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Gagosian Quarterly

August 9, 2021

In Conversation

nancy rubins and eric Shiner

The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.

Nancy Rubins: Fluid SpaceGagosian, Beverly HillsJune 24–August 6, 2021

Video: Romoff Media

Installation view, Nancy Rubins: Fluid Space, Gagosian, Beverly Hills, June 24–August 6, 2021.

Conclusions Never Reached: Nancy Rubins in Fluid Space

Sara Softness reflects on a new series of sculptures by Nancy Rubins, Fluid Space (2019–21), “visual poems” that hint at the invisible and the unknown.

Nancy Rubins: Exploring Form

Nancy Rubins: Exploring Form

Join Nancy Rubins at her California studio as she speaks about her working process and the abiding interests in space, depth, and the residues of time that have informed her sculptures and drawings.

Nancy Rubins: Drawing in Graphite

Behind the Art
Nancy Rubins: Drawing in Graphite

Filmed during the installation of Nancy Rubins’s latest exhibition, Diversifolia, this video provides a rare look at one of the artist’s large-scale, graphite drawings.

Nancy Rubins

Work in Progress
Nancy Rubins

In the summer of 2017, Laura Fried took a trip to Nancy Rubins’s awe-inspiring studio in Topanga Canyon, CA. In this essay, she recounts her visit, detailing Rubins’s latest sculptures and the history of the studio.

Thomas McEvilley, Ulay (hiding behind a slab of wood), Eric Orr, and James Lee Byars, c. 1995 © Ulay, courtesy ULAY Foundation/Artists Rights Society (ARS), New York

Game Changer
Thomas McEvilley

David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.

The Kitchen, 512 West 19th Street, New York

The Kitchen: Fifty-Year Anniversary

To celebrate the fiftieth anniversary of the trailblazing New York institution The Kitchen, we present an oral history that includes contributions from Laurie Anderson, Charles Atlas, Wade Guyton, Jacqueline Humphries, Joan Jonas, Ralph Lemon, and Anicka Yi. Statements organized by Christopher Bollen and Tim Griffin.

Graham Nash at home, San Francisco, 1972. An M. C. Escher print from his collection can be seen on the floor to the right. Photo: Joel Bernstein

Graham Nash

Raymond Foye offers a window into his long-standing friendship with Graham Nash, guiding us through the legendary musician’s evolving interest in art and the visual world.

Piero Golia.

Myth-Maker

Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Joe Bradley

Joe Bradley

Lauren Mahony reflects on the themes and artworks presented in the artist’s mid-career survey at the Albright-Knox Art Gallery.

Taryn Simon, details from An American Index of the Hidden and Unfamiliar, 2007; A Living Man Declared Dead and Other Chapters I–XVIII, 2008–11; A Cold Hole, 2018; An Occupation of Loss, 2016; and Paperwork and the Will of Capital, 2015

In Conversation
Taryn Simon and Teju Cole

This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.

Glenn Brown’s studio, London, 2021. Photo: Lucy Dawkins

In Conversation
Glenn Brown and Jacky Klein

Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.