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Gagosian Quarterly

May 15, 2019

Visions of the Self:Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles, for an exhibition at Gagosian London. She details the extensive influence Rembrandt has had on her painting practice.

Artwork: © The Estate of Francis Bacon. All rights reserved. DACS 2019; © Georg Baselitz; © The Estate of Jean-Michel Basquiat/ADAGP, Paris and DACS, London 2019; © Glenn Brown; © Urs Fischer; © The Lucian Freud Archive/Bridgeman Images; © Ellen Gallagher; © Damien Hirst and Science Ltd. All rights reserved. DACS 2019; © Howard Hodgkin Estate; © Estate of Roy Lichtenstein/DACS 2019; © ADAGP, Paris and DACS, London 2019; Self Portrait, 1988 © Robert Mapplethorpe Foundation. Used by permission; © Giuseppe Penone; © Succession Picasso/DACS, London 2019; © Richard Prince; © Nathaniel Mary Quinn; © Charles Ray, courtesy Matthew Marks Gallery; © Gerhard Richter 2019 (040019); © Jenny Saville; © Cindy Sherman, courtesy the artist and Metro Pictures, New York; © Rudolf Stingel; © Christopher Wool; video: Emma Charles, Miriam Perez, and PerryDuke; Visions of the Self: Rembrandt and Now, in partnership with English Heritage, Gagosian, Grosvenor Hill, London, April 12–May 18, 2019

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Nathaniel Mary Quinn and Troy Carter

In Conversation
Nathaniel Mary Quinn and Troy Carter

On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Francis Bacon: Couplings video still.

Francis Bacon: Couplings

Richard Calvocoressi provides an in-depth view of the exhibition Francis Bacon: Couplings at Gagosian, London, examining a theme that preoccupied the artist throughout his career: the relationship between two people, both physical and psychological.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.

Giuseppe Penone, Leaves of Light – Tree, 2016, installed at the Louvre Abu Dhabi.

Rain of Light

One year after the opening of the Louvre Abu Dhabi, Jean Nouvel and Giuseppe Penone sat down with Alain Fleischer, Pepi Marchetti Franchi, and Hala Wardé to reflect on how the museum and Penone’s commissioned artworks for the space came to be.

Rachel Whiteread, Untitled (Notre-Dame), 2019.

For Notre-Dame

An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.

Richard Prince, Untitled, 2016–18.

Richard Prince

Text by Richard Hell.

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.