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Gagosian Quarterly

August 15, 2019

Now available

gagosianquarterlyfall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Detail from Nathaniel Mary Quinn’s Sinking (2019) on the cover of Gagosian Quarterly, Fall 2019

Detail from Nathaniel Mary Quinn’s Sinking (2019) on the cover of Gagosian Quarterly, Fall 2019

Inside this issue, Nathaniel Mary Quinn speaks with Anderson Cooper about the visionary nature of his art. We get a glimpse of Sterling Ruby’s newest sculptures and visit Tatiana Trouvé’s Between sky and earth in upstate New York. We hear from Albert Oehlen about his newest body of work, paintings made during a recent stay in Los Angeles. We’re delighted to have Carlos Valladares writing on the films and videos of Richard Serra and to have Richard Hell discussing Christopher Wool’s early encounters with German painters including Dieter Roth, Sigmar Polke, Martin Kippenberger, and Albert Oehlen. We take a moment to remember the incredible legacy of Robert Therrien (1947–2019) with Aimee Gabbard and hear from Jack Cowart, executive director of the Roy Lichtenstein Foundation, about the Foundation’s evolution. This edition also includes part three of Mark Z. Danielewski’s story “Love Is Not a Flame”; homages to Leonardo da Vinci, Dora Maar, and Betty Parsons; and features on the Fletcher family, Piero GoliaSetsuko, and Cy Twombly.

For all of this and so much more, order your copy or subscribe at the Gagosian Shop, or read the issue online.

Cover © Nathaniel Mary Quinn

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Tatiana Trouvé, The Residents, installation view, sculpture with jacket on water, Orford Ness, Suffolk, England

Tatiana Trouvé: The Residents

Tatiana Trouvé discusses her installation The Residents (2021), commissioned by Artangel for the exhibition Afterness on Orford Ness, a former military testing site in Suffolk, England

John Currin, Memorial, 2020 (detail), oil on canvas, 62 × 40 inches (157.5 × 101.6 cm)

John Currin: Monuments to Lust

Natasha Stagg reports on a trip to John Currin’s New York studio.

Tatiana Trouvé, April 4th, The New York Times; April 11th, South China Morning Post, China from the series From March to May, 2020, inkjet print and pencil on paper, 16 ⅝  × 23 ¼ inches (42.1 × 59 cm)

Tatiana Trouvé: From March to May

A portfolio of the artist’s drawings made during lockdown. Text by Jesi Khadivi.

Jack McCollough and Lazaro Hernandez in their New York studio, 2019.

Fashion and Art: Proenza Schouler

Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.

Albert Oehlen’s studio, Ispaster, Spain, 2019–20. Photos © Esther Freund

Albert Oehlen: Terrifying Sunset

The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Black-and-white photograph: Donald Marron, c. 1984.

Donald Marron

Jacoba Urist profiles the legendary collector.

Albert Oehlen and Mark Godfrey

In Conversation
Albert Oehlen and Mark Godfrey

Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.

Albert Oehlen: In the Studio

Albert Oehlen: In the Studio

This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.