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Richard Prince, Untitled, 2015, Aïshti Foundation, Beirut © Richard Prince

On View

Effetto Notte
Nuovo Realismo Americano

Through July 14, 2024
Gallerie Nazionali di Arte Antica, Palazzo Barberini, Rome
barberinicorsini.org

This exhibition’s title was borrowed from a work by Lorna Simpson, Day for Night (2018), which translates to Effetto Notte in Italian. Curated by Massimiliano Gioni and Flaminia Gennari Santori in collaboration with the Aïshti Foundation, Beirut, the exhibition features more than 150 artworks from the collection of Tony and Elham Salamé that interrogate the meanings and functions of figuration in contemporary art and address questions around the notion of realism and the representation of truth in painting. Work by Derrick Adams, Louise Bonnet, Maurizio Cattelan, Urs Fischer, Theaster Gates, Duane Hanson, Rick Lowe, Richard Prince, Nathaniel Mary Quinn, Sterling Ruby, Anna Weyant, Stanley Whitney, and Christopher Wool is included.

Richard Prince, Untitled, 2015, Aïshti Foundation, Beirut © Richard Prince

Installation view, Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House, Hollyhock House, Los Angeles, February 15–June 24, 2023. Artwork, left to right: © Louise Bonnet, © Adam Silverman. Photo: Josh White

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Entanglements
Louise Bonnet and Adam Silverman at Hollyhock House

February 15–June 24, 2023
Hollyhock House, Los Angeles
hollyhockhouse.org

Entanglements is the first artist intervention at Hollyhock House, a UNESCO World Heritage site, and the first formal collaboration for the Los Angeles–based couple Louise Bonnet and Adam Silverman. In dialogue with the site, Bonnet’s paintings and drawings and Silverman’s ceramics engage the Frank Lloyd Wright–designed house’s hundred-year history as a platform for artists and experimentation.

Installation view, Entanglements: Louise Bonnet and Adam Silverman at Hollyhock House, Hollyhock House, Los Angeles, February 15–June 24, 2023. Artwork, left to right: © Louise Bonnet, © Adam Silverman. Photo: Josh White

Louise Bonnet, Pisser Triptych, 2022 © Louise Bonnet. Photo: Jeff McLane

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59th Biennale di Venezia
The Milk of Dreams

April 23–November 27, 2022
Giardini and Arsenale, Venice
www.labiennale.org

The Milk of Dreams, curated by Cecilia Alemani for the 59th Biennale di Venezia, takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly reenvisioned through the prism of the imagination. With works by 213 artists from fifty-eight countries, the exhibition focuses on three thematic areas in particular: the representation of bodies and their metamorphoses, the relationship between individuals and technologies, and the connection between bodies and the Earth. Work by Louise Bonnet and Jadé Fadojutimi is included.

Louise Bonnet, Pisser Triptych, 2022 © Louise Bonnet. Photo: Jeff McLane

Ewa Juszkiewicz, Ginger Locks, 2021 © Ewa Juszkiewicz

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Fire Figure Fantasy
Selections from ICA Miami’s Collection

May 12–October 16, 2022
Institute of Contemporary Art, Miami
icamiami.org

Fire Figure Fantasy is the first exhibition to showcase the permanent collection of the Institute of Contemporary Art, Miami, with a focus on recent acquisitions. The presentation revolves around important focal points of the collection: social justice, newly emerging technologies, and recent global crises that challenge and reconfigure museum institutions themselves. Work by Louise Bonnet and Ewa Juszkiewicz is included.  

Ewa Juszkiewicz, Ginger Locks, 2021 © Ewa Juszkiewicz

Louise Bonnet, Pissing Gorgon, 2021 © Louise Bonnet

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Louise Bonnet in
Stretching the Body

November 5, 2021–February 27, 2022
Fondazione Sandretto Re Rebaudengo, Turin, Italy
fsrr.org

Stretching the Body brings together the work of thirteen women artists from different generations and geographical origins who, through painting, reflect on the genre of portraiture and the theme of the human figure. Work by Louise Bonnet is included.

Louise Bonnet, Pissing Gorgon, 2021 © Louise Bonnet