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Gagosian Quarterly

Winter 2021

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Roy Lichtenstein, Girl with Ball, 1961, oil on canvas, 60 ¼ × 36 ¼ inches (153 × 91.9 cm), The Museum of Modern Art, New York; Gift of Philip Johnson. Artwork © Estate of Roy Lichtenstein. Photo: © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York

Drift of Dots

In this second installment of a two-part essay, John Elderfield resumes his investigation of the proliferation of dots in modern and contemporary art. Part one addressed how dots have been used to make the surface of a painting disappear. The focus here is on how dots affirm the surface, and on their associations as a result: skin, touch, decoration, disfigurement, or, simply, the labor—or boredom—of producing them.

Fashion and Art: Pierpaolo Piccioli

Fashion and Art: Pierpaolo Piccioli

The creative director for Valentino speaks with Derek Blasberg about this year’s Met Gala, the duty of all creatives to honor their moment while dreaming for the future, and his recent collaboration with seventeen contemporary artists for Valentino Des Ateliers.

Cover page with title and author in black and white

Out of the Darkness

A short story by Mathapelo Mofokeng, published here on the occasion of the Quarterly’s collaboration with PEN America.

Lee “Scratch” Perry, c. 1980

Game Changer
Lee “Scratch” Perry

Connor Garel celebrates the outsized impact of this legendary musician on the world of music and beyond.

Rashaun Mitchell + Silas Riener

Rashaun Mitchell + Silas Riener

Dance artists Rashaun Mitchell and Silas Riener join art and dance historian Megan Metcalf in a conversation about dancing with Gerhard Richter paintings, their evolving relationship to language, and hidden “Easter eggs” in their work.

Image of kneeling nun, still from Paul Verhoeven’s Benedetta (2021)

Cannes Film Festival 2021

Carlos Valladares shares his early look at five of this years standout films.

Manuel Mathieu, Siblings 2, 2021, mixed media, 70 × 62 inches (117.8 × 157.5 cm)

Social Works II: Manuel Mathieu | The Delusion of Power

Artist Manuel Mathieu reflects on Haiti, Francisco Goya, and conceptualizations of power, examining their roles in his practice.

Rendering for Prompts for a City: Whitechapel, minaret/pew and podium/market table (2021), Sumayya Vally’s project for Social Works II. Image: Sumayya Vally, Counterspace

Social Works II: Sumayya Vally and Sir David Adjaye

Sumayya Vally speaks with Sir David Adjaye about rethinking and expanding the definition of architecture. The conversation forms part of “Social Works II,” a supplement guest edited by Antwaun Sargent for the Winter 2021 issue of the Quarterly.

Portrait of Sir John Richardson, New York, 2005. Photo: Janette Beckman/Getty Images

The Art of Biography: Sir John Richardson’s “The Minotaur Years”

Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.