February 2–April 21, 2019
Nasher Sculpture Center, Dallas
Sterling Ruby’s expansive practice offers a reassessment, critique, and reinvention of a variety of modernist strategies. This exhibition features nearly thirty large- and medium-scale sculptures spanning his career, from poured polyurethane works to monumental ceramic collages weighing hundreds of pounds to soft sculptures incorporating inexpensive fabrics that the artist dyes himself, to Minimalist compositions of urethane and Formica.
Installation view, Sterling Ruby: Sculpture, Nasher Sculpture Center, Dallas, February 2–April 21, 2019. Artwork © Sterling Ruby. Photo: Kevin Todora
From Paris to the World
November 19, 2018–March 17, 2019
Denver Art Museum
Dior: From Paris to the World surveys seventy years of the House of Dior’s enduring legacy and its global influence. A selection of more than 170 couture dresses, as well as accessories, costume jewelry, photographs, drawings, runway videos, and other archival material, traces the history of the iconic haute couture fashion house. Work by Peter Lindbergh and Sterling Ruby is included.
Peter Lindbergh, Kiara Kabukuru, Debra Shaw, Paris, France, 1997, 1997 © Peter Lindbergh
October 3, 2018–March 17, 2019
Museum of Arts and Design, New York
Sterling Ruby’s areas of interest are numerous, but sculptures in clay have long played a fascinating and primary position in his broader studio work. Process and materiality are paramount for Ruby, and using these attributes has enabled him to create an extraordinary body of work that is engaging, intuitive, and subversive. This exhibition has traveled from the Des Moines Art Center.
Sterling Ruby, Brass Ketamine User, 2010 © Sterling Ruby. Photo: Robert Wedemeyer
West by Midwest
November 17, 2018–January 27, 2019
Museum of Contemporary Art Chicago
West by Midwest tells a story that illuminates the ways that contemporary art practices spread and develop by tracing the intersecting lives of artists who have migrated from the American Midwest to the West Coast since the mid-twentieth century. Lured by career opportunities, warmer weather, and the prospect of a better life promised by the postwar boom, those artists who were able to migrate attended art schools together, shared studios, exhibited work in the same galleries, collaborated on projects, engaged in activism, and dated one another. Work by Mike Kelley, Bruce Nauman, Sterling Ruby, and Ed Ruscha is included.
Ed Ruscha and Billy Al Bengston, Business Cards, 1968, Museum of Contemporary Art Chicago © Ed Ruscha and Billy Al Bengston. Photo: Nathan Keay © MCA Chicago
Selections from the Lenhardt Collection
September 8–December 30, 2018
Phoenix Art Museum
Present Tense includes more than twenty paintings, prints, photographs, and sculptures all drawn from the private collection of Dawn and David Lenhardt. The show places recent contemporary acquisitions by the Lenhardts in conversation with works by modern artists. Work by Damien Hirst, Roy Lichtenstein, Sterling Ruby, and Andy Warhol is included.
Sterling Ruby, WIDW. BALLISTIC., 2017 © Sterling Ruby
June 9–September 9, 2018
Des Moines Art Center
Sterling Ruby’s areas of interest are numerous, but sculptures in clay have long played a fascinating and primary position in his broader studio work. Process and materiality are paramount for Ruby, and using these attributes has enabled him to create an extraordinary body of work that is engaging, intuitive, and subversive.
Installation view, Sterling Ruby: Ceramics, Des Moines Art Center, June 9–September 9, 2018 © Sterling Ruby
Sterling Ruby in
Regarding George Ohr: Contemporary Ceramics in the Spirit of the Mad Potter
November 21, 2017–April 8, 2018
Boca Raton Museum of Art, Florida
This exhibition brings together twenty-four unique major works by George Ohr, many never before exhibited in public, along with objects by contemporary artists working in the same vein. Work by Sterling Ruby is included.
Sterling Ruby, Basin Theology/HATRA, 2017
© Sterling Ruby. Photo by Robert Wedemeyer
Proof of Life
May 19, 2017–February 25, 2018
Weserburg | Museum für moderne Kunst, Bremen, Germany
Proof of Life brings together one hundred paintings, sculptures, and photographic works that investigate existential questions in a manner both palpable and profound. Work by Damien Hirst, Thomas Houseago, Anselm Kiefer, Sterling Ruby, and Richard Serra is included.
Installation view, Proof of Life, Weserburg | Museum für moderne Kunst, Bremen, Germany, May 19, 2017–February 25, 2018. Photo: Björn Behrens
Sterling Ruby in
Christian Dior, Couturier du rêve
July 5, 2017–January 7, 2018
Musée des arts Decoratifs, Paris
This exhibition marks seventy years since the creation of the brand Christian Dior. It explores the universe of the founder and the designers who have succeeded him, including Raf Simons, who, while working at Dior, collaborated with Sterling Ruby to create a collection of dresses based on Ruby’s Spray paintings.
Sterling Ruby, SP198, 2012 © Sterling Ruby.
Photo by Robert Wedemeyer
Sterling Ruby in
Inside Intensity: The Anniversary Show
May 20–September 17, 2017
Museum Kurhaus Kleve, Germany
This year Kurhaus Kleve will be celebrating its twentieth anniversary with two large-scale exhibition projects. The overarching goal of these elaborate projects is to open up insight into the practice of contemporary art and to develop a sense of the nature of the zeitgeist. Work by Sterling Ruby is included.
Sterling Ruby, Figures (DK.RD.), 2015. Photo by Robert Wedemeyer
Sterling Ruby in
Point Quartz: Flower of Kent
June 4–September 17, 2017
Villa Arson, Nice, France
This exhibition is an in situ installation, conceived as a garden with flower beds that have been transformed into a landscape, made up of various strata, with ceramics in all shapes and forms, from arable soil to terra-cotta. Work by Sterling Ruby is included.
Sterling Ruby, Basin Theology/Norpropoxyphene, 2012. Photo by Robert Wedemeyer
The Marciano Collection
May 25–September 16, 2017
Marciano Art Foundation, Los Angeles
Unpacking: The Marciano Collection is the debut presentation of the collection’s holdings organized by Philipp Kaiser. The title and theme of the show are derived from Walter Benjamin’s essay “Unpacking My Library,” in which he discusses the chaotic potentiality inherent in unpacking and recontextualizing one’s collection. Work by Mark Grotjahn, Thomas Houseago, Alex Israel, Takashi Murakami, Albert Oehlen, Sterling Ruby, Cindy Sherman, Franz West, Jonas Wood, and Christopher Wool is included.
Photo by Robert Wedemeyer
April 29, 2018–September 3, 2017
The Broad, Los Angeles
From everyday experiences to protest movements as monumental as the Arab Spring uprisings across the Middle East, to themes that probe systems of social control or examine global commerce, artworks in Oracle tackle the effects of organizational frameworks on global events and private individuals. Some works in the exhibition symbolize marketplace machinations, both official and unofficial, while others are meditations on games, surveillance, vast data sets, mathematical and biological patterns, and even the logic of art itself. Work by Andreas Gursky, Albert Oehlen, Sterling Ruby, and Jeff Wall is included.
Jeff Wall, Search of Premises, 2009 © Jeff Wall
99 Cents or Less
May 19–August 6, 2017
Museum of Contemporary Art Detroit
A major group exhibition of ninety-nine artists based in the United States addresses Detroit’s ongoing economic crisis and its 2013 bankruptcy. Four years after a federal judge approved Detroit’s bankruptcy-exit plan, the city’s financial present and future are still in flux. This exhibition is a reflection on the realities of a city that was once one of the country’s wealthiest and most diverse. Work by Piero Golia, Alex Israel, Adam McEwen, Josephine Meckseper, and Sterling Ruby is included.
Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer
Selections from the Permanent Collection
Catherine Opie and Sterling Ruby
April 2–June 12, 2017
The Geffen Contemporary at MOCA, Los Angeles
Sterling Ruby’s SOFT WORK installation is being presented within the context of the Geffen Contemporary’s permanent collection. The work is paired with Catherine Opie’s Inauguration portfolio, another recent acquisition featuring thirty-three photographs documenting the Obama inauguration in 2008. The two works are both large-scale and dovetail around American political motifs.
Sterling Ruby’s SOFT WORK (2014) installed at Art Basel Unlimited, Switzerland, 2014. Photo by Timo Ohler