News / David Reed / Museum Exhibitions

Closing this Week

Von Gerhard Richter bis Mary Heilmann
Abstrakte Malerei aus Privat und Museumsbesitz

Through April 28, 2024
Kunst Museum Winterthur, Switzerland
www.kmw.ch

This exhibition, whose title translates as From Gerhard Richter to Mary Heilmann: Abstract Art from Private Collections and the Museum’s Holdings, explores a shift in painting from the 1980s onward. At this time artists—painters in particular—developed a newfound freedom in relation to the work of the historical avant-garde, successfully combining the language of abstraction with reality, and in so doing creating something entirely new and fresh. Work by Richter and Heilmann will be shown alongside paintings from both the museum’s holdings and private collections, including work by Katharina Grosse and David Reed.

Closed

The Milton and Sheila Fine Collection

November 18, 2023–March 17, 2024
Carnegie Museum of Art, Pittsburgh
carnegieart.org

Milton and Sheila Fine have been longtime advocates and supporters of the arts in their philanthropy throughout the Pittsburgh region. Promised to Carnegie Museum of Art in 2015, their collection of contemporary painting, sculpture, photography, and drawing reflects their interest in American and German art from the 1980s to the 2000s. This exhibition, which is presented as a celebration and remembrance of Milton Fine, who passed away in 2019, foregrounds the importance and impact of the gift. Work by Richard Artschwager, Georg Baselitz, Mark Grotjahn, Donald Judd, Brice Marden, David Reed, Ed Ruscha, Richard Serra, Jeff Wall, and Christopher Wool is included.

Closed

David Reed in
Given Time

September 8, 2022–February 25, 2023
Milton Resnick and Pat Passlof Foundation, New York
www.resnickpasslof.org

This group exhibition has a starting point in 1991 when Molly Sullivan curated the exhibition Contemporary Abstract Painting: Resnick, Reed, Laufer & Moore for the Muscarelle Museum of Art at the College of William & Mary in Virginia. Her show referenced the tumult of the 1980s art market, the continuing debate over the future of painting, and the impact of the political arena in which artists live. Given Time expands on that exhibition to include artists from a broad spectrum of personal and political influences, as it considers the interim three decades from the Muscarelle show to our present day through a number of lenses. Work by David Reed is included.

Closed

Marking Time
Process in Minimal Abstraction

December 18, 2019–August 2, 2020
Solomon R. Guggenheim Museum, New York
www.guggenheim.org

During the 1960s and 1970s, many artists working with abstraction rid their styles of compositional, chromatic, and virtuosic flourishes. As some turned toward such minimal approaches, a singular emphasis on their interaction with materials emerged. The resulting pieces invite viewers to imaginatively reenact aspects of the creative process. Featuring paintings and works on paper, Marking Time explores how drawing attention to the creative process fosters a distinctively empathetic mode of engagement. Work by Brice Marden and David Reed is included.

Closed

David Reed
Vice and Reflection #2

July 12–October 6, 2019
Neues Museum, Nuremberg, Germany
www.nmn.de

This exhibition offers insight into David Reed’s current painting practice by bringing five important works together with corresponding drawings.

Closed

Frozen Gesture
Gesten in der Malerei

May 18–August 18, 2019
Kunst Museum Winterthur, Switzerland
www.kmw.ch

In 1965 Roy Lichtenstein created his famous Brushstrokes and in doing so highlighted the fundamental elements of the image, such as the appearance of the colors and the pigment, the color fields and their limits, and not least the application of paint in the form of a gesture. This exhibition aims to explore the sheer range of gestures in contemporary painting. Work by Katharina Grosse, Roy Lichtenstein, and David Reed is included.

Closed

David Reed
Drawings

May 18–August 18, 2019
Kunst Museum Winterthur, Switzerland
www.kmw.ch

This exhibition includes seven working drawings (comprising forty-four sheets in total) by David Reed, and has been organized in conjunction with the group show Frozen Gesture, which features work by Reed, concurrently on view at the museum. These fascinating works on paper provide unparalleled insight into Reed’s processes in creating large-scale abstract paintings. The drawings serve as a visual diary for each new work: they feature meticulous notes on the experiences and visual cues that inform the works, record decisions made in the painting process, and are illustrated with sketches, diagrams, and color tests.