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Damien Hirst, Death Denied, 2008 © Damien Hirst and Science Ltd. All rights reserved, DACS 2024. Photo: Prudence Cuming Associates Ltd

Opening this Week

Damien Hirst
Vivir Para Siempre (Por Un Momento)

March 23–August 25, 2024
Museo Jumex, Mexico City
www.fundacionjumex.org

This exhibition, whose title translates as To Live Forever (For a While), provides a comprehensive overview of Damien Hirst’s work between 1986 and 2019. Curated by Ann Gallagher in close collaboration with the artist, it features around sixty works including some of Hirst’s most iconic series, such as Natural History, Spin Paintings, Medicine Cabinets, and Cherry Blossoms.

Damien Hirst, Death Denied, 2008 © Damien Hirst and Science Ltd. All rights reserved, DACS 2024. Photo: Prudence Cuming Associates Ltd

Installation view, Damien Hirst: The Weight of Things, Museum of Urban and Contemporary Art, Munich, open from October 26, 2023. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2023. Photo: Prudence Cuming Associates Ltd

On View

Damien Hirst
The Weight of Things

Open from October 26, 2023
Museum of Urban and Contemporary Art, Munich
www.muca.eu

The Weight of Things—the first major survey of Damien Hirst’s work in Germany—presented by the Museum of Urban and Contemporary Art (MUCA), Munich  spans forty years of the artist’s career. The exhibition features over forty installations, sculptures, and paintings, some of which have never been seen before, as well as work from his most iconic series, including Natural History, Spin PaintingsMedicine CabinetsTreasures from the Wreck of the Unbelievable, and more.

Installation view, Damien Hirst: The Weight of Things, Museum of Urban and Contemporary Art, Munich, open from October 26, 2023. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2023. Photo: Prudence Cuming Associates Ltd

Rudolf Stingel, Untitled, 2001–02, Museo Jumex, Mexico City © Rudolf Stingel

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Colección Jumex
Todo Se Vuelve Más Ligero

November 18, 2023–February 11, 2024
Museo Jumex, Mexico City
www.fundacionjumex.org

To celebrate its tenth anniversary, Museo Jumex has invited Lisa Phillips, director of the New Museum, New York, to curate an exhibition drawn entirely from the Jumex collection and occupying the whole building. Featuring work by more than seventy international artists, the exhibition, whose title translates to Everything Gets Lighter, brings together diverse works in a poetic meditation on the meaning of light and manifestations of lightness. Work by Damien Hirst, Steven Parrino, Ed Ruscha, and Rudolf Stingel is included.

Rudolf Stingel, Untitled, 2001–02, Museo Jumex, Mexico City © Rudolf Stingel

Tatiana Trouvé, Rock, 2007 © Tatiana Trouvé. Photo: Philippe Migeat

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Storie di pietra

October 13, 2023–January 14, 2024
Villa Medici–Académie de France à Rome
www.villamedici.it

This exhibition, whose title translates to Stories of Stones, brings together nearly two hundred works, from the oldest terrestrial mineral dating back 4.4 billion years to the latest mineral, Sentimentite, created by contemporary artist Agnieszka Kurant. The exhibition explores the idea that stones have inspired artists from all eras. Work by Damien Hirst, Henry Moore, Giuseppe Penone, Pablo Picasso, and Tatiana Trouvé is included.

Tatiana Trouvé, Rock, 2007 © Tatiana Trouvé. Photo: Philippe Migeat

Rudolf Stingel, Untitled, Ex Unico, 2004 © Rudolf Stingel. Photo: courtesy Fondazione Sandretto Re Rebaudengo

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Reaching for the Stars
From Maurizio Cattelan to Lynette Yiadom-Boakye

March 4–June 18, 2023
Fondazione Palazzo Strozzi, Florence, Italy
www.palazzostrozzi.org

Reaching for the Stars celebrates thirty years since Patrizia Sandretto Re Rebaudengo began collecting art. Presenting highlights from her collection, the exhibition includes works by leading international artists and explores the most recent trends in art, embracing painting, sculpture, installation, video, and performance. Work by Glenn Brown, Damien Hirst, and Rudolf Stingel is included.

Rudolf Stingel, Untitled, Ex Unico, 2004 © Rudolf Stingel. Photo: courtesy Fondazione Sandretto Re Rebaudengo

Duane Hanson, Medical Doctor, 1992–94 © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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Take Care
Art and Medicine

April 8–July 17, 2022
Kunsthaus Zürich
www.kunsthaus.ch

This group exhibition aims to explore the timeless human preoccupation with health by retracing key moments in medical history from the nineteenth century to present day. More than three hundred works, including drawing, painting, sculpture, video, spatial installation, and performance, examine the productive interplay of sickness, pain, medicine, care, and healing. Work by Jean-Michel Basquiat, Duane Hanson, and Damien Hirst is included.

Duane Hanson, Medical Doctor, 1992–94 © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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Textiles de Artistas

March 12–June 19, 2022
Fundacíon Barrié, A Coruña, Spain
fundacionbarrie.org

This exhibition explores the history of twentieth-century art through fabrics designed by artists, with unique examples from artistic movements such as Fauvism, Cubism, Surrealism, and Pop art. Comprised of more than one hundred works, the show presents an important overview of weaving as a popular art form in the United Kingdom, the United States, and Europe. Work by Alexander Calder, Damien Hirst, Howard Hodgkin, Henry Moore, Pablo Picasso, Sterling Ruby, and Andy Warhol is included.

Installation view, Damien Hirst: Cherry Blossoms, National Art Center, Tokyo, March 2–May 23, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2022

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Damien Hirst
Cherry Blossoms

March 2–May 23, 2022
National Art Center, Tokyo
www.nact.jp

Damien Hirst: Cherry Blossoms reinterprets the traditional subject of landscape painting with playful irony. In this series Hirst combines thick brushstrokes and elements of gestural painting, referencing Impressionism, Pointillism, and Action painting. The monumental canvases, which are entirely covered in dense, bright colors, envelop the viewer in a vast floral landscape that oscillates between figuration and abstraction. This exhibition has traveled from the Fondation Cartier pour l’art contemporain, Paris.

Installation view, Damien Hirst: Cherry Blossoms, National Art Center, Tokyo, March 2–May 23, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2022

Installation view, Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, England, June 26, 2021–April 24, 2022. Artwork, left to right, top to bottom: © Lothar Gotz; © Julian Opie; © Bob and Roberta Smith; © Michael Landy; © Sean Scully; © Cecily Brown; © Glenn Brown; © Tacita Dean; © George Shaw; © Damien Hirst and Science Ltd, DACS 2021; © Gillian Wearing; © Damien Hirst and Science Ltd, DACS 2021; © Gary Hume; © Fiona Rae; © Rachel Whiteread; © Toby Ziegler

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Masterpieces in Miniature
The 2021 Model Art Gallery

June 26, 2021–April 24, 2022
Pallant House Gallery, Chichester, England
pallant.org.uk

In a unique response to the coronavirus pandemic, Pallant House Gallery has commissioned the 2021 Model Art Gallery, a scaled-down space designed by Wright & Wright architects featuring specially made miniature artworks—all ranging from the size of a pound coin to no larger than 20 centimeters—by more than thirty leading contemporary British artists, including Glenn Brown, Edmund de Waal, Damien Hirst, and Rachel Whiteread. Together with the Thirty Four Gallery and the Model Gallery 2000, these miniature galleries tell the story of Modern British art from the 1930s through today.

Installation view, Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, England, June 26, 2021–April 24, 2022. Artwork, left to right, top to bottom: © Lothar Gotz; © Julian Opie; © Bob and Roberta Smith; © Michael Landy; © Sean Scully; © Cecily Brown; © Glenn Brown; © Tacita Dean; © George Shaw; © Damien Hirst and Science Ltd, DACS 2021; © Gillian Wearing; © Damien Hirst and Science Ltd, DACS 2021; © Gary Hume; © Fiona Rae; © Rachel Whiteread; © Toby Ziegler

Jennifer Guidi, Seeking Hearts (Black MT, Pink Sand, Pink CS, Pink Ground), 2021 © Jennifer Guidi. Photo: Brica Wilcox

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Artists Inspired by Music
Interscope Reimagined

January 30–February 13, 2022
Los Angeles County Museum of Art
www.lacma.org

To mark the thirtieth anniversary of Interscope Records, the company invited artists to select albums and songs from Interscope’s groundbreaking catalogue and fostered exchanges between artists and musicians to generate resonant pairings. The exhibition, which includes more than fifty works, brings an intergenerational group of visual artists into dialogue with iconic musicians from the last three decades, providing a fresh perspective on influential music for the present moment. Work by John Currin, Jennifer Guidi, Damien Hirst, Titus Kaphar, Takashi Murakami, Richard Prince, Ed Ruscha, and Anna Weyant is included.

Jennifer Guidi, Seeking Hearts (Black MT, Pink Sand, Pink CS, Pink Ground), 2021 © Jennifer Guidi. Photo: Brica Wilcox

Installation view, Damien Hirst: Cherry Blossoms, Fondation Cartier pour l’art contemporain, Paris, July 6, 2021–January 2, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Thibaut Voisin

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Damien Hirst
Cherry Blossoms

July 6, 2021–January 2, 2022
Fondation Cartier pour l’art contemporain, Paris
www.fondationcartier.com

Cherry Blossoms, Damien Hirst’s first museum exhibition in France, reinterprets the traditional subject of landscape painting with playful irony. In this series Hirst combines thick brushstrokes and elements of gestural painting, referencing Impressionism, Pointillism, and Action painting. The monumental canvases, which are entirely covered in dense bright colors, envelop the viewer in a vast floral landscape moving between figuration and abstraction.

Installation view, Damien Hirst: Cherry Blossoms, Fondation Cartier pour l’art contemporain, Paris, July 6, 2021–January 2, 2022. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2021. Photo: Thibaut Voisin

Installation view, Damien Hirst: Archaeology Now, Galleria Borghese, Rome, June 8–November 7, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved DACS 2021/SIAE 2021. Photo: A. Novelli © Galleria Borghese-Ministero della Cultura 

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Damien Hirst
Archaeology Now

June 8–November 7, 2021
Galleria Borghese, Rome
galleriaborghese.beniculturali.it

In Archaeology Now, more than eighty works from Damien Hirst’s Treasures from the Wreck of the Unbelievable (2007–17) series are displayed throughout the Galleria Borghese alongside ancient masterpieces from the museum’s collection. Hirst’s C0lour Space (2016) paintings are also exhibited—for the first time in Italy—among the collection and his colossal sculpture Hydra and Kali (2015) is presented outdoors in the Giardino Segreto dell’Uccelliera.

Installation view, Damien Hirst: Archaeology Now, Galleria Borghese, Rome, June 8–November 7, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved DACS 2021/SIAE 2021. Photo: A. Novelli © Galleria Borghese-Ministero della Cultura 

Damien Hirst, Up, Up and Away, 1997 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020 

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Damien Hirst
End of a Century

October 7, 2020–August 8, 2021
Newport Street Gallery, London
www.newportstreetgallery.com

End of a Century features over fifty early works by Damien Hirst, spanning his formative years as a student in the 1980s through the 1990s, when he became one of Britain’s leading contemporary artists. Featuring installations, sculpture, and paintings, some of which have not been seen before, the exhibition surveys a selection of Hirst’s most iconic series.

Damien Hirst, Up, Up and Away, 1997 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020 

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

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00s. Collection Cranford
Les années 2000

October 24, 2020–May 30, 2021
Mo.Co. Contemporary, Montpellier, France
www.moco.art

This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.

Glenn Brown, Lemon Sunshine, 2001 © Glenn Brown

Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 14, 2021. Artwork, front: © Dan Graham; ceiling: © Studio lost but found/VG Bild-Kunst, Bonn 2021

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Colección Jumex
Al filo de la navaja

August 18, 2020–February 14, 2021
Museo Jumex, Mexico City
www.fundacionjumex.org

This exhibition, whose title translates to On the Knife’s Edge, brings together works by more than forty international artists. Comprising four thematic sections—migration and liberty, the human body, the environment, and the inexorable passage of time—the show aims to address the issues shaping our contemporary world. Work by Douglas Gordon and Damien Hirst is included.

Installation view, Colección Jumex: Al filo de la navaja, Museo Jumex, Mexico City, August 18, 2020–February 14, 2021. Artwork, front: © Dan Graham; ceiling: © Studio lost but found/VG Bild-Kunst, Bonn 2021

Simon Hantaï, Etude I, suite pour Pierre Reverdy, 1969 © Archives Simon Hantaï/ADAGP, Paris, 2020. Photo: Claude Gaspari

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Soleils noirs

March 25, 2020–January 25, 2021
Musée du Louvre-Lens, France
www.louvrelens.fr

This sensory exhibition, whose title translates to Black Suns, offers a fresh perspective on the color black, which has been endowed with a multitude of symbolic meanings in Western art from antiquity to the present day. The exhibition features nearly 180 works, intermingling periods and disciplines, and spanning painting, fashion, the decorative arts, the moving image, and installations. Work by Douglas Gordon, Simon Hantaï, and Damien Hirst is included.

Simon Hantaï, Etude I, suite pour Pierre Reverdy, 1969 © Archives Simon Hantaï/ADAGP, Paris, 2020. Photo: Claude Gaspari

Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm

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Dyr i kunsten

March 21, 2020–January 10, 2021
Arken Museum, Ishoj, Denmark
uk.arken.dk

Dyr i kunsten, or Animals in Art, features sculpture, installations, video, photography, and paintings by a wide array of international artists whose work explores the ways that humans study, categorize, live with, and use animals and how we thus attempt to gain a deeper understanding of ourselves. Work by Douglas Gordon, Damien Hirst, and Carsten Höller is included.

Installation view, Dyr i kunsten, Arken Museum, Ishoj, Denmark, May 26, 2020–January 10, 2021. Artwork © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: David Stjernholm

Albert Oehlen, Rock, 2009 © Albert Oehlen

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Crossing Views

September 23, 2020–January 3, 2021
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

Presented in conjunction with a retrospective on Cindy Sherman, Crossing Views examines a selection of works from the collection of the Fondation Louis Vuitton, chosen in collaboration with Cindy Sherman. Echoing the artist’s work, the exhibition unfolds across two floors and is centered on the theme of the portrait and its interpretation through different approaches and media, including painting, photography, sculpture, video, and installation. Work by Damien Hirst, Albert Oehlen, Cindy Sherman, and Andy Warhol is included.

Albert Oehlen, Rock, 2009 © Albert Oehlen

Damien Hirst, Mermaid, 2014 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020

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Mythologies
The Beginning and End of Civilizations

April 4–October 18, 2020
ARoS Aarhus Art Museum, Denmark
www.aros.dk

This exhibition attempts to expose the mythological narratives that have sustained society through various historical epochs and had a governing influence on communities as well as on war and destruction. By highlighting specific historical points of interest, the show aims to uncover periods where old narratives are discarded and new ones emerge, often via radical ruptures. Work by Damien Hirst and Anselm Kiefer is included.

Damien Hirst, Mermaid, 2014 © Damien Hirst and Science Ltd. All rights reserved, DACS 2020

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

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Amuse-Bouche
The Taste of Art

February 19–July 26, 2020
Museum Tinguely, Basel
www.tinguely.ch

Amuse-Bouche: The Taste of Art presents works—some with a participatory element—by more than forty-five international artists from the Baroque period to the present that explore taste as a dimension of aesthetic perception. Breaking with the usual museum practice of appealing primarily to the sense of sight, works in the exhibition offer art historical and phenomenological encounters with the sense of taste. Work by Urs Fischer, Damien Hirst, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included.

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

Damien Hirst, Liberation, 2019, installation view, Kunsthalle Bremen, Germany © Damien Hirst and Science Ltd. All rights reserved, DACS 2020

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Ikonen
Was wir Menschen anbeten

October 19, 2019–March 1, 2020
Kunsthalle Bremen, Germany
www.kunsthalle-bremen.de

This exhibition, whose title translates to Icons: Worship and Adoration, presents a single masterpiece in each of the museum’s sixty galleries complemented by everyday icons—from consumer brands to icons of popular culture, offering an interpretation of the traditional notion of the icon in art juxtaposed with the proliferation of icons in everyday life. The presentation examines various aspects of spirituality, devotion, and adoration. Work by Francis Bacon, Andreas Gursky, Damien Hirst, Yves Klein, Jeff Koons, Bruce Nauman, and Andy Warhol is included.

Damien Hirst, Liberation, 2019, installation view, Kunsthalle Bremen, Germany © Damien Hirst and Science Ltd. All rights reserved, DACS 2020

Rachel Whiteread, Untitled (Air Bed II), 1992 © Rachel Whiteread

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Objects of Wonder
From Pedestal to Interaction

October 12, 2019–March 1, 2020
ARoS Aarhus Art Museum, Denmark
www.aros.dk

Objects of Wonder features sculptural works from 1960 until the present. The exhibition, conceptualized in collaboration with Tate, London, showcases recent sensory or thought-provoking sculpture and experiments. The audience encounters a series of works that challenge the genre, where tactility, context, and light play a central role. Work by Damien Hirst, Bruce Nauman, and Rachel Whiteread is included.

Rachel Whiteread, Untitled (Air Bed II), 1992 © Rachel Whiteread

Installation view, Pompei e Santorini: l’eternità in un giorno, Scuderie del Quirinale, Rome, October 11, 2019–January 6, 2020. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Studio Idini

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Pompei e Santorini
l’eternità in un giorno

October 11, 2019–January 6, 2020
Scuderie del Quirinale, Rome
www.scuderiequirinale.it

Pompeii and Santorini: Eternity in a Day offers a comparison between two ancient sites whose entire societies were buried by eruptions—Pompeii and Santorini. Through themes of catastrophe and rebirth, visitors explore how natural disasters become inspiration for art. Work by Damien Hirst, Giuseppe Penone, and Andy Warhol is included.

Installation view, Pompei e Santorini: l’eternità in un giorno, Scuderie del Quirinale, Rome, October 11, 2019–January 6, 2020. Artwork © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo: Studio Idini

Damien Hirst, The Hat Makes the Man, 2004–07, installation view, Yorkshire Sculpture Park, England, June 22–September 29, 2019 © Damien Hirst and Science Ltd. All rights reserved, DACS 2019

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Yorkshire Sculpture International

June 22–September 29, 2019
Various venues, Yorkshire, England
yorkshire-sculpture.org

Yorkshire Sculpture International is the UK’s largest dedicated sculpture festival and features a series of exhibitions, international commissions, events, and learning programs. The festival began this year and aims to build on the growing profile of Yorkshire as a cultural destination. Work by Huma Bhabha and Damien Hirst is included.

Damien Hirst, The Hat Makes the Man, 2004–07, installation view, Yorkshire Sculpture Park, England, June 22–September 29, 2019 © Damien Hirst and Science Ltd. All rights reserved, DACS 2019