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Ellen Gallagher, Untitled (10), 2000 © Ellen Gallagher

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Praying for Time

March 2–July 8, 2018
Rose Art Museum, Brandeis University, Waltham, Massachusetts
www.brandeis.edu

Marked by the fall of the Berlin Wall, the attacks of September 11, and civil war, the end of the twentieth century can also be viewed as a time that presaged immense global revolutions, both social and digital, that have transformed our world. Praying for Time reflects the diversity of voices and concerns in art produced during that pivotal period from 1980 through the early 2000s. Work by Gregory Crewdson, Ellen Gallagher, Richard Prince, Richard Serra, and Andy Warhol is included. 

Ellen Gallagher, Untitled (10), 2000 © Ellen Gallagher

Jeff Koons, Rabbit, 1986 © Jeff Koons.Photo by Nathan Keay © MCA Chicago

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We Are Here

August 19, 2017–April 1, 2018
Museum of Contemporary Art Chicago
mcachicago.org

In honor of the Museum of Contemporary Art’s fiftieth anniversary, the museum presents We Are Here, a three-part exhibition drawn from its collection. I Am You gathers works that question how we relate to and shape our environments; You Are Here examines how the role of the viewer has changed over time; and We Are Everywhere showcases artists who borrow from popular culture. Work by Richard Artschwager, Francis Bacon, Chris Burden, Ellen Gallagher, Andreas Gursky, Michael Heizer, Jasper Johns, Jeff Koons, Takashi Murakami, Bruce Nauman, Richard Serra, Cindy Sherman, Rudolf Stingel, Andy Warhol, and Franz West is included.

Jeff Koons, Rabbit, 1986 © Jeff Koons.
Photo by Nathan Keay © MCA Chicago

Installation view, Proof of Life, Weserburg | Museum für moderne Kunst, Bremen, Germany, May 19, 2017–February 25, 2018. Photo: Björn Behrens

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Proof of Life

May 19, 2017–February 25, 2018
Weserburg | Museum für moderne Kunst, Bremen, Germany
www.weserburg.de

Proof of Life brings together one hundred paintings, sculptures, and photographic works that investigate existential questions in a manner both palpable and profound. Work by Damien Hirst, Thomas Houseago, Anselm Kiefer, Sterling Ruby, and Richard Serra is included.

Installation view, Proof of Life, Weserburg | Museum für moderne Kunst, Bremen, Germany, May 19, 2017–February 25, 2018. Photo: Björn Behrens

Film still from Richard Serra, Robert Bell, and Carlota Schoolman’s Prisoner’s Dilemma (1974)

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Richard Serra
Films and Videotapes

May 20–October 15, 2017
Kunstmuseum Basel
kunstmuseumbasel.ch

The exhibition turns the focus on Serra’s films and videotapes. Between 1968 and 1979, the artist produced fifteen films and videos. This is the first exhibition to present almost all that material, which runs to just over five hours, in the original formats.

Film still from Richard Serra, Robert Bell, and Carlota Schoolman’s Prisoner’s Dilemma (1974)

Richard Serra, Composite 1-1, 2016 © 2017 Richard Serra/Artists Rights Society (ARS), New York

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Richard Serra
Drawings 2015–2017

June 24–September 24, 2017
Museum Boijmans Van Beuningen, Rotterdam
www.boijmans.nl

This exhibition encompasses more than 110 works from five different series, many of which have never been seen before publicly, as well as a selection of notebooks.

Richard Serra, Composite 1-1, 2016 © 2017 Richard Serra/Artists Rights Society (ARS), New York

Photo by Axel Schneider

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Primary Structures
Masterworks of Minimal Art

February 22–August 13, 2017
MMK2, Museum für Moderne Kunst Frankfurt am Main
mmk-frankfurt.de

The Minimal art current emerged in the US in the early 1960s, its exponents striving in their works for objectiveness, logic, and industrial production without artistic signature. The exhibition investigates the international impact of the influential Minimal art movement from the ’60s to the present. This show includes works by Richard Artschwager, Walter De Maria, Bruce Nauman, Steven Parrino, and Richard Serra.

Photo by Axel Schneider

Alberto Giacometti, Femme égorgée, 1932/40, Collection Centre Pompidou, Paris © Succession Alberto Giacometti (Fondation Giacometti, Paris et ADAGP, Paris) 

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À pied d’oeuvre(s)

March 31–July 9, 2017
Monnaie de Paris
www.monnaiedeparis.fr

À pied d’oeuvre(s) examines the history of sculpture through three crucial moments. In 1917, Marcel Duchamp placed a coatrack on the ground and named it Trébuchet (Trap); in 1939, Alberto Giacometti showed a sculpture of a body of an injured woman lying on the floor; in 1960, Yves Klein removed one of his paintings from a wall and covered the space in gesso. These three masterpieces, rarely seen together, initiate a floor-level tour of the Centre Pompidou’s collections and synthesize three key moments from the history of twentieth-century sculpture: in doing so, they embody the exhibition’s aim. Work by Man Ray, Richard Serra, Tatiana Trouvé, and Rachel Whiteread is included.

Alberto Giacometti, Femme égorgée, 1932/40, Collection Centre Pompidou, Paris © Succession Alberto Giacometti (Fondation Giacometti, Paris et ADAGP, Paris) 

Richard Serra, Prop, 1968/2007, Whitney Museum of American Art, New York © 2017 Richard Serra/Artists Rights Society (ARS), New York

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Richard Serra
Props, Films, Early Works

March 17–June 18, 2017
Museum Wiesbaden, Germany
www.museum-wiesbaden.de

Designed in close cooperation with the artist, this exhibition presents Serra’s early Prop pieces along with his films from the late 1960s and early 1970s.

Richard Serra, Prop, 1968/2007, Whitney Museum of American Art, New York © 2017 Richard Serra/Artists Rights Society (ARS), New York

Ed Ruscha, Made in California, 1971 © Ed Ruscha

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The American Dream
Pop to the Present

March 9–June 18, 2017
British Museum, London
americandreamexhibition.org

This exhibition traces the past six decades of American history through prints of unprecedented scale and ambition. Starting with the explosion of Pop art in the 1960s, the show includes works by many of America’s most celebrated artists. Works by Helen Frankenthaler, Roy Lichtenstein, Bruce Nauman, Ed Ruscha, Richard Serra, Cy Twombly, Andy Warhol, and Tom Wesselmann are on view.

Ed Ruscha, Made in California, 1971 © Ed Ruscha

Brice Marden, Untitled, 1988–91 © Brice Marden/Artist Rights Society (ARS), New York

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The Beginning of Everything
Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections

February 24–June 18, 2017
The Menil Collection, Houston
www.menil.org

In anticipation of the October 2017 opening of the Menil Drawing Institute, the museum is exhibiting a selection of drawings spanning the mid-nineteenth to the late twentieth century. The show highlights promised gifts from the collections of Janie C. Lee and Louisa Stude Sarofim, as well as works from David Whitney’s 2005 bequest, which include those by Balthus, Georg Baselitz, Helen Frankenthaler, Alberto Giacometti, Anselm Kiefer, Brice Marden, Bruce Nauman, Richard Serra, Cy Twombly, and Rachel Whiteread.

Brice Marden, Untitled, 1988–91 © Brice Marden/Artist Rights Society (ARS), New York

Andy Warhol, Flower, 1964 © 2017 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo by Therese Husby, courtesy Nasjonalmuseet 

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The Great Graphic Boom

March 3–May 28, 2017
Nasjonalmuseet, Oslo
www.nasjonalmuseet.no

This exhibition explores the intense interest in graphic art among many leading artists of the postwar art period. With works from twenty-five artists, including Helen Frankenthaler, Roy Lichtenstein, Brice Marden, Bruce Nauman, Ed Ruscha, Richard Serra, Cy Twombly, and Andy Warhol, the show highlights the use of graphic media both as a refined form of expression and as an important phase in the artistic process. The exhibition has been organized with support from Staatsgalerie Stuttgart, Germany.

Andy Warhol, Flower, 1964 © 2017 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York. Photo by Therese Husby, courtesy Nasjonalmuseet 

Richard Serra, Bo Diddley, 1999 © Richard Serra/Artists Rights Society (ARS), New York

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Richard Serra
Prints

January 28–April 30, 2017
Nasher Sculpture Center, Dallas
www.nashersculpturecenter.org

From the collections of Jordan D. Schnitzer and his Family Foundation, Richard Serra: Prints features the artist’s earliest printed works alongside more recent pieces.

Richard Serra, Bo Diddley, 1999 © Richard Serra/Artists Rights Society (ARS), New York