In order to provide a safe environment for our staff and the public, visitors will be asked to comply with the following protocols as well as to respect instructions given by gallery staff.
– Visitors are encouraged to wear a mask for the duration of their visit.
– Hand sanitizer and masks will be provided for use.
– No large bags or backpacks are permitted in the gallery.
– No food or drink is permitted in the gallery.
Please contact firstname.lastname@example.org or +1 310 271 9400 with any questions about these guidelines.
Thank you for your understanding and cooperation.
Extended through June 11, 2022
Curated by Francesco Bonami
April 23–June 11, 2022
Screen Time: How Nadya Tolokonnikova and UnicornDAO are Warming the Web3 World
Ashley Overbeek profiles Pussy Riot member Nadya Tolokonnikova and the feminist collective UnicornDAO, highlighting their efforts to harness blockchain technology for art and activism.
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
The Root of Black Joy: The Work of Bahamian Artist Gio Swaby
For Roxane Gay’s guest-edited section in the Winter 2022 Gagosian Quarterly, “Black to Black,” Brooke C. Obie addresses the mixed-media work of Gio Swaby, exploring the ways that Black joy, ancestry, and her home country inform her developing practice.
Leaps of Faith: A Conversation with Jordan Casteel and Calida Rawles
For her guest-edited section in the Winter 2022 Gagosian Quarterly, “Black to Black,” Roxane Gay speaks with Jordan Casteel and Calida Rawles about the nature of success, the intricacies of care, and how they each envision their practice.
Frank Auerbach: Artist Friends
In this candid interview with Richard Calvocoressi, the painter Frank Auerbach reminisces on his friendships with Michael Andrews, Francis Bacon, and Lucian Freud. The two spoke during the planning of the exhibition Friends and Relations, a show that examines the interconnected lives and art practices of this group of London painters.
Anna Weyant: Baby, It Ain’t Over Till It’s Over
Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.
“The Present Decline”: Jim Shaw’s Epic Parables
Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.
Shaw Studio Sing-along Songs
In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.
A Body of Work: Firelei Báez and Tschabalala Self
Amber J. Phillips examines the works of Firelei Báez and Tschabalala Self as part of “Black to Black,” a supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly.
Commemorative Acts: Ladi’Sasha Jones
As part of “Black to Black,” a special supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly, Ladi’Sasha Jones looks at the work of Black women artists who utilize archives.
Visual Abundance in the Work of Kezia Harrell
As part of “Black to Black,” a supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly, Randa Jarrar explores the work of Kezia Harrell.
Bruce Bernard: Portraits Of Friends
Virginia Verran details the photographer’s friendships with the London painters.