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Gagosian Quarterly

Spring 2019

Jia Aili studio 2017–18. Photo: Jia Aili.

Jia Aili: Human Nature

The artist speaks with the Quarterly about interrogating perceptions, questioning illusions, and the primacy of intuition.

Spencer Sweeney in his studio, New York. Photo: Rob McKeever

In Conversation
Spencer Sweeney and Edek Bartz

Curator and concert promoter Edek Bartz speaks with the artist about portraiture, album covers, and subverting expectations.

Richard Artschwager, Arizona, 2002, acrylic on fiber panel, in metal artist’s frame

Richard Artschwager

On the occasion of the exhibition Richard Artschwager: Primary Sources, recently on view at Gagosian, New York, Bob Monk and Maggie Dougherty explore the artist’s use of reference materials as the impetus for his paintings.

A black-and-white portrait of Daniel-Henry Kahnweiler seated at a desk in front of a painting by Pablo Picasso.

Game Changer
Daniel-Henry Kahnweiler

Michael Cary pays homage to the visionary dealer Daniel-Henry Kahnweiler (1884–1979).

Luke Nikas, with Deborah Kass’s Vote Hillary (2016) on wall.

Building a Legacy
Luke Nikas on Art Law

Attorney Luke Nikas tells Alison McDonald about what steps artists, scholars, and authentication boards can take to protect themselves.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

In Conversation
Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.

Thelma Golden and David Adjaye.

The Studio Museum in Harlem

Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.

Nina Simone at the Boston Globe Jazz Festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.