May 26–October 3, 2021
The Broad, Los Angeles
Developed amid the COVID-19 pandemic and the groundswell of demands for social justice and racial equity, Invisible Sun features artworks that resonate with this unprecedented period of rupture and unrest. The works on view speak to profound transitions, both personal and global—including the AIDS crisis, gender- and race-based violence, unchecked capitalism, and colonialism’s aftermath—and form an appeal for healing. Work by Ellen Gallagher and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, C’mo’ and Walk with Me, 2019 © Nathaniel Mary Quinn
Person of Interest
January 31, 2020–July 3, 2021
Sheldon Museum of Art, University of Nebraska–Lincoln
Exploring nuances in portraiture from the late nineteenth century to today—and testing the very definition of the genre—Person of Interest presents depictions of the literal and abstracted body from Sheldon’s rich holdings and selected loans. This exhibition asks open-ended questions about self-fashioning, cultural memory, gender identity, and the performance of identity. In doing so, it prompts conversations about race and representation, institutional power, and lived experiences. Work by Nathaniel Mary Quinn and Jenny Saville is included.
Nathaniel Mary Quinn, Lil’ Barbara, 2017 © Nathaniel Mary Quinn
February 29–September 13, 2020
Museum of Contemporary Art Chicago
Nigerian-born British designer Duro Olowu curates a show that reimagines relationships between artists and objects across time, media, and geography. Moving away from traditional exhibition formats, Olowu combines photographs, paintings, sculptures, and films in dense and textural scenes that incorporate his own work. Work by Brice Marden and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Ms. Lykes, 2015 © Nathaniel Mary Quinn
Selections from the Hammer Contemporary Collection
January 24–May 19, 2019
Hammer Museum, Los Angeles
This exhibition highlights a lively mix of painting, sculpture, and media installations by more than thirty international established and emerging artists, drawn from the Hammer Museum’s collection. Work by Chris Burden and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Someday, 2018 © Nathaniel Mary Quinn. Photo: Jeff McLane, courtesy the artist and M+B, Los Angeles
Nathaniel Mary Quinn in
February 13–April 13, 2019
UTA Artist Space, Beverly Hills, California
Dreamweavers contemplates the surreal in society against a vigorously shifting twenty-first century. The group exhibition examines the paradox of fact and fantasy through the lens of artists who operate from a deeply imaginative, often provocative, psychological space. Kasseem “Swizz Beatz” Dean has collaborated with UTA Artists Space and curator Nicola Vassell to present the show. Work by Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, You Ought to Be With Me, 2018 © Nathaniel Mary Quinn