Artwork © William Forsythe; video © Gagosian; directed by Ulrike Stumpp; edit and postproduction by Stefan Knauer; interview by Louise Neri; camera: Ulrike Stumpp, Dennis Westenberger, and Stefan Knauer
October 23, 2017
William Forsythe:Choreographic Objects
Celebrated choreographer William Forsythe has been expanding the boundaries of dance for over four decades. In 1989 he began work on his “choreographic objects,” a series of sculptural installations. These physical, object-based extensions of his choreographic practice have become an integral aspect of his work. An exhibition at Gagosian Le Bourget in Paris continues this experimentation with three works: Black Flags, Alignigung II, and Towards the Diagnostic Gaze (Paris). Filmmaker Ulrike Stumpp created a video documenting these works that includes an in-depth interview with Forsythe about the concepts and techniques underlying the exhibition.
The world-renowned choreographer discusses his mindful objects with Louise Neri.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
Glenn Brown and Jacky Klein
Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.
A Body in Fukushima
Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.
Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.
In honor of this luminous dance artist’s life and work, we share a conversation with the late Aileen Passloff from early 2020.
Jacoba Urist profiles the legendary collector.
A Day in the Life of The Lightning Field
In the first of a two-part feature, John Elderfield recounts his experiences at The Lightning Field (1977), Walter De Maria’s legendary installation in New Mexico. Elderfield considers how this work requires our constantly finding and losing a sense of symmetry and order in shifting perceptions of space, scale, and distance, as the light changes throughout the day.
Augurs of Spring
As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.
A conversation between Adam McEwen and Bob Monk.
Venetian Heritage, a philanthropic organization dedicated to the restoration and preservation of Venice’s cultural treasures, has pursued its mission for two decades. Here, the architect Peter Marino, the organization’s chairman, joins Toto Bergamo Rossi, director of the Venice office, to tell Gagosian director Jason Ysenburg about the history and future of the organization and its program for the 2019 Venice Biennale.