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Events

Installation view, A line (a)round an idea: Selected Works on Paper, Gagosian, Geneva, May 2–July 27, 2019. Artwork, left to right: © Cy Twombly Foundation; © 2019 Richard Artschwager/Artists Rights Society (ARS), New York; © 2019 The Franz Kline Estate/Artists Rights Society (ARS), New York; © Richard Serra; © 2019 Dedalus Foundation, Inc./Licensed by VAGA at Artists Rights Society (ARS), New York

Tour

A line (a)round an idea
Selected Works on Paper

Saturday, June 22, 2019, 11am
Gagosian, Geneva

This event has been canceled.

Join us for a tour of A line (a)round an idea at Gagosian, Geneva. The exhibition, which presents black-and-white works on paper spanning a period of seventy years, includes work by Richard Artschwager, Georg Baselitz, Bruce Conner, Willem de Kooning, Günther Förg, Sam Francis, Keith Haring, Christine Hiebert, Hans Hofmann, Franz Kline, Brice Marden, Henri Matisse, Robert Motherwell, Ad Reinhardt, Richard Serra, Cy Twombly, Andy Warhol, Tom Wesselmann, and others. Gagosian’s Johan Nauckhoff will give an overview of the exhibition, focusing on ways in which modern and contemporary artists have explored the clarity and activating power of the simple line, mark, splatter, or stroke. To attend the free event, RSVP to genevatours@gagosian.com. Space is limited.

Installation view, A line (a)round an idea: Selected Works on Paper, Gagosian, Geneva, May 2–July 27, 2019. Artwork, left to right: © Cy Twombly Foundation; © 2019 Richard Artschwager/Artists Rights Society (ARS), New York; © 2019 The Franz Kline Estate/Artists Rights Society (ARS), New York; © Richard Serra; © 2019 Dedalus Foundation, Inc./Licensed by VAGA at Artists Rights Society (ARS), New York

Announcements

Tom Wesselmann, Great American Nude #1, 1961 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Tom Wesselmann
Digital Catalogue Raisonné

The Wildenstein Plattner Institute (WPI), in partnership with the Estate of Tom Wesselmann, announces the preparation of a digital catalogue raisonné of the works of Tom Wesselmann. The first installment will be published on the Great American Nudes series. In advance of publication, a publicly available searchable database of all works recorded by the artist’s Estate, which incorporates ongoing research for the forthcoming catalogue raisonné, called the Tom Wesselmann Digital Corpus, has been launched.

Parallel with this effort, the Estate of Tom Wesselmann, Almine Rech, and Gagosian are also pleased to announce the forthcoming publication of Tom Wesselmann: The Great American Nudes. Edited by Susan Davidson, the monograph will be the first comprehensive publication dedicated to Wesselmann’s most famous body of work, made between 1961 and 1973. The book will include full color reproductions of each artwork, as well as related drawings, studies, and relevant works from associated series.

For collectors to confirm that a work in their possession will be included in the digital catalogue raisonné, please visit wpi.art to begin the submission process.

Tom Wesselmann, Great American Nude #1, 1961 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York

Museum Exhibitions

Urs Fischer, Untitled, 2003 © Urs Fischer

On View

The Paradox of Stillness
Art, Object, and Performance

Originally scheduled April 18–July 26, 2020; currently postponed
Walker Art Center, Minneapolis
walkerart.org

Featuring works from the early twentieth century to today, The Paradox of Stillness examines the notion of stillness as both a performative and a visual gesture. More than sixty-five artists present object-based art, pictures, and actions staged by live performers to test the boundaries between stillness and motion, mortality and aliveness, and the still life and the living picture. Work by Urs Fischer, Piero Manzoni, Cindy Sherman, Tom Wesselmann, and Franz West is included.

Urs Fischer, Untitled, 2003 © Urs Fischer

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

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Amuse-Bouche
The Taste of Art

February 19–July 26, 2020
Museum Tinguely, Basel
www.tinguely.ch

Amuse-Bouche: The Taste of Art presents works—some with a participatory element—by more than forty-five international artists from the Baroque period to the present that explore taste as a dimension of aesthetic perception. Breaking with the usual museum practice of appealing primarily to the sense of sight, works in the exhibition offer art historical and phenomenological encounters with the sense of taste. Work by Urs Fischer, Damien Hirst, Cindy Sherman, Andy Warhol, and Tom Wesselmann is included.

Installation view, Amuse-Bouche: The Taste of Art, Museum Tinguely, Basel, February 19–July 26, 2020. Artwork, left to right: © Opavivará!; © Damien Hirst and Science Ltd. All rights reserved, DACS 2020. Photo: Gina Folly © 2020 Museum Tinguely, Basel

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

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Andy Warhol bis Cindy Sherman
Amerikanische Kunst aus der Albertina

November 19, 2019–March 29, 2020
Schlossmuseum Linz, Austria
www.landesmuseum.at

Europe’s view of America is influenced by images of the entertainment industry: from film and television to advertising and newspapers. No other nation has placed so much reliance upon the power and impact of pictures and symbols as the US. With more than two hundred works of American art from 1960 to the present day, this large-scale exhibition, whose title translates to Andy Warhol to Cindy Sherman: American Art from the Albertina Museum, aims to illustrate how much our perceptions of truth and reality, facts and fake news, owe to America’s visual culture. Work by Gregory CrewdsonRoy LichtensteinCindy ShermanAndy Warhol, and Tom Wesselmann is included. 

Cindy Sherman, Untitled (#112), 2003 © Cindy Sherman

Tom Wesselmann, Seascape #10, 1966 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York  

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Tom Wesselmann
La promesse du bonheur

June 29, 2018–January 6, 2019
Nouveau Musée National de Monaco, Villa Paloma
www.nmnm.mc

This focused survey explores a number of specific aspects of Tom Wesselmann’s work and production, including their relationship to postwar economic abundance, Victorian and post-Victorian sexuality, and questions of female agency.

Tom Wesselmann, Seascape #10, 1966 © The Estate of Tom Wesselmann/Licensed by ARS/VAGA, New York  

Tatiana Trouvé, Untitled, 2007 © ADAGP, Paris 2017. Photo by Daniele Resini

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Dioramas

June 14–September 10, 2017
Palais de Tokyo, Paris
www.palaisdetokyo.com

This exhibition explores the diorama as an unexpected source of inspiration for contemporary art. At the intersection of art, cinema, and theater, this cross-disciplinary exhibition recontextualizes the diorama with a renewed approach to the history of spectatorship, including the influence of science and technology on popular culture, fun fairs, and exhibitions. Work by Duane Hanson, Anselm Kiefer, Tatiana Trouvé, Jeff Wall, and Tom Wesselmann is included.

Tatiana Trouvé, Untitled, 2007 © ADAGP, Paris 2017. Photo by Daniele Resini

Tom Wesselmann, Smoker #3 (3-D), 2003 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

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LOVE
L’arte contemporanea incontra l’amore

March 17–July 23, 2017
Società per la Belle Arti Esposizione Permanente, Milan
www.lapermanente.it

For LOVE. L’arte contemporanea incontra l’amore, curator Danilo Eccher chose thirty-nine works by artists including Francesco Vezzoli, Andy Warhol, and Tom Wesselmann that depict love from their point of view. Visitors are invited to leave their testimony regarding the exhibition, creating a group recollection that will grow day by day.

Tom Wesselmann, Smoker #3 (3-D), 2003 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Andy Warhol, Woman in Blue (After Matisse), 1985 © 2017 The Andy Warhol Foundation for the Visual Arts, Inc./Artist Rights Society (ARS), New York

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Matisse and American Art

February 5–June 18, 2017
Montclair Art Museum, New Jersey
www.montclairartmuseum.org

Curated by Gail Stavitsky, this exhibition focuses on the French master’s profound impact on the development of American modern art from 1907 to the present. Nineteen works by Matisse are juxtaposed with forty-four works by American artists, including Helen Frankenthaler, Roy Lichtenstein, Andy Warhol, and Tom Wesselmann.

Andy Warhol, Woman in Blue (After Matisse), 1985 © 2017 The Andy Warhol Foundation for the Visual Arts, Inc./Artist Rights Society (ARS), New York

Ed Ruscha, Made in California, 1971 © Ed Ruscha

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The American Dream
Pop to the Present

March 9–June 18, 2017
British Museum, London
americandreamexhibition.org

This exhibition traces the past six decades of American history through prints of unprecedented scale and ambition. Starting with the explosion of Pop art in the 1960s, the show includes works by many of America’s most celebrated artists. Works by Helen Frankenthaler, Roy Lichtenstein, Bruce Nauman, Ed Ruscha, Richard Serra, Cy Twombly, Andy Warhol, and Tom Wesselmann are on view.

Ed Ruscha, Made in California, 1971 © Ed Ruscha

See all Museum Exhibitions for Tom Wesselmann