Art Fair
Paris+ par Art Basel
October 20–23, 2022, booth B05
Grand Palais Éphémère, Paris
parisplus.artbasel.com
Gagosian is pleased to participate in the inaugural edition of Paris+ par Art Basel at the Grand Palais Éphémère, presenting a selection of works by represented artists in an innovative booth specially designed for the event by renowned French architect Pierre Yovanovitch.
To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.
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Gagosian’s booth at Paris+ par Art Basel, 2022. Artwork, left to right: © 2022 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; © Christo and Jeanne-Claude Foundation; © Titus Kaphar. Photo: Thomas Lannes
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Art Fair
Paris+ par Art Basel 2023
October 20–22, 2023, booth B05
Grand Palais Éphémère, Paris
parisplus.artbasel.com
Gagosian is pleased to announce its participation in the second edition of Paris+ par Art Basel, at the Grand Palais Éphémère. The presentation includes paintings, sculptures, and photographs by gallery artists, with a focus on new works created in some cases specifically for the fair and never shown before in Europe. The booth is activated by an architectural intervention by Carol Bove featuring four sculptures that make use of sandblasted, contorted, and painted stainless steel.
Gagosian’s booth at Paris+ par Art Basel 2023. Artwork, left to right: © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; © Carol Bove; © Giuseppe Penone/2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Thomas Lannes
Art Fair
Art Basel Hong Kong 2024
March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.
Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson
Installation
Urs Fischer
Rose
Urs Fischer’s painting Rose (2024) is on view in the vitrine at Gagosian, rue de Ponthieu, Paris, as part of the artist’s exhibition Beauty at the rue de Castiglione gallery.
In 2010, Fischer began the Problem Paintings series, layering vivid screen-printed images of familiar objects and organic forms—from fixtures and fittings to fruits and vegetables—over precisely rendered enlargements of vintage Hollywood headshots. Rose belongs to this series and shows a glamorous screen actor wearing red lipstick, her face partially obscured by a luscious pink rose with a bright green stem and leaves. The juxtaposition enacts a playful conflict between clarity and secrecy, aesthetic experimentation and symbolic meaning. Evoking the cryptological messaging of Victorian floriography, Rose confronts the viewer with a mischievous, perhaps unsolvable visual conundrum.
Urs Fischer, Rose, 2024 © Urs Fischer. Photo: Stefan Altenburger
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Lisa Lyon
Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.
Jamian Juliano-Villani and Jordan Wolfson
Ahead of her forthcoming exhibition in New York, Jamian Juliano-Villani speaks with Jordan Wolfson about her approach to painting and what she has learned from running her own gallery, O’Flaherty’s.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio in Long Island as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Goetheanum: Rudolf Steiner and Contemporary Art
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Border Crossings: Exile and American Modern Dance, 1900–1955
Dance scholars Mark Franko and Ninotchka Bennahum join the Quarterly’s Gillian Jakab in a conversation about the exhibition Border Crossings at the New York Public Library for the Performing Arts. Cocurated by Bennahum and Bruce Robertson, the show reexamines twentieth-century modern dance in the context of war, exile, and injustice. An accompanying catalogue, coedited by Bennahum and Rena Heinrich and published earlier this year, bridges the New York presentation with its West Coast counterpart at the Art, Design & Architecture Museum at the University of California, Santa Barbara.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.
Hans Ulrich Obrist’s Questionnaire: Frida Escobedo
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents select from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2024, we are honored to present the architect Frida Escobedo.
Fashion and Art: Maria Grazia Chiuri
Maria Grazia Chiuri has been the creative director of women’s haute couture, ready-to-wear, and accessories collections at Dior since 2016. Beyond overseeing the fashion collections of the French house, she has produced a series of global collaborations with artists such as Judy Chicago, Mickalene Thomas, Penny Slinger, and more. Here she speaks with the Quarterly’s Derek Blasberg about her childhood in Rome, the energy she derives from her interactions and conversations with artists, the viral “We Should All Be Feminists” T-shirt, and her belief in the role of creativity in a fulfilled and healthy life.
Douglas Gordon: To Sing
On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.
Black Futurity: Lessons in (Art) History to Forge a Path Forward
Jon Copes asks, What can Black History Month mean in the year 2024? He looks to a selection of scholars and artists for the answer.