Installation Views

Works Exhibited

About

I send back to the West that which belongs to them, which is to say, the refuse of consumer society that invades us every day. 
—Romuald Hazoumè

Gagosian is pleased to present an exhibition of works by Romuald Hazoumè, bringing together sculptures from 1997 to the present. This is Gagosian’s second exhibition of Hazoumè’s work following a 2016 show in Paris, and his first solo exhibition in New York since 1999.

Hazoumè’s art—which ranges across sculpture, photography, film, and sound—absorbs and confronts the complex realities of contemporary life in Benin and the broader ramifications of Pan-African politics. A bricoleur whose formal currency is often found in recycled materials—for example, the fifty-liter plastic bidon, or jerrycan, a local staple for the illegal purchase of cheap gasoline from Nigeria—Hazoumè uses strategies of repetition and recombination to create works of elegant potency whose effects are intensified by the wordplay of his titles.

Masks are perhaps the best-known aspect of Hazoumè’s art. In Yoruba culture, masks have long had ceremonial and symbolic importance, as the head and the face are often regarded as the locus of a person’s destiny. Highly valued by European markets, African masks became recurring motifs in the artwork of the twentieth-century European avant-gardes. Freed from ritual or sociological purpose, Hazoumè’s masks consciously adapt the signifiers of African-European exchange to contemporary realities. Composed of plastic gasoline containers and other discarded materials, the masks are freighted with subtext, bringing to mind the Beninese men and women who, unable to find legal employment, are forced to ferry contraband gasoline between Nigerian sources and their Beninese consumers in order to survive.

On Anselm Kiefer’s Photography

On Anselm Kiefer’s Photography

Sébastien Delot is director of conservation and collections at the Musée national Picasso–Paris and the organizer of the first retrospective to focus on Anselm Kiefer’s use of photography, which was held at Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut (Musée LaM) in Villeneuve-d’Ascq, France. He recently sat down with Gagosian director of photography Joshua Chuang to discuss the exhibition Anselm Kiefer: Punctum at Gagosian, New York. Their conversation touched on Kiefer’s exploration of photography’s materials, processes, and expressive potentials, and on the alchemy of his art.

Gagosian Quarterly Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

The Art of the Olympics: An Interview with Yasmin Meichtry

The Art of the Olympics: An Interview with Yasmin Meichtry

The Olympic and Paralympic Games arrive in Paris on July 26. Ahead of this momentous occasion, Yasmin Meichtry, associate director at the Olympic Foundation for Culture and Heritage, Lausanne, Switzerland, meets with Gagosian senior director Serena Cattaneo Adorno to discuss the Olympic Games’ long engagement with artists and culture, including the Olympic Museum, commissions, and the collaborative two-part exhibition, The Art of the Olympics, being staged this summer at Gagosian, Paris.

Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

In Conversation
Brooke Holmes, Katarina Jerinic, and Lissa McClure on Francesca Woodman

Join Brooke Holmes, professor of Classics at Princeton University, and Lissa McClure and Katarina Jerinic, executive director and collections curator, respectively, at the Woodman Family Foundation, as they discuss Francesca Woodman’s preoccupation with classical themes and archetypes, her exploration of the body as sculpture, and her engagement with allegory and metaphor in photography.

David Cronenberg: The Shrouds

David Cronenberg: The Shrouds

David Cronenberg’s film The Shrouds made its debut at the 77th edition of the Cannes Film Festival in France. Film writer Miriam Bale reports on the motifs and questions that make up this latest addition to the auteur’s singular body of work.

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Christo: Wrapped 1961 Volkswagen Beetle Saloon (1963–2014)

Join Vladimir Yavachev, director of operations for the Christo and Jeanne-Claude Foundation, as he discusses the genesis of the artist’s work Wrapped 1961 Volkswagen Beetle Saloon (1963–2014), which Gagosian presented at Art Basel Unlimited 2024.

Oscar Murillo and Alessandro Rabottini

In Conversation
Oscar Murillo and Alessandro Rabottini

In conjunction with Marks and Whispers, at Gagosian, Rome, Oscar Murillo and Alessandro Rabottini sit down to discuss the artist’s paintings and works on paper in the exhibition, as well as how the show emphasizes the formal, political, and social dimensions of the color red in Murillo’s work of the last decade.

BRONX BODEGA Basel

BRONX BODEGA Basel

On the occasion of Art Basel 2024, creative agency Villa Nomad joins forces with Ghetto Gastro, the Bronx-born culinary collective by Jon Gray, Pierre Serrao, and Lester Walker, to stage the interdisciplinary pop-up BRONX BODEGA Basel. The initiative brings together food, art, design, and a series of live events at the Novartis Campus, Basel, during the course of the fair. Here, Jon Gray from Ghetto Gastro and Sarah Quan from Villa Nomad tell the Quarterly’s Wyatt Allgeier about the project.

Donald Judd: Untitled: 1970

Donald Judd: Untitled: 1970

In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, discusses a historic large-scale work by his father from 1970, ahead of its presentation at Art Basel Unlimited 2024.

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

A-POC ABLE ISSEY MIYAKE: An interview with Yoshiyuki Miyamae

Founded in 1998 by Issey Miyake, A-POC (“A Piece of Cloth”) set out to bring the development and production of fabric and garments into the future. Over the subsequent decades, A-POC has worked at the forefront of technology to realize its goals, and under the leadership of Yoshiyuki Miyamae—who has been with Miyake Design Studio since 2001—A-POC ABLE has engaged in a dynamic series of collaborations with artists, architects, craftspeople, and new technologies to rethink how clothing is designed and made. On the occasion of the line being made available in the United States for the first time, the Quarterly’s Wyatt Allgeier visited the brand’s flagship in New York to speak with Yoshiyuki about the A-POC process, as well as the latest collaboration with the artist Sohei Nishino.

Jordan Wolfson and Johanna Burton

In Conversation
Jordan Wolfson and Johanna Burton

In this video, Gagosian presents a conversation between Jordan Wolfson and Johanna Burton, Maurice Marciano Director of the Museum of Contemporary Art, Los Angeles. The pair discuss Wolfson’s animatronic work of art Body Sculpture (2023).

Game Changer: Richard Marshall

Game Changer: Richard Marshall

Alison McDonald celebrates the life of curator Richard Marshall.

Cover of the book Haunted Realism

Haunted Realism

$120
Cover of the Fall 2018 issue of Gagosian Quarterly magazine, featuring artwork by Nate Lowman

Gagosian Quarterly: Fall 2018 Issue

$20