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Gagosian Quarterly

January 25, 2019

NANCY RUBINSExploring Form

Join Nancy Rubins at her California studio as she speaks about her working process and the abiding interests in space, depth, and the residues of time that have informed her sculptures and drawings.

Artwork © Nancy Rubins; Video: Pushpin Films

Nancy Rubins: Drawing in Graphite

Behind the Art
Nancy Rubins: Drawing in Graphite

Filmed during the installation of Nancy Rubins’s latest exhibition, Diversifolia, this video provides a rare look at one of the artist’s large-scale, graphite drawings.

Nancy Rubins

Work in Progress
Nancy Rubins

In the summer of 2017, Laura Fried took a trip to Nancy Rubins’s awe-inspiring studio in Topanga Canyon, CA. In this essay, she recounts her visit, detailing Rubins’s latest sculptures and the history of the studio.

Nancy Rubins: Our Friend Fluid Metal

Nancy Rubins: Our Friend Fluid Metal

Hurtling through time and space, Nancy Rubins captures aluminum orbiting in a delicate point of transition.

Time by Dance by Paik

Time by Dance by Paik

Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi on Cézanne, Morandi, and Sanyu

Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.

Steven Parrino: Natures Mortes Vivantes

Steven Parrino: Natures Mortes Vivantes

Vincent Pécoil reflects on Steven Parrino’s “deformalized” canvases as specters of abstraction and disruptions of painting’s status quo.

Baselitz: Devotion

Baselitz: Devotion

Georg Baselitz speaks with Sir Norman Rosenthal on the subject of his latest work. The two discuss these paintings, all depictions of self-portraits by artists from the past and present, and what it means to pay homage.

Uraeus

Uraeus

Richard Calvocoressi speaks with Anselm Kiefer about the range of mythological and historical symbols in the artist’s sculpture Uraeus.

Cows by the Water

Cows by the Water

At the Palazzo Grassi, Venice, a career-spanning exhibition of paintings by Albert Oehlen, entitled Cows by the Water, went on view in the spring of 2018. Caroline Bourgeois, the curator of the exhibition, discusses how the show was organized around the artist’s relationship to music.

Under the Table

Under the Table

Robert Therrien’s investigations of form, perception, and subjectivity often isolate recognizable elements and objects from everyday life. Blake Gopnik challenges the traditional readings of transformation and the purpose of scale in Therrien’s No title (folding table and chairs, green).

Jenny Saville Now

Jenny Saville Now

On the occasion of a major survey of the artist’s work, Dr. Simon Groom, Director of the Scottish National Gallery of Modern Art, Edinburgh, studies the evolution of Jenny Saville’s practice.

Painters without Borders

Painters without Borders

The exhibition Figurative Diaspora, co-curated by Mark Tansey and Peter Drake, presented paintings by five Chinese artists alongside work by five Russian artists, all of whom create “unofficial,” subversive, non-state-sanctioned art, thus tracing the influences of art across borders.