Artist
Anna Weyant
Seductive Imitation: on Anna Weyant’s Still Lifes
Inspired by Anna Weyant’s still lifes, John Elderfield explores the genre and its relationship with trompe l’oeil techniques, tracking its formal development, as well as the evolving critical receptions it has elicited.
Now available
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
Anna Weyant: Baby, It Ain’t Over Till It’s Over
Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.