Menu

Gagosian Quarterly

January 25, 2019

NANCY RUBINSExploring Form

Join Nancy Rubins at her California studio as she speaks about her working process and the abiding interests in space, depth, and the residues of time that have informed her sculptures and drawings.

Artwork © Nancy Rubins; Video: Pushpin Films

Nancy Rubins: Drawing in Graphite

Behind the Art
Nancy Rubins: Drawing in Graphite

Filmed during the installation of Nancy Rubins’s latest exhibition, Diversifolia, this video provides a rare look at one of the artist’s large-scale, graphite drawings.

Nancy Rubins

Work in Progress
Nancy Rubins

In the summer of 2017, Laura Fried took a trip to Nancy Rubins’s awe-inspiring studio in Topanga Canyon, CA. In this essay, she recounts her visit, detailing Rubins’s latest sculptures and the history of the studio.

Nancy Rubins: Our Friend Fluid Metal

Nancy Rubins: Our Friend Fluid Metal

Hurtling through time and space, Nancy Rubins captures aluminum orbiting in a delicate point of transition.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Giuseppe Penone, Leaves of Light – Tree, 2016, installed at the Louvre Abu Dhabi.

Rain of Light

One year after the opening of the Louvre Abu Dhabi, Jean Nouvel and Giuseppe Penone sat down with Gagosian’s Pepi Marchetti Franchi, Alain Fleischer, and Hala Wardé to reflect on how the museum and Penone’s commissioned artworks for the space came to be.

Bataille’s First Glance

Bataille’s First Glance

Dr. Philippe Roger, scholar and editor of Critique—the journal founded by Georges Bataille in 1946—considers the groundbreaking philosopher’s thoughts on art and his concept of the “Critical Dictionary.”

Steven Parrino: Natures Mortes Vivantes

Steven Parrino: Natures Mortes Vivantes

Vincent Pécoil reflects on Steven Parrino’s “deformalized” canvases as specters of abstraction and disruptions of painting’s status quo.

Time by Dance by Paik

Time by Dance by Paik

Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.

Baselitz: Devotion

Baselitz: Devotion

Georg Baselitz speaks with Sir Norman Rosenthal on the subject of his latest work. The two discuss these paintings, all depictions of self-portraits by artists from the past and present, and what it means to pay homage.

Sterling Ruby: Bloody Pots

Sterling Ruby: Bloody Pots

Ceramics expert Garth Clark explores Sterling Ruby’s practice in the medium, addressing the work’s allegiances and divergences from tradition.

Uraeus

Uraeus

Richard Calvocoressi speaks with Anselm Kiefer about the range of mythological and historical symbols in the artist’s sculpture Uraeus.