00s. Collection Cranford
Les années 2000
Through May 30, 2021
Mo.Co. Contemporary, Montpellier, France
This exhibition of work from the Cranford Collection, established by Muriel and Freddy Salem in 1999, aims to define the identity of the 2000s by creating a dialogue between one hundred artworks by a multigenerational array of artists who contributed to shaping the beginning of the millennium. Work by Glenn Brown, Damien Hirst, Mike Kelley, Albert Oehlen, Gerhard Richter, Ed Ruscha, Cindy Sherman, Jeff Wall, Franz West, and Christopher Wool is included.
Albert Oehlen, Schmilzender . . . , 2002 © Albert Oehlen. Photo: Jörg von Bruchhausen
The Paradox of Stillness
Art, Object, and Performance
May 15–August 8, 2021
Walker Art Center, Minneapolis
Featuring works from the early twentieth century to today, The Paradox of Stillness examines the notion of stillness as both a performative and a visual gesture. More than sixty-five artists present object-based art, pictures, and actions staged by live performers to test the boundaries between stillness and motion, mortality and aliveness, and the still life and the living picture. Work by Urs Fischer, Piero Manzoni, Cindy Sherman, Tom Wesselmann, and Franz West is included.
Urs Fischer, Untitled, 2003 © Urs Fischer
Works from the Brant Foundation
November 13, 2019–September 3, 2020
Brant Foundation, New York
Bringing together more than twenty artists integral to the Brant Foundation’s collection, this exhibition offers a glimpse into the multifaceted practices of artists whose work Peter M. Brant has collected over the past fifty years. Work by Jean-Michel Basquiat, Urs Fischer, Mike Kelley, Adam McEwen, Richard Prince, Andy Warhol, and Franz West is included.
Installation view, Third Dimension: Works from the Brant Foundation, Brant Foundation, New York, November 13, 2019–September 3, 2020. Artwork, front to back: © Urs Fischer, © Dan Flavin
February 20–June 2, 2019
Tate Modern, London
Tate Modern presents a retrospective on the work of Franz West, with almost two hundred artworks West made between 1972 and 2012. The show includes his rarely exhibited drawings from the early 1970s as well as his first sculptures, Passstücke, begun in 1973, alongside a selection of the papier-mâché sculptures of the 1980s, and West’s celebrated collaborations with fellow artists. The exhibition also features the collages and drawings of his later years, as well as models for open-air works and a selection of such sculptures, in addition to his furniture works. This extensive presentation highlights not only the artist’s outstanding capacity for formal invention, but also his irreverent and caustic sensibility. This exhibition has traveled from the Centre Pompidou in Paris.
Franz West, Herbert Brandl, Otto Zitko, and Heimo Zobernig, Untitled, 1988 © Estate Franz West © Archiv Franz West. Photo: Stefan Altenburger Photography Zürich
September 12–December 10, 2018
Centre Pompidou, Paris
Centre Pompidou presents a retrospective on the work of Franz West, with almost two hundred artworks made between 1972 and 2012. The show includes his rarely exhibited drawings from the early 1970s as well as his first sculptures, Passstücke, begun in 1973–74, alongside a selection of the papier-mâché sculptures of the 1980s, and West’s celebrated collaborations with fellow artists. The exhibition also features the collages and drawings of his later years, as well as models for open-air works and a selection of such sculptures, in addition to his furniture works. This extensive presentation highlights not only the artist’s outstanding capacity for formal invention, but also his irreverent and caustic sensibility.
Franz West’s Lemurenköpfe (Lemur Heads) (1992) in his studio, Vienna, 1992. Artwork © Archiv Franz West. Photo: Harald Schönfellinger
We Are Here
August 19, 2017–April 1, 2018
Museum of Contemporary Art Chicago
In honor of the Museum of Contemporary Art’s fiftieth anniversary, the museum presents We Are Here, a three-part exhibition drawn from its collection. I Am You gathers works that question how we relate to and shape our environments; You Are Here examines how the role of the viewer has changed over time; and We Are Everywhere showcases artists who borrow from popular culture. Work by Richard Artschwager, Francis Bacon, Chris Burden, Ellen Gallagher, Andreas Gursky, Michael Heizer, Jasper Johns, Jeff Koons, Takashi Murakami, Bruce Nauman, Richard Serra, Cindy Sherman, Rudolf Stingel, Andy Warhol, and Franz West is included.
Jeff Koons, Rabbit, 1986 © Jeff Koons.
Photo by Nathan Keay © MCA Chicago
Paper into Sculpture
October 14, 2017–February 4, 2018
Nasher Sculpture Center, Dallas
This exhibition plays on tensions between commonly held understandings of sculpture and what paper can and cannot do, pushed to its physical limits. Treating paper as a material with a palpable three-dimensional presence rather than as a mere support for mark making, artists in this show use processes ranging from tearing, crumpling, and cutting to scattering, binding, and adhering to create sculptural works that take a variety of forms and suggest a range of expressive and conceptual implications. Work by Nancy Rubins and Franz West is included.
Nancy Rubins, Drawing, 2005 © Nancy Rubins
September 19, 2017–January 22, 2018
Austrian Cultural Forum, New York
Wild West is a group exhibition commemorating the dynamic legacy of the late Austrian artist Franz West. Curated by former West collaborator Andreas Reiter Raabe, the show consists of works by Franz West, his New York–based contemporaries, including Urs Fischer and Rudolf Stingel, and commissioned works by emerging artists from both New York and Austria.
Installation view, Wild West, Austrian Cultural Forum, New York, September 20, 2017–January 22, 2018. Artwork © Urs Fischer and © Rudolf Stingel. Photo by David Plakke/ACFNY
Franz West in
VIVA ARTE VIVA
May 13–November 26, 2017
57th Venice Biennale
Curated by Christine Macel, Viva Arte Viva is a Biennale designed by and for artists, about the forms they propose, the questions they ask, the practices they develop, and the ways of life they choose. The exhibition unfolds over the course of nine chapters, or families of artists, beginning with two introductory realms in the Central Pavilion, followed by seven across the Arsenale through the Giardino delle Vergini. Work by Franz West is included.
Photo by Didi Sattmann
The Marciano Collection
May 25–September 16, 2017
Marciano Art Foundation, Los Angeles
Unpacking: The Marciano Collection was the debut presentation of the collection’s holdings organized by Philipp Kaiser. The title and theme of the show were derived from Walter Benjamin’s essay “Unpacking My Library,” in which he discusses the chaotic potentiality inherent in unpacking and recontextualizing one’s collection. Work by Mark Grotjahn, Jennifer Guidi, Thomas Houseago, Alex Israel, Takashi Murakami, Albert Oehlen, Sterling Ruby, Cindy Sherman, Franz West, Jonas Wood, and Christopher Wool was included.
Installation view, Unpacking: The Marciano Collection, Marciano Art Foundation, Los Angeles, May 25–September 16, 2017. Artwork, left to right: © Albert Oehlen, © Christopher Wool
Duet with Artist
Participation as an Artistic Principle
May 21–September 3, 2017
Museum Morsbroich, Leverkusen, Germany
The role of the audience in the creative process of a work of art is at the center of this exhibition. Different forms of participation are offered, following directional structures evoking critical thought processes or generating collaboration with others. Work by Davide Balula, Yves Klein, Bruce Nauman, and Franz West is included.
Davide Balula, Mimed Sculptures, 2016
© Davide Balula
February 4–June 25, 2017
Lokremise, Kunstmuseum St. Gallen, Switzerland
This exhibition focuses on the tension between the body as a sculptural volume in space and the negative space that surrounds it. The core of the show will include works by Hans Josephsohn and Franz West, while installations by Urs Fischer and Pipilotti Rist expand the dialogue.
Franz West, The First Passstück, 1978/94, Ursula Hauser Collection, Switzerland. Photo by Stefan Altenburger
December 14, 2016–April 23, 2017
Curated by Harald Krejci, this window into Franz West’s collaborative art practice examines a selection of work the artist made with fellow artists such as Urs Fischer, Douglas Gordon, and Albert Oehlen.
Photo © Belvedere, Vienna