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Gagosian Quarterly

Contributor

Richard Calvocoressi

Richard Calvocoressi

Richard Calvocoressi is a scholar and art historian. He has served as a curator at the Tate, London, director of the Scottish National Gallery of Modern Art, Edinburgh, and director of the Henry Moore Foundation. He joined Gagosian in 2015. Calvocoressi’s Georg Baselitz was published by Thames and Hudson in May 2021.

Image of Francis Bacon's ‘Landscape with Pope/Dictator’ painting, c. 1946

Francis Bacon: The First Pope

Richard Calvocoressi tells the story of Francis Bacon’s first image of the pope, ‘Landscape with Pope/Dictator’, c. 1946.

Baselitz: La rétrospective

Baselitz: La rétrospective

Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.

Edmund de Waal, stone for two hands and water, 2021, Hornton stone, bamboo, and water, 27 ⅜ × 56 ¾ × 23 ⅝ inches (69.5 × 144 × 60 cm), installation view, Henry Moore Studios & Gardens, Perry Green, England

The Thinking Hand

Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.

Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast)

Georg Baselitz: Pulling Up the Image

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Thomas Houseago, 2021. Photo: Amanda Demme

Thomas Houseago: Encountering Rodin

Thomas Houseago and Amélie Simier, director of the Musée Rodin, Paris, talk with Gagosian director Richard Calvocoressi about contemporary sculpture and its foundation in the radical forms of Auguste Rodin.

Gerhard Richter, Uncle Rudi, 1965, oil on canvas, 34 ¼ × 19 ¾ inches (87 × 50 cm), CR: 85

Gerhard Richter: Young Gerd

Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.

Georg Baselitz, Da sind zwei Figuren im alten Stil (That’s two figures in the old style), 2019, oil and painter’s gold varnish on canvas

Georg Baselitz: Life, Love, Death

Richard Calvocoressi writes on the painter’s latest bodies of work, detailing the techniques employed and their historical precedents.

Georg Baselitz, Ohne Titel (nach Pontormo) (Untitled [after Pontormo]), 1961.

Baselitz Bildung

On the occasion of a career-spanning exhibition at the Gallerie dell’Accademia, Venice, Richard Calvocoressi tracks the evolution of Georg Baselitz’s development from his early education in East Germany to his revelatory trip to Florence, in 1965, and beyond.

Before and After the Fall

Before and After the Fall

Richard Calvocoressi examines the trajectory of pre- and postwar German and Austrian art from the 1930s through the mid-1950s, revealing how the events leading up to and following World War II affected this generation of artists.