Henry Moore: Monumental Nature
Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.
Roy Lichtenstein’s New York Boyhood
Avis Berman’s biography of Roy Lichtenstein, Becoming Roy Lichtenstein: The Path to Pop, will be published this fall by Abbeville Press, aligning with a major retrospective at the Whitney Museum of American Art, New York, in October. For the Quarterly she has adapted part of her text to focus on the artist’s formative experiences in New York in the 1920s and ’30s.
Stella McCartney and Jeff Koons
Stella McCartney’s new limited-edition capsule collection made in collaboration with Jeff Koons launched in January 2026. Blending the two creators’ singular visions, the collection, which was first seen in McCartney’s Winter 2025 runway show, features a wide array of garments and accessories printed with artworks by Koons and slogans by McCartney. The collaboration continues the pair’s long-standing creative partnership, which has previously included jewelry, prints, and charitable initiatives. At the unveiling in New York, Koons met with Derek C. Blasberg to reflect on the collaboration, the importance of caring and community, and meeting Salvador Dalí when he was nineteen years old.
Michael Heizer: Negative Sculpture
Across his nearly six-decade career, Michael Heizer has continued to probe the possibilities of sculptural form defined by its absence. His exhibition Negative Sculpture features Convoluted Line A and Convoluted Line B, among the artist’s most complex negative sculptures. Here, we consider a selection of works that have preceded the new sculptures.
Richard Serra: Steve Reich’s “Music for Pieces of Wood”
In this video, musical ensemble Sō Percussion performs Steve Reich’s “Music for Pieces of Wood” inside the exhibition Richard Serra: Running Arcs (For John Cage), 1992, at Gagosian, New York.
Tatiana Trouvé: Dead Reckoning
The Palazzo Grassi – Pinault Collection in Venice opened Tatiana Trouvé: The Strange Life of Things this past April. Conceived in close collaboration with the artist, the exhibition’s venue served as a key starting point for the creation of new sculptures, large-scale drawings, and site-specific installations, all presented in dialogue with bodies of work from the past decade. A catalogue was published alongside the exhibition, and here we share Neville Wakefield’s essay on Trouvé’s radical forms of cartography.
Now available
Gagosian Quarterly Winter 2025
The Winter 2025 issue of Gagosian Quarterly is now available, featuring Jeff Koons’s Kissing Lovers (2016–25) on the cover.
The Bad Ones Don’t Deserve It
Albert Oehlen in conversation with Max Dax.
Christopher Wool: See Stop Run
Jonathan Griffin traveled to Marfa to see the second iteration of Christopher Wool’s See Stop Run exhibition and to talk with the artist about his latest work, and about the photography series and sculptures that grew from his time in the Texas town.
Jeff Koons: The Porcelain Series
With an exhibition of all-new work at Gagosian, New York, in November, Jeff Koons met with Alison McDonald at his New York studio to discuss the processes, inspirations, and metaphysical underpinnings of his latest sculptures and paintings.
Nathaniel Mary Quinn: What You See Is Grace
On the eve of ECHOES FROM COPELAND, an exhibition of new paintings at Gagosian, New York, Nathaniel Mary Quinn met with Ashley Stewart Rödder to discuss the genesis of the works he’s been creating, their literary origins, and his evolving approach to the practices—and intersections—of painting and drawing.
On Willem de Kooning: Albert Oehlen In Conversation with John Corbett
On the occasion of Willem de Kooning: Endless Painting, curated by Cecilia Alemani and comprising paintings from 1944 through 1986 and two sculptures, the Quarterly revisits a conversation between Albert Oehlen and John Corbett from 2013. The pair reflect on de Kooning’s late work and its lasting influence on them.