Roe Ethridge’s photography emanates from his direct experience of the world. His oeuvre melds conceptual photography with commercial work, including outtakes from his own shoots and borrowed images already in circulation in other contexts. With this democratic attitude, Ethridge works to capture the vivid and intimate details of his shifting locales within photography’s classic genres of portrait, landscape, and still life. The diverse and sometimes abstruse nature of Ethridge’s imagery—vintage movie posters, fashion models, a pink rose, a mop bucket, a concrete mixer—oscillates between the spontaneous and the staged with such subtlety that it is often difficult to ascertain his elected approach with regard to individual images. Drawing upon photography’s descriptive power and its accessibility, he copies and recombines images, subverting their original status in order to regenerate their signifying possibilities, and in so doing, infuse them with a new sense of mysterious contingency.
Ethridge was born in 1969 in Miami. He received a BFA in photography in 1995 from the Atlanta College of Art. Ethridge’s work has been shown extensively around the world; exhibitions include Greater New York, MoMA PS1, New York (2000); The Americans, Barbican Centre, London (2001); Hello My Name Is . . . , Carnegie Museum of Art, Pittsburgh (2002); Palm Beach Institute of Contemporary Art, Florida (2004); Institute of Contemporary Art, Boston (2009); Museum of Contemporary Art, Los Angeles (2009); New Photography 2010: Roe Ethridge, Museum of Modern Art, New York (2010); Rencontres d’Arles, France (2011); and Hammer Museum, Los Angeles (2015). Solo museum exhibitions include Momentum 4: Roe Ethridge, Institute of Contemporary Art, Boston (2005); Roe Ethridge—Selected Works, Charles Riva Collection, Brussels (2012); Roe Ethridge, Le Consortium, Dijon (2012, traveled to Museum Leuven, Belgium); and Roe Ethridge: Nearest Neighbor, FotoFocus Biennial, Contemporary Arts Center, Cincinnati (2016). Ethridge’s work was included in the 2008 Whitney Biennial. In 2011 he was shortlisted for the Deutsche Börse Photography Foundation Prize.
Ethridge lives and works in New York.
January 24–March 9, 2019
September 21–October 28, 2017
September 6–October 9, 2013
Le Luxe II BHGG
June 9–July 22, 2011
Apple and Cigarettes
May 25–July 7, 2006
The Extreme Present
Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami
Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.
The Extreme Present
Gagosian at Galeries Lafayette Champs-Élysées
Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.
Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019
August 18, 2018–January 14, 2019
Marciano Foundation, Los Angeles
Mad World brings together works from the Marciano collection that reflect the rampant absurdities of contemporary life. Many works address the overwhelming accumulation of information, images, and ideas emanating from our phones, computers, billboards, televisions, and radios. Work by Roe Ethridge, Urs Fischer, and Nate Lowman is included.
Urs Fischer, Green Solace, 16 Handles, Red Solace, 2017 © Urs Fischer. Photo: Mats Nordman