Autos, Art, Architecture
April 8–September 18, 2022
Guggenheim Bilbao, Spain
Motion. Autos, Art, Architecture celebrates the artistic dimension of the automobile and links it to the parallel worlds of painting, sculpture, architecture, photography, and film. The exhibition brings together nearly forty automobiles that are placed center stage in the galleries and surrounded by significant works of art and architecture. Work by Alexander Calder, Christo, Andreas Gursky, Ed Ruscha, and Andy Warhol is included.
Installation view, Motion. Autos, Art, Architecture, Guggenheim Bilbao, Spain, April 8–September 18, 2022. Artwork © Ed Ruscha. Photo: courtesy Guggenheim Museum Bilbao
March 31–August 14, 2022
Amorepacific Museum of Art, Seoul
This is the first solo exhibition in Korea of work by Andreas Gursky, who often integrates multiple photographs to reconstruct reality, capturing places that encapsulate modern civilization to encourage viewers to contemplate the insignificance of individuals in a larger society. The show features more than forty works that provide an overview of Gursky’s entire artistic career, from his early photographs of the mid-1980s to new works produced in 2022.
Installation view, Andreas Gursky, Amorepacific Museum of Art, Seoul, March 31–August 14, 2022. Artwork © Andreas Gursky, VG Bild-Kunst, Bonn, Germany
Andreas Gursky in
Electro: Von Kraftwerk bis Techno
December 9, 2021–May 15, 2022
Kunstpalast Düsseldorf, Germany
This exhibition, whose title translates to Electro: From Kraftwerk to Techno, examines the history of electronic music and its interconnections with art. Through more than five hundred works, including musical instruments, self-made sound generators, photographs, audio clips, videos, and graphic design, the diverse field of “electronic” music is explored from a variety of perspectives. Work by Andreas Gursky is included.
Andreas Gursky, May Day III, 1998 © Andreas Gursky/VG Bild-Kunst, Bonn, Germany, 2021
Selected Acquisitions of a Decade
November 20, 2021–April 3, 2022
The Broad, Los Angeles
Since Unveiling highlights artworks that have entered the Broad collection in the last decade, with some acquisitions completed as recently as this year. The fifty-seven works on view by twenty-nine artists represent many facets of contemporary art, from explorations of abstraction and figuration to examinations of place, identity, and narrative. Many works witness, critique, and interpret current events, speaking to politics and power structures. Work by Gregory Crewdson, Andreas Gursky, and Nathaniel Mary Quinn are included.
Nathaniel Mary Quinn, Pure Insecurity, 2019 © Nathaniel Mary Quinn
September 9, 2021–February 13, 2022
Museum Küppersmühle für Moderne Kunst, Duisburg, Germany
This monographic exhibition of Andreas Gursky’s work includes nearly sixty photographs spanning four decades, starting with early works from the Ruhr region in Germany, which Gursky often used as a setting during his studies with Bernd and Hilla Becher at the Kunstakademie Düsseldorf. Also included are well-known iconographic images and large-format photographs that provide a comprehensive overview of the artist’s practice.
Installation view, Andreas Gursky, Museum Küppersmühle für Moderne Kunst, Duisburg, Germany, September 9, 2021–February 13, 2022. Artwork © Andreas Gursky/VG-Bild-Kunst, Bonn, Germany 2021. Photo: Inga Barnick, Installationsansichten MKM, 2021
December 5, 2020–August 22, 2021
Museum der bildenden Künste, Leipzig, Germany
For this highly personal retrospective—his first solo exhibition in the city of his birth—Andreas Gursky selected approximately eighty photographs, including around fifty extremely large-format compositions; older iconic works that have imprinted themselves on the visual memory, such as 99 Cent (1999); and new works that have yet to be exhibited in a museum.
Andreas Gursky, Kreuzfahrt, 2020 © Andreas Gursky/VG Bild-Kunst, Bonn 2020
The Essl Collection
December 7, 2020–April 5, 2021
Albertina Modern, Vienna
Complementing an overview of the Essl Collection, which has been held by the Albertina since 2017, the lower level of the Albertina Modern is presenting a special exhibition of works from the Essl Collection’s photographic holdings. In addition to notable examples of contemporary photography, the show particularly focuses on representatives of the Becher School, who studied under the influential photographers Bernd and Hilla Becher at the Kunstakademie Düsseldorf in the 1970s. Work by Gregory Crewdson, Andreas Gursky, and Cindy Sherman is included.
Gregory Crewdson, Untitled, 2004 © Gregory Crewdson
August 13, 2020–February 14, 2021
City Gallery Wellington, New Zealand
Terminal is an exhibition of international art made about the airport, not for it. The exhibiting artists variously address the airport as site, form, or symbol—often by subverting its iconography and processes, or by tackling its history and politics. Work by Andreas Gursky and Taryn Simon is included.
Taryn Simon, Sausages (prohibited), 2010, from the series Contraband, 2010 © Taryn Simon
Photography’s Last Century
The Ann Tenenbaum and Thomas H. Lee Collection
March 10–November 30, 2020
Metropolitan Museum of Art, New York
This exhibition celebrates the remarkable ascendancy of photography in the last century, and Ann Tenenbaum and Thomas H. Lee’s promised gift of over sixty photographs in honor of the Met’s 150th anniversary in 2020. The collection is particularly notable for its breadth and depth of works by women artists, its sustained interest in the nude, and its focus on artists’ beginnings. Work by Gregory Crewdson, Andreas Gursky, Man Ray, Cindy Sherman, Andy Warhol, and Rachel Whiteread is included.
Gregory Crewdson, Untitled, 2005 © Gregory Crewdson
Pictures from Another Wall
The Collection of Huis Marseille at De Pont
February 15–August 30, 2020
De Pont Museum, Tilburg, Netherlands
On view in the De Pont Museum’s new wing are roughly one hundred contemporary photographic works from the collection of its sister institution, Huis Marseille in Amsterdam, with an emphasis on acquisitions of the past five years. Work by Roe Ethridge and Andreas Gursky is included.
Roe Ethridge, Annabella for SEPP, 2012 © Roe Ethridge
The Supermarket of Images
February 11–June 7, 2020
Jeu de Paume, Paris
In an age that is oversaturated with images, this exhibition asks questions about their economy—their storage, management, circulation, and fluctuating values. Work by Andreas Gursky and Richard Serra is included.
Andreas Gursky, Amazon, 2016 © Andreas Gursky/Artist Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Was wir Menschen anbeten
October 19, 2019–March 1, 2020
Kunsthalle Bremen, Germany
This exhibition, whose title translates to Icons: Worship and Adoration, presents a single masterpiece in each of the museum’s sixty galleries complemented by everyday icons—from consumer brands to icons of popular culture, offering an interpretation of the traditional notion of the icon in art juxtaposed with the proliferation of icons in everyday life. The presentation examines various aspects of spirituality, devotion, and adoration. Work by Francis Bacon, Andreas Gursky, Damien Hirst, Yves Klein, Jeff Koons, Bruce Nauman, and Andy Warhol is included.
Damien Hirst, Liberation, 2019, installation view, Kunsthalle Bremen, Germany © Damien Hirst and Science Ltd. All rights reserved, DACS 2020
A New Era, Photographs from the Bank of America Collection
September 13–December 15, 2019
Art Museum, University of Saint Joseph, West Hartford, Connecticut
This exhibition explores a changing social landscape captured in photography and video created over the span of nearly twenty-five years. Eighteen artists from nine countries explore how the physical spaces in which we interact—from city streets to rural landscapes—have evolved alongside our access to a virtual “global village.” Work by Gregory Crewdson and Andreas Gursky is included.
Gregory Crewdson, Untitled, 1998–2002 © Gregory Crewdson
Fiçcão e fabricação
Fotografia de arquitetura após a revolução digital
March 20–August 19, 2019
Museum of Art, Architecture and Technology, Lisbon
This exhibition, whose English title is Fiction and Fabrication: Photography of Architecture after the Digital Turn, looks at artists who have created and engaged with imagery of architecture. It examines how digital manipulation has enabled a fictionalization of architectural spaces, and explores architecture’s role in an expanded practice of photography within contemporary art. Work by Gregory Crewdson, Andreas Gursky, and Jeff Wall is included.
Installation view, Fiçcão e fabricação: Fotografia de arquitetura após a revolução digital, Museum of Art, Architecture and Technology, Lisbon, March 20–August 19, 2019. Artwork, left to right: © Jeff Wall, © Gregory Crewdson
September 29, 2018–February 24, 2019
Kunstmuseum Stuttgart, Germany
This exhibition allows the visitor to become familiar with the various faces of ecstasy and with the shifting social significance of mind-altering states as it changed over the centuries. In doing so, it also considers how different cultural spheres handle the phenomenon of ecstasy. With art at its foundation, the show introduces viewers to various ways that artists have approached ecstatic states—including pictorial representations, video, installation works, and kinesthetic experiences. Work by Andreas Gursky, Carsten Höller, and Man Ray is included.
Carsten Höller, Light Wall, 2000/17 © Carsten Höller
A Journey That Wasn’t
June 30, 2018–February 10, 2019
The Broad, Los Angeles
This exhibition explores complex representations of time and its passage. The show includes more than fifty works drawn from the museum’s collection of postwar and contemporary art and features more than twenty artists, including Richard Artschwager, Gregory Crewdson, Andreas Gursky, Anselm Kiefer, and Ed Ruscha.
Ed Ruscha, Azteca/Azteca In Decline, 2007, Broad Art Foundation © Ed Ruscha
MoMA at NGV
130 Years of Modern and Contemporary Art
June 9–October 8, 2018
National Gallery of Victoria, Melbourne, Australia
MoMA at NGV will provide a unique survey of the museum’s iconic collection. Two hundred key works will be arranged chronologically into eight thematic sections. The exhibition will trace the development of art and design from late-nineteenth-century urban and industrial transformation through to the digital and global present. Work by Alexander Calder, Andreas Gursky, Jeff Koons, Roy Lichtenstein, Pablo Picasso, Cindy Sherman, and Andy Warhol will be included.
Pablo Picasso, Seated Bather, 1930, Museum of Modern Art, New York © 2018 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
October 7, 2017–June 10, 2018
Site Santa Fe
Future Shock is a large-scale exhibition of works that articulate the profound impact of the acceleration of technological, social, and structural change upon contemporary life. The exhibition brings together ten artists whose works imagine a range of visions of our present and future. Work by Andreas Gursky and Tom Sachs is included.
Andreas Gursky, Chicago Mercantile Exchange, 1997 © Andreas Gursky/2017 Artists Rights Society (ARS), New York
January 25–April 22, 2018
Hayward Gallery, London
The Hayward Gallery holds the first major UK retrospective of Andreas Gursky. The exhibition features nearly sixty of the artist’s groundbreaking photographs from the early 1980s through the past few years, and includes some of his most iconic pictures.
Andreas Gursky, Bahrain I, 2005 © Andreas Gursky/DACS 2018
We Are Here
August 19, 2017–April 1, 2018
Museum of Contemporary Art Chicago
In honor of the Museum of Contemporary Art’s fiftieth anniversary, the museum presents We Are Here, a three-part exhibition drawn from its collection. I Am You gathers works that question how we relate to and shape our environments; You Are Here examines how the role of the viewer has changed over time; and We Are Everywhere showcases artists who borrow from popular culture. Work by Richard Artschwager, Francis Bacon, Chris Burden, Ellen Gallagher, Andreas Gursky, Michael Heizer, Jasper Johns, Jeff Koons, Takashi Murakami, Bruce Nauman, Richard Serra, Cindy Sherman, Rudolf Stingel, Andy Warhol, and Franz West is included.
Jeff Koons, Rabbit, 1986 © Jeff Koons.
Photo by Nathan Keay © MCA Chicago
September 16–October 31, 2017
Eight exhibition venues in Beijing, China
Deutschland 8 is the continuation of the intercultural dialogue between China and Germany that successfully started with the exhibition China 8 in 2015. New works by German artists will be on view at eight different museums throughout Beijing. The works selected will highlight the historical context and developments in German art from 1945 to the present day. Work by Georg Baselitz, Katharina Grosse, Andreas Gursky, Anselm Kiefer, Albert Oehlen, and Thomas Ruff is included.
Anselm Kiefer, The Door, 1973 © Anselm Kiefer
April 29, 2018–September 3, 2017
The Broad, Los Angeles
From everyday experiences to protest movements as monumental as the Arab Spring uprisings across the Middle East, to themes that probe systems of social control or examine global commerce, artworks in Oracle tackle the effects of organizational frameworks on global events and private individuals. Some works in the exhibition symbolize marketplace machinations, both official and unofficial, while others are meditations on games, surveillance, vast data sets, mathematical and biological patterns, and even the logic of art itself. Work by Andreas Gursky, Albert Oehlen, Sterling Ruby, and Jeff Wall is included.
Jeff Wall, Search of Premises, 2009 © Jeff Wall
Contemporary Art and Walter Benjamin
March 17–August 6, 2017
Jewish Museum, New York
Walter Benjamin’s The Arcades Project is about Paris’s nineteenth-century vaulted iron-and-glass shopping passages. With their labyrinthine architecture and surrealistic juxtapositions, the arcades offer an ideal prism through which to examine the era’s capitalist metropolis. This exhibition will explore The Arcades Project and its ongoing relevance through works of contemporary art representing the subjects of each of the book’s thirty-six chapters. Work by Chris Burden, Andreas Gursky, Cindy Sherman, and Taryn Simon is included.
Chris Burden, Tower of London Bridge, 2003 © 2017 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York
56th Biennale di Venezia
All the World’s Futures
May 9–November 22, 2015
Giardini and Arsenale, Venice
All the World’s Futures, curated by Okwui Enwezor for the 56th Biennale di Venezia, forms a unitary itinerary with over 136 artists from fifty-three countries, of whom eighty-nine are showing in the Biennale for the first time. The world before us today exhibits deep divisions and wounds, pronounced inequalities, and uncertainties as to the future. The exhibition aims to investigate how the tensions of the outside world act on the sensitivities and the vital and expressive energies of artists, on their desires and their inner songs. Work by Georg Baselitz, Ellen Gallagher, Theaster Gates, Katharina Grosse, Andreas Gursky, Carsten Höller, Tetsuya Ishida, and Taryn Simon is included.
Tetsuya Ishida, Recalled, 1998 © Estate of Tetsuya Ishida. Photo: Martin Wong