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Gagosian Quarterly

Spring 2020

Jack McCollough and Lazaro Hernandez in their New York studio, 2019.

Fashion and Art: Proenza Schouler

Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.

Black and orange graphic title page

The Iconoclasts: Part 1

The first installment of a four-part story cycle by Anne Boyer.

Gerhard Richter, Uncle Rudi, 1965, oil on canvas, 34 ¼ × 19 ¾ inches (87 × 50 cm), CR: 85

Gerhard Richter: Young Gerd

Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.

François Aubert, The Shirt of the Emperor, Worn during His Execution, 1867, albumen silver print from glass negative, 8 ¾ × 6 ¼ inches (22.2 × 15.8 cm). Metropolitan Museum of Art, New York, Gilman Collection, Gift of the Howard Gilman Foundation, 2005

Édouard Manet: Death in the Afternoon

In this second installment of a two-part essay, John Elderfield resumes his investigation of Édouard Manet’s Execution of Maximilian, focusing this time on the political and historical implications of the artist’s formal treatment of real, violent events.

Isabelle Waldberg, with Construction (1943), in her studio, New York, 1943.

Isabelle Waldberg

Jacquelynn Baas profiles Isabelle Waldberg, writing on the sculptor’s many friendships and the influence of her singular creations.

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.

Andy Warhol catalogue. Philadelphia: Institute of Contemporary Art, 1965.

Book Corner
On Collecting with Norman Diekman

Rare-book expert Douglas Flamm speaks with designer Norman Diekman about his unique collection of books on art and architecture. Diekman describes his first plunge into book collecting, the history behind it, and the way his passion for collecting grew.

Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019–2021.

Giuseppe Penone: By the Bay

Elizabeth Mangini writes on Giuseppe Penone’s installation of two sculptures at San Francisco’s Fort Mason.

David Reed, #714, 2014–19, acrylic, oil, and alkyd on polyester.

David Reed

David Reed and Katharina Grosse met at Reed’s New York studio in the fall of 2019 to talk about his newest paintings, the temporal aspects of both artists’ practice, and some of their mutual inspirations.