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Alexander Calder, Untitled, 1963 © 2018 Calder Foundation, New York/Artists Rights Society (ARS), New York

Opening this Week

Action<–>Reaction
100 Years of Kinetic Art

September 22, 2018–January 20, 2019
Kunsthal Rotterdam
www.kunsthal.nl

Action<–>Reaction: 100 Years of Kinetic Art covers a wide range of kinetic art and offers visitors an opportunity to experience work that appeals to all of the senses. The exhibition is a revival of the successful 2013 Paris exhibition Dynamo. Work by Alexander Calder, Marcel Duchamp, and Carsten Höller is included.

Alexander Calder, Untitled, 1963 © 2018 Calder Foundation, New York/Artists Rights Society (ARS), New York

Glenn Brown, The Life Hereafter,&nbsp;2011, Scharpff Collection © Glenn Brown

Opening this Week

The Flexible Plan
The Rococo in Contemporary Art

September 23, 2018–January 6, 2019
Museum Morsbroich, Leverkusen, Germany
www.museum-morsbroich.de

The Flexible Plan: The Rococo in Contemporary Art examines the survival of European grandeur in contemporary art. The exhibition presents a varied panorama of works against the backdrop of the Rococo castle that houses the museum. Work by Glenn Brown and Katharina Grosse is included.

Glenn Brown, The Life Hereafter, 2011, Scharpff Collection © Glenn Brown

Ellen Gallagher, DeLuxe, 2004–05 (detail) © Ellen Gallagher

Opening this Week

The World on Paper

September 27, 2018–January 7, 2019
Palais Populaire by Deutsche Bank, Berlin
www.db-palaispopulaire.de

This exhibition includes works on paper by 133 artists from thirty-four countries and explores the evolution of this medium from postwar modernism to the digital age. Work by Ellen Gallagher and Katharina Grosse is included.

Ellen Gallagher, DeLuxe, 2004–05 (detail) © Ellen Gallagher

Georg Baselitz, Lehr nich ratte much wilm&nbsp;(Lelf bal wile), 2013 © Georg Baselitz 2018

Closing this Week

Counterpoint
Selections from the Peter Marino Collection

Through September 23, 2018
Southampton Arts Center, New York
southamptonartscenter.org

In 1978 Peter Marino acquired an artwork from Andy Warhol. Since then, the Peter Marino Collection has grown to encompass hundreds of paintings and mixed-media pieces representing some of the most notable artists of today. Work by Georg Baselitz, Glenn Brown, Damien Hirst, Anselm Kiefer, Richard Prince, and Andy Warhol is included.

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 © Georg Baselitz 2018

Sally Mann, Deep South, Untitled (Fontainebleau), 1998, National Gallery of Art, Washington, DC © Sally Mann

Closing this Week

Sally Mann
A Thousand Crossings

Through September 23, 2018
Peabody Essex Museum, Salem, Massachusetts
www.pem.org

For more than forty years Sally Mann has made experimental, elegiac, and hauntingly beautiful photographs that span a broad body of work, including figure studies, still lifes, and landscapes. This exhibition, with more than a hundred photographs, many of which have never been exhibited, explores how her relationship with the South has shaped her work. This exhibition has traveled from the National Gallery of Art in Washington, DC.

Sally Mann, Deep South, Untitled (Fontainebleau), 1998, National Gallery of Art, Washington, DC © Sally Mann

William Forsythe, Debut, 2018 © William Forsythe. Photo: Tom Cornille

Closing this Week

William Forsythe in
Experience Traps

Through September 23, 2018
Middelheimmuseum, Antwerp, Belgium
www.middelheimmuseum.be

In this exhibition sixteen contemporary artists who have found inspiration in the innovative ideas behind the baroque landscape try to guide our physical and mental experience. William Forsythe, a contributing artist and cocurator, has incorporated some of his well-known choreographic objects into the project to entice visitors to move around.

William Forsythe, Debut, 2018 © William Forsythe. Photo: Tom Cornille

Douglas Gordon, Self-Portrait of You + Me (David Bowie), 2007 © Studio lost but found/VG Bild-Kunst, Bonn, 2018

Closing this Week

Douglas Gordon in
The Rat-Catcher

Through September 24, 2018
Wrocław Contemporary Museum, Poland
muzeumwspolczesne.pl

The starting point for this exhibition will be the 1986 Polish documentary The Rat-Catcher (directed by Andrzej Czarnecki). The show will focus on human nature and on the psyche. Work by Douglas Gordon will be included.

Douglas Gordon, Self-Portrait of You + Me (David Bowie), 2007 © Studio lost but found/VG Bild-Kunst, Bonn, 2018

Taryn Simon, White Tiger (Kenny), Selective Inbreeding, Turpentine Creek Wildlife Refuge and Foundation, Eureka Springs, Arkansas, 2006–07, from the series An American Index of the Hidden and Unfamiliar, 2007 © Taryn Simon

Just Opened

Taryn Simon in
The World to Come: Art in the Age of the Anthropocene

Through March 3, 2019
Harn Museum of Art, University of Florida, Gainesville
www.harn.ufl.edu

The World to Come: Art in the Age of the Anthropocene chronicles an era of rapid, radical, and irrevocable ecological change through works of art by more than forty-five international artists. Our age, a new geological epoch defined by human impact, has controversially been termed the Anthropocene. Despite the challenges of disaster and denial, artists in the exhibition respond with resistance, imagination, and new ways of seeing and thinking about the world to come. Work by Taryn Simon is included.

Taryn Simon, White Tiger (Kenny), Selective Inbreeding, Turpentine Creek Wildlife Refuge and Foundation, Eureka Springs, Arkansas, 2006–07, from the series An American Index of the Hidden and Unfamiliar, 2007 © Taryn Simon

Rachel Whiteread, Line Up, 2007–08 © Rachel Whiteread

Just Opened

Rachel Whiteread

Through January 13, 2019
National Gallery of Art, Washington, DC
www.nga.gov

This momentous show is the most comprehensive exhibition to date of Rachel Whiteread’s career. It brings together well-known works such as Untitled (Stairs) (2001) alongside new pieces that have never been previously exhibited. Special sections are devoted to the artist’s archival materials and to her drawings. This exhibition has traveled from Tate Britain in London and Belvedere 21 in Vienna.

Rachel Whiteread, Line Up, 2007–08 © Rachel Whiteread

Edmund de Waal, –one way or other–, 2018 (detail) © Edmund de Waal. Photo: Mike Bruce

Just Opened

Edmund de Waal
–one way or other–

Through January 6, 2019
Schindler House, Los Angeles
makcenter.org

Edmund de Waal’s first architectural intervention in America is being held at the Schindler House: a landmark of West Coast modernism, built in 1922 in West Hollywood by Viennese émigré architect Rudolph Schindler. The exhibition includes recent works that respond directly to the materials and spaces of the house, and a sound piece conceived with the composer Simon Fisher Turner.

Edmund de Waal, –one way or other–, 2018 (detail) © Edmund de Waal. Photo: Mike Bruce

Just Opened

Carsten Höller in
Urban Forest

Through December 8, 2018
Riso Museum, Palermo, Sicily
www.poloartecontemporanea.it

Artists and works of art from different geographical areas shape a contemporary “forest” where a combination of nature and culture is investigated. Work by Carsten Höller is included.

Alberto Giacometti, La Forêt, 1950, Fondation Giacometti, Paris © Succession Alberto Giacometti/ADAGP, Paris 2018

Just Opened

Alberto Giacometti

Through January 20, 2019
Musée Maillol Paris
www.museemaillol.com

Musée Maillol, in collaboration with the Fondation Giacometti, presents an overview of Alberto Giacometti’s oeuvre, complemented by works of important classical and modern sculptors from his time. The show includes more than fifty sculptures by Giacometti alongside twenty-five works by other artists such as Brancusi and Rodin.

Alberto Giacometti, La Forêt, 1950, Fondation Giacometti, Paris © Succession Alberto Giacometti/ADAGP, Paris 2018

Paul Noble, Egg Carton Technique Actual, 2004 © Paul Noble

Just Opened

Politics of Small Places
Paul Noble + Patrick Geddes

Through October 6, 2018
Cooper Gallery, University of Dundee, Scotland
www.dundee.ac.uk

Offering paradoxical visions of the cornucopia of concrete, glass, and steel that straddles the world, Politics of Small Places forges a unique dialogue between Paul Noble and pioneering Scottish urban planner Patrick Geddes. The exhibition comprises Noble’s Nest (2004) and Eggface (2014) accompanied by a suite of drawings from which Nest is derived. Alongside Noble’s works  are nine original diagrams selected from the Geddes Archive Collections at the University of Strathclyde in Glasgow, Scotland.

Paul Noble, Egg Carton Technique Actual, 2004 © Paul Noble

Ed Ruscha, Year after Year, 1973, UBS Art Collection © Ed Ruscha

Just Opened

Ed Ruscha
Very

Through December 16, 2018
Kode Art Museums and Composer Homes, Bergen, Norway
kodebergen.no

With works from the UBS Art Collection as a basis, this exhibition covers the artist’s production from the 1960s onward, focusing on the technically and graphically innovative approaches that Ed Ruscha has made use of over the years. Studies from his most iconic paintings and artist’s books are also on display. This show has traveled from the Louisiana Museum of Modern Art, Humlebæk, Denmark.

Ed Ruscha, Year after Year, 1973, UBS Art Collection © Ed Ruscha

Tatiana Trouvé, Prepared Space, 2014–17 (detail)© Tatiana Trouvé. Photo: Untrefmedia

On View

Tatiana Trouvé
The Great Atlas of Disorientation

Through September 29, 2018
Petach Tikva Museum of Art, Israel
www.petachtikvamuseum.com

This exhibition extends over the museum’s two main exhibition halls and includes sculptural works alongside a large site-specific installation. The first hall features a series of sculptural objects that appear as temporary structures, shelters of sorts, cast from used cardboard in bronze, aluminum, and copper. The second hall is devoted to the immersive installation Prepared Space, which extends over the entire space like a large navigation map.

Tatiana Trouvé, Prepared Space, 2014–17 (detail)
© Tatiana Trouvé. Photo: Untrefmedia

Installation view, Damien Hirst at Houghton Hall: Outdoor Sculptures, Houghton Hall, England, July 18–September 30, 2018 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

On View

Damien Hirst at Houghton Hall
Outdoor Sculptures

Through September 30, 2018
www.houghtonhall.com

An installation of sculptures by Damien Hirst are installed outdoors in the Houghton Hall gardens, featuring some of the artist’s most famous and visually arresting works such as Virgin Mother (2005–06) and Charity (2002–03).

Installation view, Damien Hirst at Houghton Hall: Outdoor Sculptures, Houghton Hall, England, July 18–September 30, 2018 © Damien Hirst and Science Ltd. All rights reserved, DACS 2018

Yves Klein, Untitled Anthropometry, 1960 © Yves Klein Estate, ADAGP, Paris/DACS, London, 2018

On View

Yves Klein Contemporary Art Exhibition

Through October 7, 2018
Blenheim Palace, Woodstock, England
www.blenheimpalace.com

Yves Klein Contemporary Art Exhibition features over fifty artworks, which is the most comprehensive exhibition of Yves Klein in the United Kingdom to date. Visitors are able to explore Klein’s wide-ranging practice, including painting, sculpture, and large-scale installation.

Yves Klein, Untitled Anthropometry, 1960 © Yves Klein Estate, ADAGP, Paris/DACS, London, 2018

Pablo Picasso, Seated Bather, 1930, Museum of Modern Art, New York © 2018 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

On View

MoMA at NGV
130 Years of Modern and Contemporary Art

Through October 7, 2018
National Gallery of Victoria, Melbourne, Australia
www.ngv.vic.gov.au

MoMA at NGV will provide a unique survey of the museum’s iconic collection. Two hundred key works will be arranged chronologically into eight thematic sections. The exhibition will trace the development of art and design from late-nineteenth-century urban and industrial transformation through to the digital and global present. Work by Alexander Calder, Andreas Gursky, Jeff Koons, Roy Lichtenstein, Pablo Picasso, Cindy Sherman, and Andy Warhol will be included.

Pablo Picasso, Seated Bather, 1930, Museum of Modern Art, New York © 2018 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

Top: Ed Ruscha, Blue Collar Tech-Chem, 1992, Broad Art Foundation, Santa Monica, CA © Ed Ruscha. Bottom: Ed Ruscha, The Old Tech-Chem Building, 2003, Broad Art Foundation, Santa Monica, CA © Ed Ruscha

On View

Ed Ruscha
Course of Empire

Through October 7, 2018
National Gallery, London
www.nationalgallery.org.uk

In Course of Empire, the audience will encounter Ed Ruscha’s modern take on the cyclical nature of civilization, evocative of Thomas Cole’s series of the same name concurrently on display. In contrast to Cole’s work, which evokes that artist’s grandiose vision of the rise and fall of a classical civilization, Ruscha’s Course of Empire focuses on the industrial buildings of Los Angeles—simple, utilitarian, boxlike structures with no pretension to beauty, but redolent of economic might and global reach.

Top: Ed Ruscha, Blue Collar Tech-Chem, 1992, Broad Art Foundation, Santa Monica, CA © Ed Ruscha. Bottom: Ed Ruscha, The Old Tech-Chem Building, 2003, Broad Art Foundation, Santa Monica, CA © Ed Ruscha

Patti Smith, Tolstoy’s Bear, Moscow, 2016 © Patti Smith. Photo courtesy Nelson-Atkins Media Services/Tiffany Matson

On View

Patti Smith in
The Big Picture: A Transformative Gift from the Hall Family Foundation

Through October 7, 2018
Nelson-Atkins Museum of Art, Kansas City, Missouri
nelson-atkins.org

The Big Picture will feature a selection of more than 800 photographs recently donated by the Hall Family Foundation. These new pieces span the entire history of the medium from a 1826 print by Joseph Nicéphore Niépce, the inventor of photography, to a 2016 work by Patti Smith.

Patti Smith, Tolstoy’s Bear, Moscow, 2016 © Patti Smith. Photo courtesy Nelson-Atkins Media Services/Tiffany Matson

On View

Artist Rooms
Robert Therrien

Through October 7, 2018
Tate Modern, London
www.tate.org.uk

Robert Therrien reconstructs our sense of reality by enlarging the most commonplace objects with stunning accuracy. Tables and chairs and stacks of plates, all familiar objects that were designed for mass use and appeal, universally and instantly recognizable, enter the realm of the symbolic once Therrien reimagines and reinvents their scale. The objects’ original form and function evanesce, and something more than what you see emerges.

Glenn Brown, Unknown Pleasures, 2016 © 2018 Glenn Brown. Photo: Mike Bruce

On View

Glenn Brown in
Rembrandt | Britain’s Discovery of the Master

Through October 14, 2018
Scottish National Gallery
www.nationalgalleries.org

This exhibition will reveal how the taste for Rembrandt’s work in Britain evolved over the past four hundred years. Since around 1630, it grew into a mania that gripped collectors and art lovers across the country, reaching a fever pitch in the late eighteenth century. The exhibition will also reveal the profound impact of Rembrandt’s art on the British imagination, by exploring the wide range of native artists whose work has been inspired by the Dutch master, over four centuries, right up to the present day. Work by Glenn Brown will be included.

Glenn Brown, Unknown Pleasures, 2016 © 2018 Glenn Brown. Photo: Mike Bruce

Nam June Paik, TV Clock, 1963/89 © Nam June Paik Estate

On View

Nam June Paik
TV Clock

Through October 14, 2018
Santa Barbara Museum of Art, California
www.sbma.net

Nam June Paik’s TV Clock (1963/89) is on view for the first time in nearly a decade. The work consists of twenty-four color televisions mounted upright on pedestals that are arranged in a gentle arc and displayed in a darkened space. Paik created each electronic image by manipulating the television to compress its red, green, and blue colors into a single line against a black background.

Nam June Paik, TV Clock, 1963/89 © Nam June Paik Estate

Glenn Brown, On the Way to the Leisure Centre, 2017 © 2018 Glenn Brown. Photo: Mike Bruce

On View

Glenn Brown
Fantasy Landscapes, Portraits and Beasts

Through October 21, 2018
Laing Art Gallery, Newcastle, England
laingartgallery.org.uk

In 2017, the Laing Art Gallery acquired a work by Glenn Brown through the Contemporary Arts Society’s Great Works program; this exhibition continues to build on the institution’s relationship with the artist. The show features new works by Brown, in the context of his own rehang of the Laing’s painting collection and is curated by the artist, together with Julie Milne, chief curator.

Glenn Brown, On the Way to the Leisure Centre, 2017 © 2018 Glenn Brown. Photo: Mike Bruce