.com.

Gagosian’s booth at FIAC 2021. Artwork, left to right: © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris; © Michael Heizer; © Georg Baselitz, 2021; © Pier Paolo Calzolari. Photo: Thomas Lannes

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Art Fair

Frieze Masters 2021

October 13–17, 2021, booth C02
Regent’s Park, London
www.frieze.com

Gagosian is pleased to participate in Frieze Masters 2021 with Material Process. Conceived, carved, cast, or constructed—sculpture remained a continuously strong tradition throughout the twentieth century in Britain. Artists such as Henry Moore, Anthony Caro, Michael Craig-Martin, Rachel Whiteread, Damien Hirst, and Douglas Gordon have extended this lineage, often focusing on human figures or body parts, transforming materials and techniques, including language, into a widely diverse practice that is internationally recognized.

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Gagosian’s booth at Frieze London 2021, featuring Jennifer Guidi: Infinite Waves. Artwork © Jennifer Guidi. Photo: Lucy Dawkins

Art Fair

Frieze London 2021
Jennifer Guidi

October 13–17, 2021, booth E3
Regent’s Park, London
frieze.com

Gagosian is pleased to announce a solo presentation of new works by Jennifer Guidi at Frieze London 2021. Titled Infinite Waves, it brings together nine paintings and nine works on paper that take inspiration from nature and the essential role it has played during the pandemic. Infinite Waves will be on view at the fair, and a selection of the works will be available online in the Frieze Viewing Room and on the Gagosian website.

Gagosian’s booth at Frieze London 2021, featuring Jennifer Guidi: Infinite Waves. Artwork © Jennifer Guidi. Photo: Lucy Dawkins

Cy Twombly, Roses, Gaeta, 2004 © Fondazione Nicola Del Roscio

Art Fair

Paris Photo 2021
Cy Twombly

November 11–14, 2021
Grand Palais Ephémère, Paris
www.parisphoto.com

Gagosian is pleased to participate in Paris Photo 2021 with a presentation of photographs by Cy Twombly, featuring fruit, flower, and landscape imagery. These shots are permeated with images of organic growth, depicting heirloom lemons cultivated in Gaeta, Italy; the petals of tulips and roses; and verdant landscapes captured near the artist’s Lexington, Virginia, birthplace. The evocation of vision and memory and the joyful embrace of life embodied by these photographs extend to the pictures that Twombly took in 2011 of crosses and flowers in a cemetery on the Caribbean island of Saint Barthélemy—his final series of photographs.

Cy Twombly, Roses, Gaeta, 2004 © Fondazione Nicola Del Roscio

Photo: Brent Reaney

Artist Spotlight

Rick Lowe

September 29–October 5, 2021

Rick Lowe’s extensive body of work in painting, drawing, and installation is paired with numerous collaborative projects, undertaken in the spirit and tradition of “social sculpture.” Working closely with individuals and communities, Lowe has identified myriad ways to exercise creativity in the context of everyday activities, harnessing it to explore concerns around equity and justice. In his paintings and drawings, he has developed a visual language based on aerial photographs of dominoes games that reveal their resemblance to maps of urban districts. By tracing and layering the patterns he discovers, he produces works that, while visually abstract, represent the reconfiguration and movement of communities over time.

Photo: Brent Reaney

Gagosian’s booth at Art Basel 2021. Artwork, left to right: © Ed Ruscha, © Mark Tansey, © Glenn Brown, © Succession Picasso 2021, © Jenny Saville, © Albert Oehlen, © Ellsworth Kelly Foundation, © Cy Twombly Foundation, © Mary Weatherford. Photo: Sebastiano Pellion di Persano

Art Fair

Art Basel 2021

September 24–26, 2021, hall 2, booth C8
Messe Basel
artbasel.com

Gagosian is pleased to participate in Art Basel 2021 with modern and contemporary works by gallery artists, as well as several special entries in the Unlimited and Parcours sectors of the fair.

Gagosian’s booth in the main sector of the fair will feature works by Georg Baselitz, Glenn Brown, John Currin, Urs Fischer, Helen Frankenthaler, Titus Kaphar, Rick Lowe, Albert Oehlen, Sterling Ruby, and Mary Weatherford, among others. A selection of these works will also appear on gagosian.com and on Art Basel’s Online Viewing Room.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Gagosian’s booth at Art Basel 2021. Artwork, left to right: © Ed Ruscha, © Mark Tansey, © Glenn Brown, © Succession Picasso 2021, © Jenny Saville, © Albert Oehlen, © Ellsworth Kelly Foundation, © Cy Twombly Foundation, © Mary Weatherford. Photo: Sebastiano Pellion di Persano

Meleko Mokgosi, Bread, Butter, and Power, 2018 (detail) © Meleko Mokgosi

Art Fair

Art Basel Unlimited 2021
Meleko Mokgosi

September 24–26, 2021, hall 1, U50
Messe Basel
www.artbasel.com

Art Basel Unlimited 2021, curated by Giovanni Carmine, will include a major work by Meleko Mokgosi, presented by Gagosian in collaboration with Jack Shainman Gallery, New York. Bread, Butter, and Power (2018) is an epic twenty-one-panel painting that forms one of the eight chapters of Mokgosi’s ambitious project Democratic Intuition (2013–20). Examining the ideals and reciprocities of democracy in a southern African context, each panel depicts the gendered division of labor and its manifestations in daily life—namely, the work involved in maintaining land, families, and households.

Meleko Mokgosi, Bread, Butter, and Power, 2018 (detail) © Meleko Mokgosi

Albert Oehlen, blech_betty, 2017 © Albert Oehlen. Photo: Simon Vogel

Art Fair

Art Basel Unlimited 2021
Albert Oehlen

September 24–26, 2021, hall 1, U32
Messe Basel
www.artbasel.com

Art Basel Unlimited 2021, curated by Giovanni Carmine, will include a major work by Albert OehlenA genre-defying work that exemplifies the artist’s interest in the evocative intersection between the audio and the visual, blech_betty (2017) pairs paintings by Oehlen with sound compositions by Norbert Möslang. The installation comprises ten oil-on-aluminum paintings, each featuring a different variation on Oehlen’s characteristic tree motif. Hidden amplifiers are placed behind each panel, producing shivering metallic vibrations that transform the gallery into a haunting and immersive soundscape.

Albert Oehlen, blech_betty, 2017 © Albert Oehlen. Photo: Simon Vogel

Sarah Sze, Timepiece (2021), installation view, Rheinsprung 9, Basel © Sarah Sze. Photo: Julien Gremaud

Art Fair

Art Basel Parcours 2021
Sarah Sze

September 20–26, 2021, 7pm–1am daily
Rheinsprung 9, Basel

Sarah Sze’s first large-scale outdoor video work will be a key feature of this year’s Art Basel Parcours, which engages the public and fairgoers by placing site-specific sculptures, interventions, and performances in the city’s historic center.

Timepiece (2021) by night transforms the facade of a four-story building at the top of the historic Rheinsprung into a plume of images seemingly let loose from their frame. A multitude of randomly coded video sequences—a moon, a card trick, an electrical storm, and more—appears at dusk, rising, pixelating, glitching, and eventually dispersing.

Sarah Sze, Timepiece (2021), installation view, Rheinsprung 9, Basel © Sarah Sze. Photo: Julien Gremaud

Robert Therrien’s No title (wallpaper with devil) (2001) and No title (head with halo) (2017) installed in the artist’s studio, Los Angeles. Artwork © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Joshua White

galleryplatform.la

Robert Therrien

August 5–18, 2021

I see my work as fairly self-contained, almost circular. If you tried to graph it in a linear way, it wouldn’t work. There are too many references going backwards. The work is a little like a spiral because a spiral goes forward and then circles back on itself, then passes itself again.
—Robert Therrien

Gagosian is pleased to present seven works on paper by Robert Therrien (19472019) for galleryplatform.la. In addition to sculptures and photographs, Therrien produced an extensive body of work on paper, which conveys a similar fantastical wit. Made using bleach, dye, customized stencils, and other mediums, these delicate drawings, prints, and mixed-media works often incorporate macabre motifs such as gallows and black clouds, suggesting a fascination with folklore beyond the elusive magical potential of ordinary things.

Robert Therrien’s No title (wallpaper with devil) (2001) and No title (head with halo) (2017) installed in the artist’s studio, Los Angeles. Artwork © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Joshua White

Photo: Brigitte Lacombe

Artist Spotlight

Taryn Simon

June 23–29, 2021

A storyteller and researcher driven by the mutability of fact and the documentary potential of fiction, Taryn Simon directs our attention to systems of organization—bloodlines, circulating picture collections, mourning rituals, ceremonial flower arrangements—revealing the structures of power and authority hidden within. Working in photography, sculpture, text, sound, performance, and installation, she traces lineages of objects, families, nations, and histories.

Photo: Brigitte Lacombe

Chris Burden, The Hidden Force, 1995, installation view, McNeil Island Corrections Center, Washington (commissioned by the Washington State Arts Commission in 1993, decommissioned in 2011) © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Art Fair

Frieze Los Angeles Online
Chris Burden

July 27–August 1, 2021

Gagosian is pleased to participate in the inaugural Los Angeles edition of Frieze Viewing Room with a survey of works by Chris Burden (1946–2015). The works will be available simultaneously on the Gagosian website and in the Frieze Viewing Room.

Ranging from ink-on-paper drawings to monumental site-specific sculptures, the presentation commemorates Burden’s significant career and body of work on what would have been the milestone of his seventy-fifth year. A radical figure with a fierce political consciousness, Burden possessed a unique ability to wield conceptual art as a tool for sociopolitical change. Dealing in incisive metaphors for the power dynamics of industry and institution, his work remains piercingly relevant today.

Chris Burden, The Hidden Force, 1995, installation view, McNeil Island Corrections Center, Washington (commissioned by the Washington State Arts Commission in 1993, decommissioned in 2011) © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York

Duane Hanson, High School Student, 1990–92, 1 of 2 unique versions © 2021 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

Art Fair

Felix Art Fair 2021

July 29–August 1, 2021
Hollywood Roosevelt, Los Angeles
felixfair.com

Gagosian is pleased to participate, for the first time, in the Felix Art Fair at the Hollywood Roosevelt, with a presentation of contemporary paintings, sculptures, photographs, and works on paper.

Duane Hanson, High School Student, 1990–92, 1 of 2 unique versions © 2021 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

Photo: Liiibing

Artist Spotlight

Jia Aili

May 26–June 1, 2021

A pioneering member of a new generation of Chinese artists, Jia Aili creates dynamic paintings that at once emerge from and challenge art historical conventions in the context of a rapidly changing world. In his wide-ranging practice, which incorporates abstraction, portraiture, fantastic imagery, and scenes from daily life, he reflects on the dramatic modernization of society while probing the vulnerabilities of the existential human condition. For Jia, new meaning emerges out of both this interweaving of disparate narratives and the reconsideration of complex knowledge systems.

Photo: Liiibing

Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz

Art Fair

Art Basel Hong Kong 2021

May 21–23, 2021, booth 1d30
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong with a presentation of modern and contemporary painting and sculpture by gallery artists. New paintings by Georg BaselitzAlex IsraelEd Ruscha, and Sarah Sze are featured alongside exceptional works in a range of mediums by Louise BonnetTheaster GatesHenry MooreNam June Paik, and others, uncovering formal and conceptual innovations and associations that span genres and aesthetic approaches.

Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz

Nam June Paik in Miami, c. 1990. Photo: Brian Smith

8-bridges

Nam June Paik

May 1–31, 2021

Gagosian is pleased to participate in a special presentation on 8-bridges in celebration of Asian/Pacific American Heritage Month. Three sculptures and one drawing by Nam June Paik are featured in anticipation of the artist’s major retrospective at the San Francisco Museum of Modern Art, opening May 8. In these works, Paik uses paper and TV screens interchangeably as surfaces for gestural improvisation. Dating from the last decade of the artist’s life, they embody his playful and predictive conflations of tech and mass communication with images from nature and spontaneous mark making.

Nam June Paik in Miami, c. 1990. Photo: Brian Smith

Photo: Edgar Laguinia

Artist Spotlight

Glenn Brown

April 28–May 4, 2021

Mining art history and popular culture, Glenn Brown has created an artistic language that refuses categorization, combining a wide range of periods from art history through reference, appropriation, and precise attention to detail. His mannerist impulses stem from a desire to breathe new life into past images; they are treasuries of raw material, offering countless images, titles, and techniques to be combined and deconstructed, producing complex and sensuous works of art that are resolutely of our time.

Photo: Edgar Laguinia

Titus Kaphar, Rapture, 2011 © Titus Kaphar

Online Exclusive

Daydreams and Nightmares

Gagosian Online
May 5–22, 2021
gagosian.com

Frieze Viewing Room
May 5–14, 2021
viewingroom.frieze.com

Gagosian is pleased to present Daydreams and Nightmares, a virtual exhibition of modern and contemporary works that engage with the genre of Surrealism. Today, Surrealism continues to fascinate and evolve as contemporary artists revisit its disruptive ideas. Daydreams and Nightmares considers the legacy of the original movement, and the ways in which its spirit of adventure and subversion of reality have progressed over the past hundred years to foster an ongoing dialogue between art and society.

Some of the featured artists employ innovative techniques to harness the unconscious, while others explore the “dream image” in representational painting. Other artists investigate alternative realities, uncanny visions, and mythical (or imagined) narratives.

Titus Kaphar, Rapture, 2011 © Titus Kaphar

Photo: Alejandro Ernesto/EPA/Shutterstock

Artist Spotlight

Albert Oehlen

April 7–13, 2021

Albert Oehlen’s oeuvre is a testament to the innate freedom of the creative act. Through expressionist brushwork, surrealist methodology, and self-conscious amateurism he engages with the history of abstract painting, pushing the basic components of abstraction to new extremes. Oehlen is perhaps best known for his embrace of “bad” painting. Alongside his many rules, he allows a certain awkwardness to enter his work, introducing unsettling gestures, crudely drawn figures, visceral smears of artificial pigments, bold hues, and flesh tones. In this way, he attests to the infinite combinations of form made possible through painting, and shows that these combinations can be manipulated at the artist’s will to produce novel perceptual challenges for the viewer.

Photo: Alejandro Ernesto/EPA/Shutterstock

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Art Fair

Frieze New York 2021
Rachel Feinstein and Ewa Juszkiewicz

May 5–9, 2021, booth B7
The Shed, New York
frieze.com

Gagosian is pleased to announce its participation in Frieze New York at the Shed, the first in-person art fair of 2021 in the United States, with sculptures by Rachel Feinstein and paintings by Ewa Juszkiewicz.

Inspired by Baroque and Rococo sculpture, religious iconography, Romantic landscapes, and popular culture, Feinstein explores taste and desire, synthesizing elegance and kitsch. Juszkiewicz’s meticulously precise oil portraits also draw on traditions of classical European painting—her sources date from the Renaissance through the nineteenth century—but with added touches of the surreal, the fantastical, and the grotesque.

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz