News / Rachel Whiteread / Museum Exhibitions

On View

Rachel Whiteread

Through June 9, 2019
Saint Louis Art Museum, Missouri
www.slam.org

This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition originated at the Tate Britain in London.

On View

Elephant in the Room
Sculptures of the Marx Collection and the Collection of the Nationalgalerie

Through September 8, 2019
Hamburger Bahnhof–Museum für Gegenwart, Berlin
www.smb.museum

Elephant in the Room—Sculptures of the Marx Collection and the Collection of the Nationalgalerie explores the relationship between artwork and spatiality. The titular “elephant in the room” is those forces and sizes that, although not part of the sculptures, have a decisive influence on their presence in space and are thus an integral part of the expanded concept of art of the 1960s. Work by Jeff Koons and Rachel Whiteread is included.

Closed

ON BOARD THE SHIPS
AT SEA ARE WE

February 23–May 18, 2019
FLAG Art Foundation, New York
flagartfoundation.org

This exhibition features four works in poetic dialogue: Robert Therrien’s monumental No title (table and six chairs) (2003); Rachel Whiteread’s Untitled (Pair) (1999); and two text-based works by Lawrence Weiner, including a newly created aphorism from which the show takes its title.

Closed

Rachel Whiteread

September 16, 2018–January 13, 2019
National Gallery of Art, Washington, DC
www.nga.gov

This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works such as Untitled (Stairs) (2001) alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition has traveled from Tate Britain in London and Belvedere 21 in Vienna.

Closed

Rachel Whiteread

March 7–July 29, 2018
Belvedere 21, Vienna
www.21erhaus.at

This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works such as Untitled (Stairs) (2001) alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition has traveled from the Tate Britain.

Closed

The Sculptor’s Drawings

April 20–July 12, 2018
Museo Novecento, Florence, Italy
www.museonovecento.it

Drawing, as the initial and essential visual definition of an idea, has since antiquity played a fundamental role in the field of artistic creation. The Sculptor’s Drawings will highlight the connection between the graphic medium and the realization of sculpture and installation art. Work by Henry Moore and Rachel Whiteread will be included.

Closed

Artist Spaces

December 1, 2017–June 3, 2018
Weserburg | Museum für moderne Kunst, Bremen, Germany
www.weserburg.de

For this exhibition, several rooms have been specially designed by artists, and works included range from painting and sculpture to photography and video work, along with multimedia installations. Work by Karin Kneffel and Rachel Whiteread is included.

Closed

No Place Like Home

March 1–June 3, 2018
Museu Coleção Berardo, Lisbon, Portugal
en.museuberardo.pt

In celebration of Dada’s one hundredth anniversary in 2016 and the centennial of Marcel Duchamp’s Fountain in 2017, this exhibition examines how artists have incorporated commonplace household items into their work, removing these objects from the context of the home in ways that subvert the experiences of daily life. This exhibit has traveled from the Israel Museum in Jerusalem. Work by Duchamp, Duane Hanson, Damien Hirst, Man Ray, Takashi Murakami, Nam June Paik, Robert Therrien, and Andy Warhol is included.

Closed

Woman House

March 9–May 28, 2018
National Museum of Women in the Arts, Washington, DC
nmwa.org

Women House explores both the female gender and the concept of the domestic space. Thirty-six female artists of the twentieth and twenty-first centuries who take on these subjects draw our attention to the persistence of stereotypes about the house as a feminine realm. This exhibit has traveled from the Monnaie de Paris. Work by Cindy Sherman and Rachel Whiteread is included.

Closed

The Classical Now

March 2–April 28, 2018
King’s College, London
www.kcl.ac.uk

The Classical Now pairs the work of modern and contemporary artists with classical Greek and Roman antiquities. The exhibition traces the ways in which Greco-Roman art has captured and permeated modern imagination, while exploring the myriad continuities and contrasts between the ancient, modern, and contemporary, revealing the “classical” as a living and fluid tradition. Work by Michael Craig-Martin, Damien Hirst, Alex Israel, Yves Klein, Roy Lichtenstein, Henry Moore, Bruce Nauman, Pablo Picasso, and Rachel Whiteread is included.

Closed

Rachel Whiteread

September 12, 2017–January 21, 2018
Tate Britain, London
www.tate.org.uk

This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works such as Untitled (100 Spaces) (1995) and Untitled (Staircase) (2001) alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings.

Closed

Gray Matters

May 20–July 30, 2017
Wexner Center for the Arts, The Ohio State University, Columbus
www.getty.edu

This multifaceted survey features the work of thirty-seven contemporary women artists who have explored the practice of creating en grisaille—in shades of gray. The works on display reveal the truly vibrant and variegated spectrum of black, white, and gray. Work by Nancy Rubins and Rachel Whiteread is included.

Closed

À pied d’oeuvre(s)

March 31–July 9, 2017
Monnaie de Paris
www.monnaiedeparis.fr

À pied d’oeuvre(s) examines the history of sculpture through three crucial moments. In 1917, Marcel Duchamp placed a coatrack on the ground and named it Trébuchet (Trap); in 1939, Alberto Giacometti showed a sculpture of a body of an injured woman lying on the floor; in 1960, Yves Klein removed one of his paintings from a wall and covered the space in gesso. These three masterpieces, rarely seen together, initiate a floor-level tour of the Centre Pompidou’s collections and synthesize three key moments from the history of twentieth-century sculpture: in doing so, they embody the exhibition’s aim. Work by Man Ray, Richard Serra, Tatiana Trouvé, and Rachel Whiteread is included.

Closed

The Beginning of Everything
Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections

February 24–June 18, 2017
The Menil Collection, Houston
www.menil.org

In anticipation of the October 2017 opening of the Menil Drawing Institute, the museum is exhibiting a selection of drawings spanning the mid-nineteenth to the late twentieth century. The show highlights promised gifts from the collections of Janie C. Lee and Louisa Stude Sarofim, as well as works from David Whitney’s 2005 bequest, which include those by Balthus, Georg Baselitz, Helen Frankenthaler, Alberto Giacometti, Anselm Kiefer, Brice Marden, Bruce Nauman, Richard Serra, Cy Twombly, and Rachel Whiteread.