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Installation view, Mary Weatherford: Canyon—Daisy—Eden, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, February 1–July 12, 2020. Artwork © Mary Weatherford. Photo: Jeremy Lawson

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Mary Weatherford
Canyon—Daisy—Eden

February 1–July 12, 2020
Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York
tang.skidmore.edu

Over the past three decades, Mary Weatherford has developed a rich and diverse painting practice, from her early-1990s target paintings based on operatic heroines to her expansive, gestural canvases overlaid with neon glass tubing. This exhibition presents a survey of Weatherford’s career, drawing from several distinct bodies of work made between 1989 and 2017. Showing the artist experimenting with color, scale, and materials, these works together reveal the continuity of Weatherford’s interest in human experience, both personal and historical.

Installation view, Mary Weatherford: Canyon—Daisy—Eden, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, February 1–July 12, 2020. Artwork © Mary Weatherford. Photo: Jeremy Lawson

Mary Weatherford, Engine, 2014, Hirshhorn Museum and Sculpture Garden, Washington, DC © Mary Weatherford

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Feel the Sun in Your Mouth
Recent Acquisitions

August 24, 2019–February 2, 2020
Hirshhorn Museum and Sculpture Garden, Washington, DC
hirshhorn.si.edu

This exhibition brings together artworks acquired by the museum over the past five years with a focus on art that incites sensation and demonstrates a renewed interest in sublime encounters with the world. Spanning a period of extreme technological growth that has led us from the first steps on the moon to the development of the Internet, this exhibition illuminates a return to the poetic, the intuitive, and the cosmic in current artistic practice. Work by Alex Israel, Tatiana Trouvé, and Mary Weatherford is included.

Mary Weatherford, Engine, 2014, Hirshhorn Museum and Sculpture Garden, Washington, DC © Mary Weatherford

Installation view, No Man’s Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, DC, September 30, 2016–January 8, 2017. Artwork, left to right: © Mary Weatherford, © Kerstin Brätsch, © Sonia Gomes

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No Man’s Land
Women Artists from the Rubell Family Collection

September 30, 2016–January 8, 2017
National Museum of Women in the Arts, Washington, DC
nmwa.org

Drawing from the Rubell Family Collection, the paintings and sculptural hybrids in N0 Man’s Land demonstrate the expressive and technical range of work by a generationally, aesthetically, and politically diverse group of contemporary women artists. Collectively, they populate “no man’s land”—an open, liberated, and adaptable creative space. The presentation focuses on the traditional mediums of painting and sculpture as a way to highlight how women artists have pushed and redefined the boundaries of such categories. Work by Cecily Brown, Jennifer Guidi, and Mary Weatherford is included.

Installation view, No Man’s Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, DC, September 30, 2016–January 8, 2017. Artwork, left to right: © Mary Weatherford, © Kerstin Brätsch, © Sonia Gomes

Mary Weatherford, Olive Downtown, 2014 © Mary Weatherford. Photo: Fredrik Nilsen Studio

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Pretty Raw
After and Around Helen Frankenthaler

February 11–June 7, 2015
Rose Art Museum, Brandeis University, Waltham, Massachusetts
www.brandeis.edu

Pretty Raw takes the artist Helen Frankenthaler as a lens through which to refocus our vision of modernist art over the past fifty years. In this version, decoration, humor, femininity and masculinity, the everyday, pleasure, and authorial control take center stage. The exhibition, curated by Katy Siegel, features works by artists from the 1950s through the present who have found personal, social, and political meaning in materiality. Work by Helen Frankenthaler, Mike Kelley, Sterling Ruby, Andy Warhol, Mary Weatherford, and Christopher Wool is included.

Mary Weatherford, Olive Downtown, 2014 © Mary Weatherford. Photo: Fredrik Nilsen Studio

Mary Weatherford, la noche, 2014 © Mary Weatherford. Photo: Fredrik Nilsen Studio

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The Forever Now
Contemporary Painting in an Atemporal World

December 14, 2014–April 5, 2015
Museum of Modern Art, New York
www.moma.org

Forever Now presents the work of seventeen artists whose paintings reflect a singular approach that characterizes our cultural moment at the beginning of the new millennium: they refuse to allow us to define or even meter our time by them. They represent a wide variety of styles and impulses, but all use the painted surface as a platform, map, or metaphoric screen on which genres intermingle, morph, and collide. Work by Joe Bradley, Mark Grotjahn, and Mary Weatherford is included.

Mary Weatherford, la noche, 2014 © Mary Weatherford. Photo: Fredrik Nilsen Studio