Gagosian is pleased to present an exhibition of new drawings by Richard Serra. This series, initiated in the spring of 1996 and completed at the end of the summer of 1997, marks a departure for Serra’s works on paper. Although they use the same media as previous drawings, both the way in which the oilstick is employed and the resulting surface textures are dramatically different in these completed works. The surfaces are built-up, active, and dense; they appear to be virtually three-dimensional.
These drawings were created during the same time period in which Serra was fabricating Torqued Ellipses, which is currently on view at the Dia Center for the Arts in Chelsea. This new body of drawings represents Serra’s first in-depth investigation of round and elliptical forms and their relationship to the rectangular paper format.
A fully illustrated catalogue will accompany the exhibition.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
Extended through January 11, 2020
September 17, 2019–January 11, 2020
555 West 24th Street, New York
September 17, 2019–February 1, 2020
West 21st Street, New York
Triptychs and Diptychs
September 16–November 2, 2019
980 Madison Avenue, New York
April 6–May 25, 2018
Grosvenor Hill, London