About
It’s a sort of attraction/repulsion thing, beautiful to begin with until you notice that some sort of horrible violence is about to happen, or is in the middle of happening.
―Walton Ford
Gagosian is pleased to present Calafia, new watercolor paintings by Walton Ford. This is his first exhibition with the gallery.
Ford’s work explores where natural history and human culture intersect. His large-scale, empirically precise, and highly detailed paintings consider the drama and history of animals as they exist in the human imagination, revealing the deeply intertwined relationships between nature and civilization. Using the visual language and medium of nineteenth-century naturalist illustrators such as John James Audubon, Ford masters the aesthetics of scientific truth only to amplify and subvert them, creating provocative and sometimes fanciful narratives out of facts.
Calafia comprises a new series of epic paintings in which Ford depicts California through an amalgam of its myths, legends, and folklore. In a sixteenth-century novel, Las sergas de Esplandían (The Adventures of Esplandian), the Castilian author Garci Rodríguez de Montalvo wrote of a fictitious island inhabited by enormous flying griffins. On this island lived a tribe of Amazons, ruled by a warrior queen named Calafia. When the Spanish sailed up the western coast of North America, they named the land after this same imaginary island they had read about—thus fiction became history.
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Gagosian Quarterly Talks
Walton Ford and Irving Blum
Walton Ford sat down with legendary art dealer Irving Blum at Gagosian Beverly Hills to discuss his latest exhibition, Calafia.
King of the Jungle
Walton Ford’s most recent paintings focus on the history of California through fantastical interpretations of humanity and its encounters with animal life.
Walton Ford: Assuming an Animal Form
Walton Ford narrates the histories and myths behind two of his newest paintings.