Amy Sillman—The Shape of Shape
October 21, 2019–April 12, 2020
Museum of Modern Art, New York
In The Shape of Shape, Amy Sillman—an artist who has helped redefine contemporary painting, pushing the medium into drawing, installations, video, and zines—has created a revelatory Artist’s Choice installation drawn from the museum’s collection. The exhibition features works, many rarely seen, spanning vastly different time periods, places, and mediums. Work by Jay DeFeo, Helen Frankenthaler, Howard Hodgkin, Henry Moore, Albert Oehlen, and Christopher Wool is included.
Albert Oehlen, Untitled, 1989, Museum of Modern Art, New York © Albert Oehlen
Hodgkin & Creed
September 18–November 17, 2019
Kistefos, Jevnaker, Norway
Inside Out finds a series of relationships that take us beyond a lyrical reading of Howard Hodgkin’s paintings and radically rethinks his oeuvre. At the same time, the exhibition approaches Martin Creed’s Minimalist work through Hodgkin’s expressionism, drawing on a number of themes including: Minimalist seriality, concepts around objects and language, emotional reparation, the performative body (with its relation to time), and the work of art itself.
Installation view, Hodgkin & Creed: Inside Out, Kistefos, Jevnaker, Norway, September 18–November 17, 2019. Artwork, left to right: © Howard Hodgkin Estate; © Martin Creed. Photo: Timothy Chase
India on Paper
October 14, 2017–January 7, 2018
Victoria Art Gallery, Bath, England
This unique exhibition celebrates the artist’s love affair with India, which he visited for the first time in 1964. The trip was a revelation, and he returned almost every year thereafter. This exhibition features a range of Hodgkin’s Indian-themed works on paper, including gouache paintings, editioned prints, and hand-colored impressions made over half a century.
Howard Hodgkin, Mumbai Wedding, 1990–91
© Howard Hodgkin
July 1–October 8, 2017
The Hepworth Wakefield, England
The Hepworth Wakefield stages the first comprehensive exhibition to explore the enduring influence of India on Hodgkin’s work, a place the artist returned to almost annually following his first trip there in 1964. On display are more than thirty-five works, rarely seen photographs from his personal archive, and journals Hodgkin kept documenting his journeys in India.
Howard Hodgkin, Hello, Bombay, 2016 © Howard Hodgkin. Photo by Prudence Cuming Associates LTD
March 23–June 18, 2017
National Portrait Gallery, London
Hodgkin’s paintings are characterized by rich color, complex illusionistic space, and sensuous brushwork. By emphasizing these pictorial elements, his work frequently appears entirely abstract. However, over the course of sixty-five years, a principal concern of Hodgkin’s art has been to evoke a human presence. The role of memory, the expression of emotion, and the exploration of relationships between people and places are all preoccupations. The exhibition explores Hodgkin’s development of a personal visual language of portraiture, one that challenges traditional forms of representation.
Howard Hodgkin, Portrait of the Artist Listening to Music, 2011–16 © Howard Hodgkin