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Gagosian Quarterly

January 28, 2022

Isaac Julien: Lessons of the Hour – Frederick Douglass

To celebrate the publication of Isaac Julien: Lessons of the Hour — Frederick Douglass by Memorial Art Gallery of the University of Rochester, Tang Museum, and DelMonico Books, Julien was joined by Celeste-Marie Bernier, Paul Gilroy, Cora Gilroy-Ware, Vladimir Seput, and Vron Ware at Gagosian, Grosvenor Hill, to discuss the enduring legacy and power of Frederick Douglass. During the program, presented in collaboration with Victoria Miro and Isaac Julien Studio, the panelists detail the scope and focuses of the book.

Lessons of the Hour — Frederick Douglass was conceived as an artwork, with sumptuously illustrated pages that depict both Isaac Julien’s artworks and the archival images, some of which have never been printed in a book before.

Lessons of the Hour — Frederick Douglass is also a reader, and it features a range of essays by the most prominent scholars on Frederick Douglass, photography, art history, cultural studies, and race and gender studies: Celeste-Marie Bernier, professor at the University of Edinburgh and author of numerous books on Douglass who worked closely with Julien on Lessons of the Hour artwork; Paul Gilroy, author of The Black Atlantic and the winner of the 2019 Holberg Prize for his outstanding contributions to humanities; Vron Ware, photographer and academic, author of Beyond the Pale and numerous other publications on racism and feminism; the world-renowned Henry Louis Gates, Jr., from Harvard University, the preeminent Douglass scholar and art historian; film scholars Kass Banning and Warren Crichlow, who have followed Isaac’s work since the mid-1980s, write about the aesthetics of the film installation; Susan Solt, distinguished professor and former dean of the University of California, Santa Cruz, writes about Douglass’s relationship to language, Shakespeare, and Othello; visual artist and historian of photography Deborah Willis created three special inserts throughout the book dedicated to nineteenth-century African American photographer James Presley Ball, Douglass’s relationship to photography, and his aesthetic theory; John G. Hanhardt, American film and video curator, remembers the inception of the work and its curatorial beginnings; Jonathan P. Binstock, the work’s commissioner for the Memorial Art Gallery at University of Rochester, reflects upon Douglass’s relationship to Rochester; Douglass’s great-great-great grandson, Kenneth B. Morris, Jr., made an incredibly moving text for the preface of the book; and the book concludes with an extensive interview with Julien by Jennifer A. González, a professor at the University of California, Santa Cruz and theorist of contemporary art.

This event took place at Gagosian, Grosvenor Hill, London, on November 19, 2021

Isaac Julien: Lessons of the Hour — Frederick Douglass is a visual and literary meditation juxtaposing artworks by Isaac Julien with archival images of Frederick Douglass and essays that consider his enduring legacy.

Social Works II: Curated by Antwaun Sargent, Gagosian, Grosvenor Hill, London, October 7–December 16, 2021

Detail of Lauren Halsey sculpture depicting praying hands, planets, and other symbol against red and green background

Black Futurity: Lessons in (Art) History to Forge a Path Forward

Jon Copes asks, What can Black History Month mean in the year 2024? He looks to a selection of scholars and artists for the answer.

Titus Kaphar and Derek Cianfrance both wearing large headphones and tee-shirts on a film set

Titus Kaphar and Derek Cianfrance

Titus Kaphar and director Derek Cianfrance spoke on the opening night of Titus Kaphar Selects, a film program curated by the artist as part of a series copresented by Gagosian and Metrograph in the spring of 2023. The pair discussed their respective practices, including Cianfrance’s film Blue Valentine (2010) and Kaphar’s film Exhibiting Forgiveness, which premiered at the Sundance Film Festival on January 20, 2024.

Image of artist Mary Weatherford in front of her artwork

Mary Weatherford: The Flaying of Marsyas

In conjunction with her exhibition The Flaying of Marsyas at Museo di Palazzo Grimani, Venice, Mary Weatherford discusses the featured paintings, which are directly inspired by Titian’s late, eponymous masterpiece of circa 1570–76 and reflect her enduring fascination with the painting.

A Foreigner Called Picasso

Behind the Art
A Foreigner Called Picasso

Join president of the Picasso Museum, Paris, Cécile Debray; curator, writer, biographer, and historian Annie Cohen-Solal; art historian Vérane Tasseau; and Gagosian director Serena Cattaneo Adorno as they discuss A Foreigner Called Picasso. Organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris, the exhibition reframes our perception of Picasso and focuses on his status as a permanent foreigner in France.

Christo: Early Works

Christo: Early Works

Christo: Early Works, curated by Elena Geuna, is the inaugural exhibition in the Gagosian Open series of off-site projects. In this video, Geuna explores the connection between Christo’s sculptural works and their setting in the historic Georgian house at 4 Princelet Street, London.

Elisa Gonzalez and Terrance Hayes

to light, and then return—: A Night of Poetry with Edmund de Waal, Elisa Gonzalez, Terrance Hayes, and Sally Mann

Gagosian presented an evening of poetry inside to light, and then return—, an exhibition of new works by Edmund de Waal and Sally Mann, inspired by each other’s practices, at Gagosian, New York. In this video—taking the artists’ shared love of poetry, fragments, and metamorphosis as a point of departure—poets Elisa Gonzalez and Terrance Hayes read a selection of their recent works that resonate with the themes of elegy and historical reckoning in the show. The evening was moderated by Jonathan Galassi, chairman and executive editor at Farrar, Straus & Giroux.

Louise Bonnet and Stefanie Hessler

In Conversation
Louise Bonnet and Stefanie Hessler

Gagosian hosted a conversation between Louise Bonnet and Stefanie Hessler, director of Swiss Institute, New York, inside 30 Ghosts, the artist’s exhibition of new paintings at Gagosian, New York. The pair explores the work’s recurring themes—the cycles of life, continuity and the future, and death—and discuss how the conceptual and pictorial structures Bonnet borrows from seventeenth-century Dutch still-life painting converge to form a metaphor for hard labor, basic animal urges, and the things we often try, but fail, to hide.

Oscar Murillo and Ben Luke on Franz West

In Conversation
Oscar Murillo and Ben Luke on Franz West

In conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West at Frieze Masters 2023, artist Oscar Murillo and arts writer, critic, and broadcaster Ben Luke sit down to discuss Murillo’s collaboration in selecting the works on view, as well as his personal experiences meeting the late artist in London.

Urs Fischer: Wave

Urs Fischer: Wave

In this video, Urs Fischer elaborates on the creative process behind his public installation Wave, at Place Vendôme, Paris.

Georg Baselitz and Richard Calvocoressi sit next to each other in the artist’s studio

In Conversation
Georg Baselitz and Richard Calvocoressi

In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.  

Still of artist Adelaide Damoah in her performance piece Arachne: Rebirthing Dislocated Cultures

Adelaide Damoah: Arachne, Rebirthing Dislocated Cultures

In this video, artist Adelaide Damoah performs Arachne: Rebirthing Dislocated Cultures inside the Rites of Passage exhibition at Gagosian, Britannia Street, London. The audiovisual journey, which features an original sound piece by Damoah and composer Liz Gre, interrogates the history of colonialism with the intention of unlocking new modes of understanding.

Jerome Rothenberg in a chair

In Conversation
Jerome Rothenberg and Charles Bernstein

Gagosian and Beyond Baroque Literary | Arts Center hosted a conversation between poets Jerome Rothenberg and Charles Bernstein inside Anselm Kiefer’s exhibition Exodus at Gagosian at Marciano Art Foundation, Los Angeles. Rothenberg and Bernstein explored some of the themes that occupy Kiefer—Jewish mysticism, the poetry of Paul Celan, and the formulation of a global poetics in response to the Holocaust—in a discussion and readings of their poetry.