Now available
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
Gagosian Chelsea is pleased to present an exhibition of six new sculptures by Richard Serra. Torqued Spirals, Toruses and Spheres announces Serra’s involvement with new sculptural shapes and configurations.
In recent years Serra has explored the effects of torqued forms in a series of single- and double-torqued ellipses. The two torqued spirals in the present show, Bellamy and Sylvester, titled in honor of two recently deceased friends, turn the interior corridor of the double-torqued ellipse into a seemingly endless path into its core. In his text for the exhibition catalogue, Hal Foster vividly describes the experience of walking the spiraling path: “It is as if your body becomes its own roller coaster, one tracked not up and down but round and round.”
Betwixt the Torus and the Sphere and Union of the Torus and the Sphere introduce entirely new shapes into Serra’s sculptural vocabulary. For the first time he works with spheroid and toroid sections. In Betwixt the Torus and the Sphere, three toroid and three spheroid sections are assembled to create five unique passageways. In Union of the Torus and the Sphere, a toroid section and a spheroid section lock together to create Serra’s first sculpture with an interior volume that cannot be entered. Both of these sections, with their extreme lean, are freestanding.
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
Violinist Alina Ibragimova performs Bach’s Sonata for Solo Violin No. 1 in G Major: Adagio (BWV 1001, c. 1720) from within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies, a nonprofit organization that commissions artists to produce site-specific projects and present performances, in collaboration with Gagosian, this recorded performance took place on May 8, 2022 before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).
Cellist Mario Brunello performs Bach’s Cello Suite No. 1 in G Major: Prelude (BWV 1007, c. 1717–23) within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies—a nonprofit that commissions artists to produce site-specific projects and present performances—in collaboration with Gagosian, this recorded performance took place on May 8, 2022, before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).
In response to enduring racial injustices and the recent widespread civil unrest, Richard Serra urges people to watch this video commentary by Trevor Noah, host of The Daily Show.
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.