Artwork © Rudolf Polanszky; video: Pushpin Films
Rudolf Polanszky, Gagosian, 541 West 24th Street, New York, March 3–April 11, 2020
June 25, 2020
Artwork © Rudolf Polanszky; video: Pushpin Films
Rudolf Polanszky, Gagosian, 541 West 24th Street, New York, March 3–April 11, 2020
Hans Ulrich Obrist visits the artist at his studio outside Vienna to discover more about the origins of his practice, his experiments in freedom, and the importance of drifting.
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.
Daniel Spaulding, prompted by an encounter with Piero di Cosimo’s Discovery of Honey by Bacchus (c. 1499), investigates the potential philosophical and political power embedded within the figure of the satyr.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Richard Calvocoressi examines the trajectory of pre- and postwar German and Austrian art from the 1930s through the mid-1950s, revealing how the events leading up to and following World War II affected this generation of artists.
In July 2017, a special installation of paintings was shown at Casa Malaparte, Capri, the famous house built by the author, publisher, diplomat, and filmmaker Curzio Malaparte.
The Spring 2017 Gagosian Quarterly featuring a cover by Rudolf Stingel is now available.
Taryn Simon’s 2016 exhibitions spanned the globe. Angela Brown brings us highlights from six museums.
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.
On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.