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Gagosian Quarterly

Summer 2019

The Tribuna, c. 1560, Museo di Palazzo Grimani, Venice. Photo: courtesy of Polo Museale del Veneto

Venetian Heritage

Venetian Heritage, a philanthropic organization dedicated to the restoration and preservation of Venice’s cultural treasures, has pursued its mission for two decades. Here, the architect Peter Marino, the organization’s chairman, joins Toto Bergamo Rossi, director of the Venice office, to tell Gagosian director Jason Ysenburg about the history and future of the organization and its program for the 2019 Venice Biennale.

David Bailey, Jane Birkin, 1969, gelatin silver print, 48 × 50 inches (121.9 × 127 cm), edition of 10

David Bailey: The Sixties

The photographer sat down with Derek Blasberg to talk about his process, his peeves, and his experiences with Jean Shrimpton, Anjelica Huston, Freddie Mercury, and more.

The dining room, lined with an early nineteenth-century papier peint and featuring a large crystal chandelier in the center, seen from the library

Studio Peregalli

Art historian and curator Sergio Risaliti speaks with Roberto Peregalli and Laura Sartori Rimini, the duo behind the interior design firm Studio Peregalli, about their philosophical approach to design, the cinematic quality of their rooms, and the publication of their latest monograph, Grand Tour: The Worldly Projects of Studio Peregalli.

Jasper Johns, Untitled, 2011, acrylic over intaglio on paper mounted on Fred Siegenthaler “confetti” paper, 11 ¾ × 7 ¾ inches (29.8 × 19.7 cm)

The Generative Surface

Eileen Costello explores the oft-overlooked importance of paper choice to the mediums of drawing and printmaking, from the Renaissance through the present day.

Edmund de Waal, London, 2019

Edmund de Waal: psalm

Edmund de Waal speaks with Alison McDonald about the components of psalm, his two-part project in Venice. He details the influences behind the exhibition and reveals some of his hopes for the project.

Richard Wright, no title, 2019 (detail), silver leaf on ceiling and walls at Gagosian, Park & 75, New York. Photo: Rob McKeever

Behind the Art
Richard Wright

In an interview with Kay Pallister, the artist explains his relationship to drawing and the importance of time in his site-specific works.

Josh Kline, Skittles, 2014, commercial fridge, lightbox, and blended liquids in bottles, 86 ½ × 127 ½ × 41 inches (219.7 × 323.9 × 104.1 cm) © Josh Kline. Photo:  © Timothy Schenck

Laws of Motion

Catalyzed by Laws of Motion—a group exhibition pairing artworks from the 1980s on by Jeff Koons, Cady Noland, Rosemarie Trockel, and Jeff Wall with contemporary sculptures by Josh Kline and Anicka Yi—Wyatt Allgeier discusses the convergences and divergences in these artists’ practices with an eye to the economic worlds from which they spring.

A portrait of Pier Paolo Pasolini.

Pasolini’s Faces

Carlos Valladares explores the cinema of Pier Paolo Pasolini, tracking the developments and lasting influence of the auteur’s singular career.

George Tjungurrayi's orange abstract painting Untitled—Kirrimalunya, polymer paint on linen.

Desert Painters of Australia

Steve Martin and Anne Stringfield’s collection of contemporary Indigenous Australian painting spans three generations of the “Desert Painters” of remote regions of Central and Western Australia. Louise Neri talks with Martin about his collecting passion, and about an exhibition that presents works from their collection along with a key loan from the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia. Their conversation is followed by commentary on these works by Martin’s friend Fred Myers, a longtime aficionado of the Desert artists.