Richard Calvocoressi is a scholar and art historian. He has served as a curator at the Tate, London, director of the Scottish National Gallery of Modern Art, Edinburgh, and director of the Henry Moore Foundation. He joined Gagosian in 2015. Calvocoressi’s Georg Baselitz was published by Thames and Hudson in May 2021.
Francis Bacon: The First Pope
Richard Calvocoressi tells the story of Francis Bacon’s first image of the pope, ‘Landscape with Pope/Dictator’, c. 1946.
Baselitz: La rétrospective
Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.
The Thinking Hand
Edmund de Waal speaks with Richard Calvocoressi about touch in relation to art and our understanding of the world, and discusses the new stone sculptures he created for the exhibition This Living Hand: Edmund de Waal Presents Henry Moore, at the Henry Moore Studios & Gardens. Their conversation took place at the Fitzwilliam Museum, University of Cambridge, in the context of the exhibition The Human Touch.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Thomas Houseago: Encountering Rodin
Thomas Houseago and Amélie Simier, director of the Musée Rodin, Paris, talk with Gagosian director Richard Calvocoressi about contemporary sculpture and its foundation in the radical forms of Auguste Rodin.
Gerhard Richter: Young Gerd
Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.
Georg Baselitz: Life, Love, Death
Richard Calvocoressi writes on the painter’s latest bodies of work, detailing the techniques employed and their historical precedents.
On the occasion of a career-spanning exhibition at the Gallerie dell’Accademia, Venice, Richard Calvocoressi tracks the evolution of Georg Baselitz’s development from his early education in East Germany to his revelatory trip to Florence, in 1965, and beyond.
Before and After the Fall
Richard Calvocoressi examines the trajectory of pre- and postwar German and Austrian art from the 1930s through the mid-1950s, revealing how the events leading up to and following World War II affected this generation of artists.