Artwork: © The Estate of Francis Bacon. All rights reserved. DACS 2019; © Georg Baselitz; © The Estate of Jean-Michel Basquiat/ADAGP, Paris and DACS, London 2019; © Glenn Brown; © Urs Fischer; © The Lucian Freud Archive/Bridgeman Images; © Ellen Gallagher; © Damien Hirst and Science Ltd. All rights reserved. DACS 2019; © Howard Hodgkin Estate; © Estate of Roy Lichtenstein/DACS 2019; © ADAGP, Paris and DACS, London 2019; Self Portrait, 1988 © Robert Mapplethorpe Foundation. Used by permission; © Giuseppe Penone; © Succession Picasso/DACS, London 2019; © Richard Prince; © Nathaniel Mary Quinn; © Charles Ray, courtesy Matthew Marks Gallery; © Gerhard Richter 2019 (040019); © Jenny Saville; © Cindy Sherman, courtesy the artist and Metro Pictures, New York; © Rudolf Stingel; © Christopher Wool; video: Emma Charles, Miriam Perez, and PerryDuke; Visions of the Self: Rembrandt and Now, in partnership with English Heritage, Gagosian, Grosvenor Hill, London, April 12–May 18, 2019
May 15, 2019
Visions of the Self:Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles, for an exhibition at Gagosian London. She details the extensive influence Rembrandt has had on her painting practice.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Fashion and Art: Pieter Mulier
Pieter Mulier, creative director of Alaïa, presented his second collection for the legendary house in Paris in January 2022. After the presentation, Mulier spoke with Derek Blasberg about the show’s inspirations, including a series of ceramics by Pablo Picasso, and about his profound reverence for the intimacy and artistry of the atelier.
Francis Bacon: The First Pope
Richard Calvocoressi tells the story of Francis Bacon’s first image of the pope, ‘Landscape with Pope/Dictator,’ c. 1946.
Urs Fischer: Lovers
The exhibition Urs Fischer: Lovers at Museo Jumex, Mexico City, brings together works from international public and private collections as well as from the artist’s own archive, alongside new pieces made especially for the exhibition. To mark this momentous twenty-year survey, the artist sits down with the exhibition’s curator, Francesco Bonami, to discuss the installation.
Georg Baselitz: Archinto
On the occasion of Georg Baselitz: Archinto at Museo di Palazzo Grimani, Venice, Artcore Films produced a short documentary featuring the artist. In the video, Baselitz details the origins of the project, how he approached the unique space, and his experiments in process and technique.
Picture Books: Percival Everett and Brandon Taylor
The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.
Awol Erizku and Urs Fischer: To Make That Next Move
On the eve of Awol Erizku’s exhibition in New York, he and Urs Fischer discuss what it means to be an image maker, the beauty of blurring genres, the fetishization of authorship, and their shared love for Los Angeles.
Baselitz: La rétrospective
Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.
The Art of Biography: Sir John Richardson’s “The Minotaur Years”
Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.
Jenny Saville: A cyclical rhythm of emergent forms
An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.
Georg Baselitz: Pulling Up the Image
In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.