Simon Hantaï in
Le monde nouveau de Charlotte Perriand
Through February 24, 2020
Fondation Louis Vuitton, Paris
This large-scale exhibition dedicated to Charlotte Perriand (1903–1999), a pioneer of modernity, marks the twentieth anniversary of her death. Exploring the links between art, architecture, and design, this show pays tribute to her as an architect and a visionary. Work by Simon Hantaï is included.
Installation view, Le monde nouveau de Charlotte Perriand, Fondation Louis Vuitton, Paris, October 2, 2019–February 24, 2020. Artwork, left to right: © Robert Delaunay; © 2019 Calder Foundation, New York/ADAGP, Paris; © Archives Simon Hantaï/ADAGP, Paris, 2019. Photo: © Fondation Louis Vuitton/Marc Domage
Par où on ne sait pas
Through April 27, 2020
Musée des Beaux-Arts, Rouen, France
This exhibition celebrates the partnership between the Réunion des Musées Métropolitains and the Fondation Gandur pour l’Art by bringing together works painted by Simon Hantaï. Between 1951 and 1959 the artist’s pictorial inventions elevated the canvas to act alongside the painter; this idea subsequently opened a path for younger artists to consider new ways of painting.
Simon Hantaï, Peinture, 1952–53, Fondation Gandur pour l’Art, Geneva © Archives Simon Hantaï/ADAGP, Paris. Photo: André Morin
Art & Industrie
May 4, 2019–January 5, 2020
Frac Grand Large—Hauts-de-France, Dunkerque, France
This exhibition features large-scale installations, in situ works, sculptures, paintings, films, and performances that embody encounters between artists, engineers, designers, and architects. Tatiana Trouvé’s Desire Lines, commissioned by Public Art Fund and presented in New York’s Central Park in 2015, is included, as is work by Simon Hantaï.
Tatiana Trouvé, Desire Lines, 2015, installation view, Frac Grand Large—Hauts-de-France, Dunkerque, France © Tatiana Trouvé. Photo: Aurélien Mole
Simon Hantaï in
Pattern, Crime & Decoration
May 16–October 20, 2019
Consortium Museum, Dijon, France
Pattern, Crime & Decoration explores the groundbreaking, artist-led American art movement Pattern and Decoration, which started in the mid-1970s and lasted until the mid-1980s. Strongly grounded in feminism, it included many women artists and sought to highlight arts and crafts, which were often dismissed as belonging to the domestic or decorative sphere. In this exhibition artists from the Pattern and Decoration movement are presented alongside American and European artists from the same era whose work shares similar formal concerns including Simon Hantaï.
Simon Hantaï, Untitled, 1973 © Archives Simon Hantaï/ADAGP, Paris, 2019. Photo: Clérin/Morin © Consortium Museum