FT Weekend Digital Festival Spring 2021
Rachel Whiteread, Enuma Okoro, Jan Dalley
Thursday, March 18, 2021, 12:35pm edt (4:35pm bst)
As part of the spring edition of the FT Weekend Digital Festival, Rachel Whiteread, author Enuma Okoro, and Financial Times art editor Jan Dalley will be in conversation. The trio will discuss the body and spirit in art.
Gagosian is partnering to host the arts program throughout the three-day virtual event. Recent Gagosian Quarterly films on Edmund de Waal, Theaster Gates, Titus Kaphar, Meleko Mokgosi, Rudolf Polanszky, Nathaniel Mary Quinn, and Adriana Varejão will be screened between sessions. To join, purchase tickets at ftweekend.live.ft.com.
Left: Rachel Whiteread. Middle: Enuma Okoro. Right: Jan Dalley
Tom Eccles and Kiki Smith on Rachel Whiteread
Tuesday, October 27, 2020, 2pm EDT
Join curator Tom Eccles and artist Kiki Smith as they discuss the work of Rachel Whiteread through the lens of their personal friendships with her. They talk about the way her works reveal the memory embedded in familiar everyday objects, her drawing practice, and their experience of public projects by Whiteread such as Water Tower, installed on a New York rooftop in 1998. Their conversation, recorded on the occasion of Artist Spotlight: Rachel Whiteread, will air online. To register to watch, complete this form.
Rachel Whiteread, Cabin, 2016, permanent installation, Governors Island, New York © Rachel Whiteread. Photo: Tim Schenck
Rachel Whiteread: Detached is available for online reading from October 21 through November 19 as part of Artist Spotlight: Rachel Whiteread. Published on the occasion of the artist’s 2013 exhibition at Gagosian, Britannia Street, London, this catalogue features in situ images of Detached 1, Detached 2, and Detached 3 (all 2012), along with documentary photographs of the works in progress. Also included are vitrines incorporating found objects, small casts, and maquettes; a series of resin sculptures, cast from doors and windows, in delicate hues such as rose and eau de Nil; and works on paper. A text by Briony Fer examines the materiality of Whiteread’s work.
Rachel Whiteread: Detached (London: Gagosian, 2013)
Thursday, January 24, 2019, 7pm
Whitechapel Gallery, London
Rachel Whiteread will be in conversation with Whitechapel Gallery director Iwona Blazwick on the occasion of receiving the gallery’s annual Art Icon award for 2019. The pair will discuss the artist’s career and work, in which everyday settings, objects, and surfaces are transformed into ghostly replicas. To attend the event, purchase tickets at www.whitechapelgallery.org.
Rachel Whiteread, Shack I, 2014, permanent installation near Joshua Tree National Park, California © Rachel Whiteread
Artists for Artangel
Live auction: June 28, 2018
Banqueting House, London
Online auction: June 7–28, 2018
Exhibition: June 8–27, 2018
Cork Street Galleries, London
Artists for Artangel is a special auction to benefit Artangel’s ambitious projects in contemporary art. For over thirty years, Artangel has worked with artists to produce extraordinary artworks of public import in unexpected places. Commissions by gallery artists include Rachel Whiteread’s House (1993), a negative concrete cast of a condemned terrace house in Bow, London; Douglas Gordon’s Feature Film (1998); and most recently, Taryn Simon’s highly acclaimed performance on the culture of mourning, An Occupation of Loss (2016 and 2018), presented in an astonishing underground location in Islington, London. For information on works in the auction or how to bid, go to www.artangel.org.uk.
Taryn Simon, Professional Mourners, 2018 © Taryn Simon
Art Handler’s Tour
September 22, 2017, 6:30–8:30pm
Tate Britain, London
An exclusive chance to learn about the technical and behind-the-scenes aspects of installing the Rachel Whiteread exhibition. This is a one hour tour led by Mikei Hall, Senior Art Handling Technician with time for a private view following the tour. To attend the event, purchase tickets at www.tate.org.uk.
Rachel Whiteread, Stairs, 2001 © Rachel Whiteread
Ed Ruscha to kick off new season of Gagosian’s online series
Launching September 16, 2020
Gagosian is unveiling a new vision for the Artist Spotlight series that will operate independently of our exhibition program. This will cement the platform’s status as a vibrant aspect of the gallery’s programming that allows artists to operate imaginatively beyond the physical exhibition format.
The second season of Artist Spotlight—a series that focuses on an individual artist for one week each month—premieres on September 16, 2020, with a new project by legendary artist Ed Ruscha. A selection of works by preeminent artists—including John Currin, Takashi Murakami, Nathaniel Mary Quinn, and Rachel Whiteread—will debut this fall. For updates, please contact the gallery at firstname.lastname@example.org.
Ed Ruscha. Photo: Sten Rosenlund
Join Rachel Whiteread in her London studio as she discusses the centrality of drawing in her practice and the collections of objects that serve as inspirations and sources for her sculptures and works on paper. This video was produced on the occasion of a 2010–11 exhibition of her drawings at Tate Britain, London.
Still from “Rachel Whiteread: Drawings”
Rachel Whiteread has been awarded a damehood in Queen Elizabeth II’s 2019 birthday honors list. The annual honors mark the reigning monarch’s official birthday by recognizing individuals whose outstanding and longterm achievements have contributed to the United Kingdom.
Rachel Whiteread with her sculpture Detached I (2012) at Gagosian, Britannia Street, London, 2013. Photo: Dan Kitwood/Getty Images
The annual Art Icon award, created in 2014 and supported by Swarovski in conjunction with Whitechapel Gallery, London, celebrates the work of an artist who has made a profound contribution to a particular medium, influencing his or her own generation of artists and those that follow. This year Rachel Whiteread, known for her large-scale works and use of everyday materials, has been accorded this distinction: she will be presented with the award at the Whitechapel Gallery gala on Tuesday, January 29, 2019.
Rachel Whiteread, Shack I, 2014, permanent installation near Joshua Tree National Park, California © Rachel Whiteread
Opening Wednesday, October 10, 2018
Dalby Forest, Yorkshire, England
This sculpture by Rachel Whiteread is a concrete cast of a Nissen hut—a military structure invented during World War I—set in the middle of Dalby Forest in Yorkshire, England. Co-commissioned by 14-18 NOW and the British Forestry Commission, the sculpture is part of a series of events marking the centenary of the end of World War I.
Rachel Whiteread, Nissen Hut, 2018 © Rachel Whiteread
US Embassy, London
Rachel Whiteread’s monumental, site-specific work for the new US Embassy in London, US Embassy (Flat pack house) (2013–15), will be unveiled January 16, 2018. Whiteread has cast the interior of an average suburban American house, the type that may have been purchased from a catalogue in the 1950s, in concrete, lifting the details and surfaces of the structure. Each section is unique and mounted on the walls of the lobby, greeting embassy visitors as they enter through the consular court. The project was curated by Virginia Shore, deputy director and chief curator for Art in Embassies in Washington, DC.
Rachel Whiteread, US Embassy (Flat pack house), 2013–15 (detail) © Rachel Whiteread. Photo: Mike Bruce
September 7, 2019–March 8, 2020
Georgia Museum of Art, University of Georgia, Athens
Using various materials to articulate the negative space surrounding or contained by objects, Rachel Whiteread has elaborated various approaches to casting and impression as subject, process, and vehicle for content. In this solo exhibition, Whiteread is exhibiting a 2010 series of five outdoor stone sculptures, cast from the voids under different chairs.
Rachel Whiteread, Untitled, 2010 © Rachel Whiteread
Objects of Wonder
From Pedestal to Interaction
October 12, 2019–March 1, 2020
ARoS Aarhus Art Museum, Denmark
Objects of Wonder features sculptural works from 1960 until the present. The exhibition, conceptualized in collaboration with Tate, London, showcases recent sensory or thought-provoking sculpture and experiments. The audience encounters a series of works that challenge the genre, where tactility, context, and light play a central role. Work by Damien Hirst, Bruce Nauman, and Rachel Whiteread is included.
Rachel Whiteread, Untitled (Air Bed II), 1992 © Rachel Whiteread
Rachel Whiteread in
October 6, 2019–January 26, 2020
Fondation Beyeler, Riehen/Basel
Resonating Spaces aims to create a specific quality of spatiality in very varied forms—acoustic, sculpted, and drawn. Although different from one another, the works in the show create spaces rather than being perceived as single objects only. They induce sites and respites in which the capacity of remembering is elicited and images and memories come to life. Work by Rachel Whiteread is included.
Installation view, Resonating Spaces, Fondation Beyeler, Riehen/Basel, October 6, 2019–January 26, 2020. Artwork © Rachel Whiteread
Contemporary Drawing from 1970 to Now
September 12, 2019–January 12, 2020
British Museum, London
Celebrating drawing in its own right, rather than its historic role as preparatory to painting, this exhibition explores how contemporary artists have used drawing to examine themes including identity, place, and memory. Work by Glenn Brown, Ellen Gallagher, Anselm Kiefer, and Rachel Whiteread is included.
Glenn Brown, Children of the Revolution (after Rembrandt), 2017 © Glenn Brown
March 17–June 9, 2019
Saint Louis Art Museum, Missouri
This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition originated at the Tate Britain in London.
Rachel Whiteread, Due Porte, 2016 © Rachel Whiteread
ON BOARD THE SHIPS
AT SEA ARE WE
February 23–May 18, 2019
FLAG Art Foundation, New York
This exhibition features four works in poetic dialogue: Robert Therrien’s monumental No title (table and six chairs) (2003); Rachel Whiteread’s Untitled (Pair) (1999); and two text-based works by Lawrence Weiner, including a newly created aphorism from which the show takes its title.
Robert Therrien, No title (table and six chairs), 2003 © Robert Therrien/Artists Rights Society (ARS), New York
September 16, 2018–January 13, 2019
National Gallery of Art, Washington, DC
This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works such as Untitled (Stairs) (2001) alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition has traveled from Tate Britain in London and Belvedere 21 in Vienna.
Rachel Whiteread, Untitled (Domestic), 2002 © Rachel Whiteread
March 7–July 29, 2018
Belvedere 21, Vienna
This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works such as Untitled (Stairs) (2001) alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition has traveled from the Tate Britain.
Rachel Whiteread, Untitled (Stairs), 2001 © Rachel Whiteread
The Sculptor’s Drawings
April 20–July 12, 2018
Museo Novecento, Florence, Italy
Drawing, as the initial and essential visual definition of an idea, has since antiquity played a fundamental role in the field of artistic creation. The Sculptor’s Drawings will highlight the connection between the graphic medium and the realization of sculpture and installation art. Work by Henry Moore and Rachel Whiteread will be included.
Rachel Whiteread, Untitled, 1993 © Rachel Whiteread
December 1, 2017–June 3, 2018
Weserburg | Museum für moderne Kunst, Bremen, Germany
For this exhibition, several rooms have been specially designed by artists, and works included range from painting and sculpture to photography and video work, along with multimedia installations. Work by Karin Kneffel and Rachel Whiteread is included.
Karin Kneffel, Untitled, 2008, Miettinen Collection © VG Bild-Kunst, Bonn 2018
No Place Like Home
March 1–June 3, 2018
Museu Coleção Berardo, Lisbon, Portugal
In celebration of Dada’s one hundredth anniversary in 2016 and the centennial of Marcel Duchamp’s Fountain in 2017, this exhibition examines how artists have incorporated commonplace household items into their work, removing these objects from the context of the home in ways that subvert the experiences of daily life. This exhibit has traveled from the Israel Museum in Jerusalem. Work by Duchamp, Duane Hanson, Damien Hirst, Man Ray, Takashi Murakami, Nam June Paik, Robert Therrien, and Andy Warhol is included.
Robert Therrien, No title (table leg), 2010 © Robert Therrien/Artists Rights Society (ARS), New York. Photo: Peter Cox
March 9–May 28, 2018
National Museum of Women in the Arts, Washington, DC
Women House explores both the female gender and the concept of the domestic space. Thirty-six female artists of the twentieth and twenty-first centuries who take on these subjects draw our attention to the persistence of stereotypes about the house as a feminine realm. This exhibit has traveled from the Monnaie de Paris. Work by Cindy Sherman and Rachel Whiteread is included.
Cindy Sherman, Untitled Film Still #35, 1979. Photo courtesy the artist and Metro Pictures, New York