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Gagosian Quarterly

June 13, 2018

Jenny Saville: Ancestors

Jenny Saville’s Ancestors exhibition recalls archetypes from religion and mythology, such as the pietà and the Fates, where she adeptly blurs the distinction between the body and classical sculpture. In this video, Saville reveals the influence of art history in her new work, in addition to interviews with pre-eminent scholars and curators John Elderfield and Richard Calvocoressi.

Artwork © Jenny Saville; Video by Pushpin Films; Jenny Saville: Ancestors, Gagosian, 522 West 21st Street, New York, May 3–July 23, 2018

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Still from video Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Gagosian Quarterly Spring 2019

Now available
Gagosian Quarterly Spring 2019

The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.

Jenny Saville and Dr. Simon Groom

In Conversation
Jenny Saville and Dr. Simon Groom

Jenny Saville discusses the beginnings and evolutions of her painting practice with Dr. Simon Groom, Director of the Scottish National Gallery of Modern Art, Edinburgh. She speaks candidly on her endless passion for painting the figure, the beauty of struggle, motherhood, and the artists that have inspired her.

Jenny Saville on Willem de Kooning

Jenny Saville on Willem de Kooning

In 2013, the exhibition Willem de Kooning: Ten Paintings, 1983–1985 explored the legendary artist’s late work. For the catalogue accompanying the presentation, Jenny Saville spoke on the gestures and elemental elegance of these paintings.

Desire

Desire

Diana Widmaier Picasso, curator of the exhibition Desire, reflects on the history of eroticism in art.

Jenny Saville: Erota

Jenny Saville: Erota

Richard Calvocoressi discusses the inspiration behind the artist’s new body of work.

Egon Schiele—Jenny Saville

Egon Schiele—Jenny Saville

Lauren Mahony previews the Kunsthaus Zürich exhibition, which paired the works of Jenny Saville and Egon Schiele together.

Giuseppe Penone, Leaves of Light – Tree, 2016, installed at the Louvre Abu Dhabi.

Rain of Light

One year after the opening of the Louvre Abu Dhabi, Jean Nouvel and Giuseppe Penone sat down with Alain Fleischer, Pepi Marchetti Franchi, and Hala Wardé to reflect on how the museum and Penone’s commissioned artworks for the space came to be.

View of the south front of Kenwood House.

Kenwood House

Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.

Jenny Saville Now

Jenny Saville Now

On the occasion of a major survey of the artist’s work, Dr. Simon Groom, Director of the Scottish National Gallery of Modern Art, Edinburgh, studies the evolution of Jenny Saville’s practice.

Becoming Home

Becoming Home

Rachel Whiteread’s US Embassy (Flat pack house) was unveiled in its permanent home at the new American embassy in Nine Elms, London, earlier this year. Virginia Shore, the curator for the London embassy project who worked with Whiteread to realize this site-specific commission, reflects on the history of prefabricated housing, the power of “home,” and the connecting force of art.