00s. Collection Cranford
Les années 2000
October 24, 2020–May 30, 2021
Mo.Co. Contemporary, Montpellier, France
This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.
Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown
Amy Sillman—The Shape of Shape
October 21, 2019–April 12, 2020
Museum of Modern Art, New York
In The Shape of Shape, Amy Sillman—an artist who has helped redefine contemporary painting, pushing the medium into drawing, installations, video, and zines—has created a revelatory Artist’s Choice installation drawn from the museum’s collection. The exhibition features works, many rarely seen, spanning vastly different time periods, places, and mediums. Work by Jay DeFeo, Helen Frankenthaler, Howard Hodgkin, Henry Moore, Albert Oehlen, and Christopher Wool is included.
Albert Oehlen, Untitled, 1989, Museum of Modern Art, New York © Albert Oehlen
Maybe Maybe Not
Christopher Wool and the Hill Collection
February 9–June 28, 2019
Hill Art Foundation, New York
Maybe Maybe Not inaugurates the exhibition program of the Hill Art Foundation, a cultural center conceived to offer broad public access to the incredible collection of works assembled by Janine and J. Tomilson Hill over the past four decades. This presentation of paintings, works on paper, photographs, and prints encapsulates the evolution of Christopher Wool’s career, ranging from his early experiments with ready-made forms in pattern and word paintings to his more recent explorations of spontaneous gesture and digital intervention.
The Marciano Collection
May 25–September 16, 2017
Marciano Art Foundation, Los Angeles
Unpacking: The Marciano Collection was the debut presentation of the collection’s holdings organized by Philipp Kaiser. The title and theme of the show were derived from Walter Benjamin’s essay “Unpacking My Library,” in which he discusses the chaotic potentiality inherent in unpacking and recontextualizing one’s collection. Work by Mark Grotjahn, Jennifer Guidi, Thomas Houseago, Alex Israel, Takashi Murakami, Albert Oehlen, Sterling Ruby, Cindy Sherman, Franz West, Jonas Wood, and Christopher Wool was included.
Installation view, Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles, May 25–September 16, 2017. Artwork, left to right: © Albert Oehlen, © Christopher Wool
Hartung and Lyrical Painters
December 11, 2016–April 17, 2017
Fonds Hèlène & Èdouard Leclerc pour la Culture, Landerneau, France
Exploring the history of lyrical abstraction, this exhibition, curated by Xavier Douroux, brings together notable modern and contemporary artists who resonate with the work of Hans Hartung. Works by Helen Frankenthaler, Albert Oehlen, Cy Twombly, and Christopher Wool are on view.
Photo by Nathalie Savale
After and Around Helen Frankenthaler
February 11–June 7, 2015
Rose Art Museum, Brandeis University, Waltham, Massachusetts
Pretty Raw takes the artist Helen Frankenthaler as a lens through which to refocus our vision of modernist art over the past fifty years. In this version, decoration, humor, femininity and masculinity, the everyday, pleasure, and authorial control take center stage. The exhibition, curated by Katy Siegel, features works by artists from the 1950s through the present who have found personal, social, and political meaning in materiality. Work by Helen Frankenthaler, Mike Kelley, Sterling Ruby, Andy Warhol, Mary Weatherford, and Christopher Wool is included.
Mary Weatherford, Olive Downtown, 2014 © Mary Weatherford. Photo: Fredrik Nilsen Studio