April 30–September 4, 2022
Frac Normandie Caen, France
This exhibition brings together a selection of “interior landscapes” and portraits of the world in miniature that share an eccentric or fantastic sensibility, loosely linking them to Surrealism. Work by Jim Shaw and Blair Thurman is included.
Jim Shaw, Anatomy Weird-ohs (Can opener; Blake-St. Sebastian Crystal & Fish Face), 2011, Frac Normandie Caen, France © Jim Shaw. Photo: Clérin-Morin Photographie
Des corps, des écritures
Regards sur l’art d’aujourd’hui
April 20–August 28, 2022
Musée d’Art Moderne de Paris
This exhibition, whose title translates to Bodies, Writings: A Look at Today’s Art, highlights a selection of artworks created between 1973 and 2022 that were recently acquired by the museum. The works on view explore two distinct but organically linked themes: writing as a form or expression, resistance, or testimony; and the body and its representation, particularly in the context of societal changes. Work by Ewa Juszkiewicz and Jim Shaw is included.
Installation view, Des corps, des écritures: Regards sur l’art d’aujourd’hui, Musée d’Art Moderne de Paris, April 20–August 28, 2022. Artwork, left to right: © Guillaume Maraud, © Jim Shaw. Photo: © Pierre Antoine
Mike Kelley and Jim Shaw
November 18, 2017–February 25, 2018
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing
Against the backdrop of 1960s counterculture, Mike Kelley and Jim Shaw shared a lifelong friendship and common background: an upbringing and education in the state of Michigan. Michigan Stories is the first exhibition to place these artists’ practices alongside each other in historical context, approaching their work as parallel visual meditations on the vernacular cultures—including religious and secular rituals, folk tropes, zines, comic books, secret societies, and conspiracy theories—native to their midwestern upbringing.
Installation view, Michigan Stories: Mike Kelley and Jim Shaw, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, November 18, 2017–February 25, 2018. Artwork © Destroy All Monsters Collective (Mike Kelley, Cary Loren, Jim Shaw). Photo: Eat Pomegranate Photography, courtesy MSU Broad Art Museum
The End Is Here
October 7, 2015–January 10, 2016
New Museum, New York
The End Is Here presents some of Jim Shaw’s most iconic projects and reveals the breadth and inventiveness of his art. A comprehensive selection of his works is exhibited alongside objects from his collections of vernacular art and religious didactic materials. These instantly recognizable artworks and series—which succeed in reinvigorating and complicating traditional categories such as portraiture, history painting, figuration, and abstraction—have never before been brought together in a single exhibition.
Installation view, Jim Shaw: The End Is Here, New Museum, New York, October 7, 2015–January 10, 2016. Artwork © Jim Shaw. Photo: Maris Hutchinson