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Ellen Gallagher, Untitled, 2000 © Ellen Gallagher

On View

Icons

Through November 14, 2021
Boghossian Foundation, Brussels
www.villaempain.com

From early European and Middle Eastern artifacts to modern and contemporary works, icons have inspired many believers, as well as artists, throughout the ages. This exhibition explores how spiritual dimensions have been incorporated into artworks from antiquity to the present day. Work by Michael Craig-Martin, Ellen Gallagher, Douglas Gordon, Duane Hanson, Titus Kaphar, and Andy Warhol is included.

Ellen Gallagher, Untitled, 2000 © Ellen Gallagher

Titus Kaphar and Reginald Dwayne Betts, Redaction (San Francisco), 2020 © Titus Kaphar and Reginald Dwayne Betts. Photo: Christopher Gardner

On View

Titus Kaphar in
The Black Index

Through December 11, 2021
Art Galleries at Black Studies, University of Texas at Austin
www.galleriesatut.org

The artists featured in The Black Index build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, they question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification. Work by Titus Kaphar is included. This exhibition originated at the Contemporary Arts Center Gallery, University of California, Irvine.

Titus Kaphar and Reginald Dwayne Betts, Redaction (San Francisco), 2020 © Titus Kaphar and Reginald Dwayne Betts. Photo: Christopher Gardner

Taryn Simon, Press XL, from the series Paperwork and the Will of Capital, 2015, Brooklyn Museum, New York © Taryn Simon

On View

The Slipstream
Reflection, Resilience, and Resistance in the Art of Our Time

Through March 20, 2022
Brooklyn Museum, New York
www.brooklynmuseum.org

The Slipstream draws examples from Brooklyn Museum’s contemporary art collection to contemplate the profound disruption that occurred in 2020. Borrowing its title from an aeronautical term that refers to the pull of the current that is left in the wake of a large and powerful object, the exhibition examines the placement and displacement of power that runs through American history and continues today. The show features more than sixty works by multiple generations of artists from the 1960s to the present day, including Titus Kaphar and Taryn Simon.

Taryn Simon, Press XL, from the series Paperwork and the Will of Capital, 2015, Brooklyn Museum, New York © Taryn Simon

Sally Mann, Deep South, Untitled (Emmett Till River Bank), 1998 © Sally Mann

On View

New Symphony of Time

Opened September 7, 2019
Mississippi Museum of Art, Jackson
www.msmuseumart.org

New Symphony of Time expands the boundaries of Mississippi’s identity, casting light on a shared past to help reflect an expansive, more inclusive future. The exhibition aims to explore personal and collective memory, history and the connection to place, and the roles artists play in pursuit of civil rights and racial equity through ancestry. Themes include migration, movement, and home; shared humanity; environment; and liberty. Work by Titus Kaphar and Sally Mann is included.

Sally Mann, Deep South, Untitled (Emmett Till River Bank), 1998 © Sally Mann

Titus Kaphar, Redaction (Habeas Corpus), 2020 © Titus Kaphar. Photo: Christopher Gardner

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Titus Kaphar in
The Black Index

May 1–August 14, 2021
Palo Alto Art Center, California
www.theblackindex.art

The artists featured in The Black Index build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, they question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification. Work by Titus Kaphar is included. This exhibition has traveled from the Contemporary Arts Center Gallery, University of California, Irvine

Titus Kaphar, Redaction (Habeas Corpus), 2020 © Titus Kaphar. Photo: Christopher Gardner

Titus Kaphar, Pushing Back the Light, 2012 © Titus Kaphar

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Riffs and Relations
African American Artists and the European Modernist Tradition

February 29, 2020–January 3, 2021
Phillips Collection, Washington, DC
www.phillipscollection.org

This exhibition presents works by African American artists of the twentieth and twenty-first centuries alongside works by European artists from the early twentieth century. The show aims to examine cross-cultural conversations and presents the divergent works that reflect these complex dialogues. Work by Ellen Gallagher, Titus Kaphar, and Pablo Picasso is included.

Titus Kaphar, Pushing Back the Light, 2012 © Titus Kaphar

Titus Kaphar, Language of the Forgotten, 2018, installation view, MASS MoCA, North Adams, Massachusetts © Titus Kaphar. Photo: Jonathan Brand

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Titus Kaphar
Language of the Forgotten

September 11, 2018–March 30, 2020
MASS MoCA, North Adams, Massachusetts
massmoca.org

Through cutting, bending, sculpting, and remixing historical paintings and sculptures, Titus Kaphar often shifts the focus of their narratives to create new works that exist between fiction and quotationHis sculpture Language of the Forgotten depicts a monumental bust of Thomas Jefferson, carved as an inversion into wood, his profile immediately recognizable. Framed against this are portraits of figures etched into glass, standing in for the hundreds of thousands of untold narratives about usurped liberty—most famously brought to light in Jefferson’s case through the story of Sally Hemings, an enslaved woman believed to be the mother of his children. The work underscores Kaphar’s interest in history, in particular the question of whose stories get told and which ones get left out. 

Titus Kaphar, Language of the Forgotten, 2018, installation view, MASS MoCA, North Adams, Massachusetts © Titus Kaphar. Photo: Jonathan Brand

Titus Kaphar, Forgotten Soldier, 2019 © Titus Kaphar

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Titus Kaphar in
Forgotten Soldier

June 29, 2019–March 22, 2020
American Revolution Museum at Yorktown, Virginia
www.historyisfun.org

Forgotten Soldier explored personal stories of enslaved and free African Americans on both sides of the American Revolution and their contributions toward establishing an independent nation. Documents, artifacts, and artworks, including a new work by Titus Kaphar, traced the experiences of African American soldiers who took part in the American cause for a free nation or took up arms for British forces in hopes of obtaining their own freedom.

Titus Kaphar, Forgotten Soldier, 2019 © Titus Kaphar

Titus Kaphar, Seeing Through Time 2, 2018 © Titus Kaphar

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Titus Kaphar in
Suffering from Realness

March 31, 2019–February 2, 2020
MASS MoCA, North Adams, Massachusetts
massmoca.org

Suffering from Realness explored the politics of representation and the ways in which artists use the body to grasp at and recenter the “aura of realness” in an age of uncertainty. The artists in this exhibition examine the human condition from all sides, creating works in various mediums that are both personal and universal, addressing racism, violence, gender equality, the politicized body of wartime, the anxious body, the complexity of responsibility, and the future. Work by Titus Kaphar was included.

Titus Kaphar, Seeing Through Time 2, 2018 © Titus Kaphar

Installation view, Redaction: A Project by Titus Kaphar and Reginald Dwayne Betts, MoMA PS1, New York, March 31–May 5, 2019. Artwork © Titus Kaphar and Reginald Dwayne Betts. Photo: Matthew Septimus

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Redaction
A Project by Titus Kaphar and Reginald Dwayne Betts

March 31–May 5, 2019
MoMA PS1, New York
www.moma.org

Throughout their careers, Titus Kaphar and memoirist, poet, and attorney Reginald Dwayne Betts have used their varied mediums to confront the abuses of the criminal justice system. Redaction brought together poetry crafted by Betts from redacted legal documents with Kaphar’s etched portraits of incarcerated individuals, blending the voices of poet and artist with those of plaintiffs and prosecutors, reclaiming lost narratives and drawing attention to some of the many individuals whose lives have been impacted by mass incarceration.

Installation view, Redaction: A Project by Titus Kaphar and Reginald Dwayne Betts, MoMA PS1, New York, March 31–May 5, 2019. Artwork © Titus Kaphar and Reginald Dwayne Betts. Photo: Matthew Septimus

Installation view, UnSeen: Our Past in a New Light, Ken Gonzales-Day and Titus Kaphar, National Portrait Gallery, Washington, DC, May 31, 2018–January 6, 2019. Artwork © Titus Kaphar

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UnSeen: Our Past in a New Light
Ken Gonzales-Day and Titus Kaphar

May 31, 2018–January 6, 2019
National Portrait Gallery, Washington, DC
npg.si.edu

This exhibition highlighted the work of two leading contemporary artists who grapple with the under- and misrepresentation of certain minorities in portraiture and American history. Titus Kaphar and Ken Gonzales-Day illuminate the contributions and sacrifices that people of color made during the country’s founding. Together, the work of these two artists demonstrates how the absence of certain figures and communities in art has preempted their recognition in national history, and, in the process, reclaims a space for them in the art historical context.

Installation view, UnSeen: Our Past in a New Light, Ken Gonzales-Day and Titus Kaphar, National Portrait Gallery, Washington, DC, May 31, 2018–January 6, 2019. Artwork © Titus Kaphar