Artwork: © The Estate of Francis Bacon. All rights reserved. DACS 2019; © Georg Baselitz; © The Estate of Jean-Michel Basquiat/ADAGP, Paris and DACS, London 2019; © Glenn Brown; © Urs Fischer; © The Lucian Freud Archive/Bridgeman Images; © Ellen Gallagher; © Damien Hirst and Science Ltd. All rights reserved. DACS 2019; © Howard Hodgkin Estate; © Estate of Roy Lichtenstein/DACS 2019; © ADAGP, Paris and DACS, London 2019; Self Portrait, 1988 © Robert Mapplethorpe Foundation. Used by permission; © Giuseppe Penone; © Succession Picasso/DACS, London 2019; © Richard Prince; © Nathaniel Mary Quinn; © Charles Ray, courtesy Matthew Marks Gallery; © Gerhard Richter 2019 (040019); © Jenny Saville; © Cindy Sherman, courtesy the artist and Metro Pictures, New York; © Rudolf Stingel; © Christopher Wool; video: Emma Charles, Miriam Perez, and PerryDuke; Visions of the Self: Rembrandt and Now, in partnership with English Heritage, Gagosian, Grosvenor Hill, London, April 12–May 18, 2019
May 15, 2019
Visions of the Self:Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles, for an exhibition at Gagosian London. She details the extensive influence Rembrandt has had on her painting practice.
Gagosian Quarterly Fall 2021
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.
Bourse de Commerce
William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.
Glenn Brown and Jacky Klein
Glenn Brown speaks with art historian Jacky Klein about working between mediums, his first finished painting of 2021, and the evolution of his artistic voice.
Jacoba Urist profiles the legendary collector.
The Art of Biography: Mark Stevens and Annalyn Swan
Mark Stevens and Annalyn Swan, coauthors of the 2005 Pulitzer Prize–winning biography of Willem de Kooning, speak with Michael Cary about the research and revelations that went into their biography of Francis Bacon.
Augurs of Spring
As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.
Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.
Gagosian Quarterly Spring 2021
The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.
The Bigger Picture
Exalt: Youth Justice Can’t Stop
As 2020 came to a close, Nathaniel Mary Quinn spoke with Gisele Castro, executive director of exalt, a New York City nonprofit dedicated to transforming the lives of court-involved youth by providing a path to success through effective educational engagement. Quinn is a former educator at exalt and now serves as a member of the organization’s board.
Jenny Saville: Painting the Self
Jenny Saville speaks with Nicholas Cullinan, the director of the National Portrait Gallery, London, about her latest self-portrait, her studio practice, and the historical painters to whom she continually returns.
Gerhard Richter: Young Gerd
Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.
Gagosian Quarterly Winter 2020
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.