On View
Indian Skies
The Howard Hodgkin Collection of Indian Court Painting
Through June 9, 2024
Metropolitan Museum of Art, New York
www.metmuseum.org
Over the course of sixty years, Howard Hodgkin formed a collection of Indian paintings and drawings that is recognized as one of the finest of its kind. The artist collected works from the Mughal, Deccani, Rajput, and Pahari courts dating from the sixteenth to the nineteenth centuries. This exhibition presents over 120 of these works, many of which the Metropolitan Museum of Art recently acquired, alongside loans from the Howard Hodgkin Indian Collection Trust.
Installation view, Indian Skies: The Howard Hodgkin Collection of Indian Court Painting, Metropolitan Museum of Art, New York, February 6–June 9, 2024. Photo: Hyla Skopitz
Closed
Textiles de Artistas
March 12–June 19, 2022
Fundacíon Barrié, A Coruña, Spain
fundacionbarrie.org
This exhibition explores the history of twentieth-century art through fabrics designed by artists, with unique examples from artistic movements such as Fauvism, Cubism, Surrealism, and Pop art. Comprised of more than one hundred works, the show presents an important overview of weaving as a popular art form in the United Kingdom, the United States, and Europe. Work by Alexander Calder, Damien Hirst, Howard Hodgkin, Henry Moore, Pablo Picasso, Sterling Ruby, and Andy Warhol is included.
Closed
Artist’s Choice
Amy Sillman—The Shape of Shape
October 21, 2019–April 12, 2020
Museum of Modern Art, New York
www.moma.org
In The Shape of Shape, Amy Sillman—an artist who has helped redefine contemporary painting, pushing the medium into drawing, installations, video, and zines—has created a revelatory Artist’s Choice installation drawn from the museum’s collection. The exhibition features works, many rarely seen, spanning vastly different time periods, places, and mediums. Work by Jay DeFeo, Helen Frankenthaler, Howard Hodgkin, Henry Moore, Albert Oehlen, and Christopher Wool is included.
Albert Oehlen, Untitled, 1989, Museum of Modern Art, New York © Albert Oehlen
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Hodgkin & Creed
Inside Out
September 18–November 17, 2019
Kistefos, Jevnaker, Norway
www.kistefosmuseum.com
Inside Out finds a series of relationships that take us beyond a lyrical reading of Howard Hodgkin’s paintings and radically rethinks his oeuvre. At the same time, the exhibition approaches Martin Creed’s Minimalist work through Hodgkin’s expressionism, drawing on a number of themes including: Minimalist seriality, concepts around objects and language, emotional reparation, the performative body (with its relation to time), and the work of art itself.
Installation view, Hodgkin & Creed: Inside Out, Kistefos, Jevnaker, Norway, September 18–November 17, 2019. Artwork, left to right: © Howard Hodgkin Estate; © Martin Creed. Photo: Timothy Chase
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Howard Hodgkin
India on Paper
October 14, 2017–January 7, 2018
Victoria Art Gallery, Bath, England
www.victoriagal.org.uk
This unique exhibition celebrates the artist’s love affair with India, which he visited for the first time in 1964. The trip was a revelation, and he returned almost every year thereafter. This exhibition features a range of Hodgkin’s Indian-themed works on paper, including gouache paintings, editioned prints, and hand-colored impressions made over half a century.
Howard Hodgkin, Mumbai Wedding, 1990–91
© Howard Hodgkin
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Howard Hodgkin
Painting India
July 1–October 8, 2017
Hepworth Wakefield, England
www.hepworthwakefield.org
The Hepworth Wakefield stages the first comprehensive exhibition to explore the enduring influence of India on Hodgkin’s work, a place the artist returned to almost annually following his first trip there in 1964. On display are more than thirty-five works, rarely seen photographs from his personal archive, and journals Hodgkin kept documenting his journeys in India.
Howard Hodgkin, Hello, Bombay, 2016 © Howard Hodgkin. Photo by Prudence Cuming Associates LTD
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Howard Hodgkin
Absent Friends
March 23–June 18, 2017
National Portrait Gallery, London
www.npg.org.uk
Hodgkin’s paintings are characterized by rich color, complex illusionistic space, and sensuous brushwork. By emphasizing these pictorial elements, his work frequently appears entirely abstract. However, over the course of sixty-five years, a principal concern of Hodgkin’s art has been to evoke a human presence. The role of memory, the expression of emotion, and the exploration of relationships between people and places are all preoccupations. The exhibition explores Hodgkin’s development of a personal visual language of portraiture, one that challenges traditional forms of representation.
Howard Hodgkin, Portrait of the Artist Listening to Music, 2011–16 © Howard Hodgkin