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Sarah Sze, Twice Twilight, 2020, installation view, Fondation Cartier pour l’art contemporain, Paris © Sarah Sze. Photo © Luc Boegly

On View

Sarah Sze
Night into Day

Through April 25, 2021
Fondation Cartier pour l’art contemporain, Paris
www.fondationcartier.com

Sarah Sze presents two immersive installations in the gallery spaces of Jean Nouvel’s iconic building. Commissioned by the Fondation Cartier pour l’art contemporain, her new works explore how the proliferation of images—printed in magazines, gleaned from the Web, intercepted from outer space—fundamentally changes our relation to physical objects, memories, and time. The works will also engage with the materiality and history of Nouvel’s structure and its surrounding garden. Enveloping the architecture, these sculptures will alter the visitor’s sense of gravity, scale, and time, confusing the boundaries between inside and outside, mirage and reality, past and present.

Sarah Sze, Twice Twilight, 2020, installation view, Fondation Cartier pour l’art contemporain, Paris © Sarah Sze. Photo © Luc Boegly

Sarah Sze, Flash Point (Timekeeper), 2018 © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio

On View

Sarah Sze in
Critical Zones

Through August 8, 2021
ZKM | Center for Art and Media, Karlsruhe, Germany
zkm.de

This exhibition invites visitors to engage with the critical situation of the earth in a novel and diverse way and to explore new modes of coexistence between all forms of life. In order to remedy the generally prevailing disorientation and dissension in society, politics, and ecology with regard to the changing state of the planet, the exhibition project sets up an imaginary cartography, considering the earth as a network of “critical zones.” Work by Sarah Sze is included.

Sarah Sze, Flash Point (Timekeeper), 2018 © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio

Sarah Sze, Images in Debris, 2018 (detail) © Sarah Sze

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Sarah Sze
Images in Debris

February 6–October 4, 2020
Museum of Contemporary Art, Toronto
museumofcontemporaryart.ca

Sarah Sze’s Images in Debris is the first installment in The City Is a Collection, an exhibition series organized by the Museum of Contemporary Art, Toronto, that presents privately owned contemporary artworks from throughout the local community. Constellatory, monumental, intimate, and immersive, this work is one in a series of sculptures by the artist where light, movement, images, and architecture coalesce into a single, precarious equilibrium.

Sarah Sze, Images in Debris, 2018 (detail) © Sarah Sze

Sarah Sze, Triple Point (Pendulum), 2013 © Sarah Sze

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Sarah Sze in
Surrounds: 11 Installations

October 21, 2019–January 4, 2020
Museum of Modern Art, New York
www.moma.org

Surrounds presents eleven watershed installations by living artists from the past two decades, conceived out of different circumstances but united in the scale of their ambition. Work by Sarah Sze is included.

Sarah Sze, Triple Point (Pendulum), 2013 © Sarah Sze

Sarah Sze, Seamless, 1999 (detail) © Sarah Sze

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Sarah Sze

November 15, 2018–July 14, 2019
Tate Modern, London
www.tate.org.uk

Sarah Sze’s work Seamless (1999) is on display in a room on the fourth floor of the Boiler House at Tate Modern, paired with a work by Piet Mondrian.

Sarah Sze, Seamless, 1999 (detail) © Sarah Sze