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Gagosian Quarterly

November 20, 2017

Gagosian Quarterly Talks

Walton Ford and Irving Blum

Walton Ford sat down with legendary art dealer Irving Blum at Gagosian Beverly Hills to discuss his latest exhibition, Calafia.

On the occasion of his exhibition, Calafia, in Beverly Hills, Walton Ford and Irving Blum sat down with Gagosian’s Rani Singh. The discussion launches into detailed accounts of Walton’s beginnings, the centrality of literature and natural history research in his process, and guides the viewer through the large-scale watercolors on display with a particular eye to the histories and myths of California.

Artwork © Walton Ford; Camera and Edit by Aaron Farley; Camera by Pablo Velazquez; Sound by Aaron Beckum

King of the Jungle

King of the Jungle

Walton Ford’s most recent paintings focus on the history of California through fantastical interpretations of humanity and its encounters with animal life.

The Parameters of Perception

The Parameters of Perception

Michael Craig-Martin and Jeffrey Sturges in conversation on Tom Wessselmann’s Standing Still Lifes. 

Richard Phillips on Tom Wesselmann

Richard Phillips on Tom Wesselmann

Tom Wesselmann: Standing Still Lifes closes this week at Gagosian New York. In this text, Richard Phillips speaks with Jason Ysenburg about the impact of the exhibition. A video about the exhibition and the artist’s studio practice accompanies the text.

Andy Warhol: Triple Elvis

Spotlight
Andy Warhol: Triple Elvis

Text by Derek Blasberg.

Margo Smith, Henry Skerritt, and Fred Myers at the Gagosian Shop, New York

Gagosian Quarterly Talks
Desert Painters of Australia

To coincide with Desert Painters of Australia, an exhibition of contemporary Indigenous Australian art at Gagosian, 976 Madison Avenue, New York, the gallery hosted a conversation between leading authorities Fred Myers,  Henry Skerritt, and Margo Smith AM.

Dan Colen, Dimitri Chamblas, and Douglas Fogle

Gagosian Quarterly Talks
Dan Colen, Dimitri Chamblas, and Douglas Fogle

Douglas Fogle moderates a conversation between Dan Colen and Dimitri Chamblas following the premiere of Colen’s two performance pieces At Least They Died Together and Carry On Cowboy.

Giuseppe Penone and Carlos Basualdo

Gagosian Quarterly Talks
Giuseppe Penone and Carlos Basualdo

Giuseppe Penone discusses his new monograph, The Inner Life of Forms, with the book’s editor Carlos Basualdo, senior curator of contemporary art at the Philadelphia Museum of Art, at the Greene Space, New York. Hosted by art critic Deborah Solomon.

Glenn Brown and Xavier Bray

Gagosian Quarterly Talks
Glenn Brown and Xavier Bray

Touching on everything from the politics of taste to the vibratory character of lines, Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s exhibition, Come to Dust, in London.

Exiles in Paradise

Gagosian Quarterly Talks
Exiles in Paradise

Lawrence Weschler profiles the European exiles in Los Angeles during the 1930s and ’40s, examining how cultural visionaries, from Man Ray to Arnold Schoenberg, navigated the dramatic change in setting.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

The artist Setsuko in Paris

Behind the Art
Setsuko: Into the Trees

Setsuko takes Jean-Olivier Després on a tour of her exhibition of terra-cotta and enameled ceramics in Paris, explaining her passion for trees and describing her approach to painting.

Edmund de Waal: psalm

Edmund de Waal: psalm

The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.