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Richard Artschwager

Richard Artschwager, Diving Boy I, 1998 Acrylic, rubberized hair and masonite, 48 × 34 × 2 ½ inches (121.9 × 86.4 × 6.4 cm)

Richard Artschwager, Diving Boy I, 1998

Acrylic, rubberized hair and masonite, 48 × 34 × 2 ½ inches (121.9 × 86.4 × 6.4 cm)

Richard Artschwager, Piano, 1965 Laminate on wood, 32 × 48 × 19 inches (81.3 × 121.9 × 48.3 cm)Photo by Rob McKeever

Richard Artschwager, Piano, 1965

Laminate on wood, 32 × 48 × 19 inches (81.3 × 121.9 × 48.3 cm)
Photo by Rob McKeever

About

Richard Artschwager forged a unique path in art from the early 1950s through the early twenty-first century, making the visual comprehension of space and the everyday objects that occupy it strangely unfamiliar. His work has been variously described as Pop art, because of its derivation from utilitarian objects and incorporation of commercial and industrial materials; as Minimal art, because of its geometric forms and solid presence; and as conceptual art, because of its cool and cerebral detachment. But none of these classifications adequately define the aims of an artist who specialized in categorical confusion and worked to reveal the levels of deception involved in pictorial illusionism. In his work, an anonymous sheet of walnut-pattern Formica is both itself and a depiction of a wooden plane; a table or chair is furniture, sculpture, and image all at once; and a painting or sculpture can be a “multi-picture” or “three-dimensional still life.” Artschwager foregrounded the structures of perception, striving to conflate the world of images—which can be apprehended but not physically grasped—and the world of objects, the same space that we ourselves occupy. His last body of work marked a departure from his previous series, in that the images he composed from sources in popular culture communicated overt, if deadpan, allusions to contemporary political issues.

Artschwager was born in 1923 in Washington, DC, and died in 2013 in Albany, New York. After receiving a BA in 1948 from Cornell University, New York, he studied under Amédée Ozenfant, one of the pioneers of abstraction. In the early 1950s Artschwager became involved in cabinetmaking, producing simple pieces of furniture. After a ruinous workshop fire at the end of the decade, he began making sculpture using leftover industrial materials, then expanded into painting, drawing, site-specific installation, and photo-based work. Artschwager’s first exhibition took place at the Art Directions Gallery, New York, in 1959, and was followed by the first of many solo exhibitions with Leo Castelli in 1965. Solo exhibitions include Up and Across, Neues Museum, Nuremberg, Germany (2001, traveled to Serpentine Gallery, London); Museum für angewandte Kunst (MAK), Vienna (2002); Kunstmuseum Winterthur, Switzerland (2003, traveled to Kaiser Wilhelm Museum, Krefeld, Germany, and Staatliche Graphische Sammlung, Munich); Painting Then and Now, Museum of Contemporary Art, Miami (2003); Up and Down/Back and Forth, Deutsche Guggenheim Berlin (2003); Hair, Contemporary Art Museum, Saint Louis (2010); Richard Artschwager!, Whitney Museum of American Art, New York (2012, traveled to Hammer Museum, Los Angeles, Haus der Kunst, Munich, and Nouveau Musée National de Monaco); and Punctuating Space: The Prints and Multiples of Richard Artschwager, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York (2015).

Fairs, Events & Announcements

Sterling Ruby, Heart (6634), 2018 © Sterling Ruby Studio. Photo: Robert Wedemeyer

Art Fair

Artmonte-Carlo

April 28–29, 2018, booth B8
Grimaldi Forum, Monaco
www.artmontecarlo.ch

Gagosian is pleased to participate in Artmonte-Carlo 2018, presenting a selection of works by artists including Richard Artschwager, Davide Balula, Glenn Brown, Michael Craig-Martin, Edmund de Waal, Damien Hirst, Peter Lindbergh, Takashi Murakami & Virgil Abloh, Sterling Ruby, and Taryn Simon. To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.artmontecarlo.ch.

Sterling Ruby, Heart (6634), 2018 © Sterling Ruby Studio. Photo: Robert Wedemeyer

Giuseppe Penone, Pelle di foglie—5 foglie a terra, 2011 © Giuseppe Penone

Art Fair

artgenève

February 1–4, 2018, booth B19
Palexpo, Geneva
www.artgeneve.ch

Gagosian is pleased to participate in artgenève 2018, presenting a selection of works by Richard Artschwager, Georg Baselitz, John Currin, Dadamaino, Edmund de Waal, Keith Haring, Damien Hirst, Peter Lindbergh, Vera Lutter, Man Ray, Sally Mann, Brice Marden, Olivier Mosset, Albert Oehlen, Steven Parrino, Giuseppe Penone, Sigmar Polke, Ed Ruscha, Blair Thurman, Tatiana Trouvé, Tom Wesselmann, Franz West, Rachel Whiteread, and others. If you wish to receive a PDF with detailed information on the works, please contact us at geneva@gagosian.com. Tickets are available at www.artgeneve.ch.

Giuseppe Penone, Pelle di foglie—5 foglie a terra, 2011 © Giuseppe Penone

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Art Fair

Art Basel Miami Beach

December 7–10, 2017, booth D7
Miami Beach Convention Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Miami Beach 2017, presenting a selection of works by modern and contemporary artists including:

Richard Artschwager, Jean-Michel Basquiat, Cecily Brown, Glenn Brown, John Chamberlain, Dan Colen, John Currin, Urs Fischer, Sam Francis, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Alex Israel, Neil Jenney, Jasper Johns, Jeff Koons, Harmony Korine, Roy Lichtenstein, Brice Marden, Adam McEwen, Takashi Murakami, Albert Oehlen, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Frank Stella, Rudolf Stingel, Mark Tansey, Robert Therrien, Cy Twombly, Andy Warhol, Mary Weatherford, Tom Wesselmann, and Christopher Wool.

Tickets are available at www.artbasel.com.

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

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Museum Exhibitions

Richard Artschwager, blp, 2013 © 2018 Richard Artschwager/Artists Rights Society (ARS), New York

Just Opened

Richard Artschwager in
Harald Szeemann: Museum of Obsessions

Through January 20, 2019
Kunsthalle Düsseldorf, Germany
www.kunsthalle-duesseldorf.de

Harald Szeemann: Museum of Obsessions explores the life and career of the quintessential exhibition maker, from his groundbreaking involvement with the avant-garde movements of the 1960s and ’70s and his global contemporary exhibitions of the 1990s and 2000s, to his personal reading of early twentieth-century modernism. Work by Richard Artschwager is included. This show originated at the Getty Center in Los Angeles.

Richard Artschwager, blp, 2013 © 2018 Richard Artschwager/Artists Rights Society (ARS), New York

Richard Artschwager, Single Dinner, 1988 © Estate of Richard Artschwager/Artists Rights Society (ARS), New York

On View

Richard Artschwager

Through January 13, 2019
San Francisco Museum of Modern Art
www.sfmoma.org

Richard Artschwager’s mercurial paintings and sculptures pair strange and familiar materials to confound visual perception. This focused presentation shows the range of Artschwager’s investigations in paintings, objects, furniture, and works on paper.

Richard Artschwager, Single Dinner, 1988 © Estate of Richard Artschwager/Artists Rights Society (ARS), New York

Ed Ruscha, Azteca/Azteca In Decline, 2007, Broad Art Foundation © Ed Ruscha

On View

A Journey That Wasn’t

Opened June 30, 2018
The Broad, Los Angeles
www.thebroad.org

This exhibition explores complex representations of time and its passage. The show includes more than fifty works drawn from the museum’s collection of postwar and contemporary art and features more than twenty artists, including Richard Artschwager, Gregory Crewdson, Andreas Gursky, Anselm Kiefer, and Ed Ruscha.

Ed Ruscha, Azteca/Azteca In Decline, 2007, Broad Art Foundation © Ed Ruscha

Richard Artschwager, blp, 2013 © 2018 Richard Artschwager/Artists Rights Society (ARS), New York

Closed

Richard Artschwager in
Harald Szeemann: Museum of Obsessions

June 9–September 2, 2018
Kunsthalle Bern, Switzerland
kunsthalle-bern.ch

Harald Szeemann: Museum of Obsessions explores the life and career of the quintessential exhibition maker, from his groundbreaking involvement with the avant-garde movements of the 1960s and ’70s and his global contemporary exhibitions of the 1990s and 2000s, to his personal reading of early twentieth-century modernism. Work by Richard Artschwager is included. This show has traveled from the Getty, Los Angeles.

Richard Artschwager, blp, 2013 © 2018 Richard Artschwager/Artists Rights Society (ARS), New York

See all Museum Exhibitions for Richard Artschwager